ISBN: 9781845112110 - british cinema and the cold war: the state, propaganda and consensus (cinema and society) (24 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781845112110.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781845112110.

Zustand: new.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output.Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Uncovers British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the 'first Cold War' dictated international politics. It explores the relationship between film-makers, censors and Whitehall. Series: Cinema and Society. Num Pages: 296 pages, illustrations. BIC Classification: APF; JPS; JPVN. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 231 x 157 x 27. Weight in Grams: 458. . 2006. Paperback. . . . .…

Paperback. Zustand: Very Good. Reprint. First published 2001. 235 x 155 mm. xii, 280 pp. Pictorial card covers. A bright, presentable copy. Spine not creased. Occasional b&w illustrations. Endnotes, bibliography, index. Book.

Soft cover. Zustand: Near Fine. First Edition Thus. 8vo. xii, 280pp. Illustrated. 1st printing of 1st paperback edition. An era which marked the last phase of cinema's dominance as a mass entertainment form in Britain. Near fine.

Zustand: New. pp. 296.

Paperback. Zustand: Brand New. 280 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New. Uncovers British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the 'first Cold War' dictated international politics. It explores the relationship between film-makers, censors and Whitehall. Series: Cinema and Society. Num Pages: 296 pages, illustrations. BIC Classification: APF; JPS; JPVN. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 231 x 157 x 27. Weight in Grams: 458. . 2006. Paperback. . . . . Books ship from the US and Ireland.…

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Zustand: Neu. Neuware - Much has been written about cold war Hollywood and the Soviet Union's cinematic campaign against the West. This book fills a significant gap in the international story by uncovering British cinema's contribution to cold war propaganda and its attempt to create a consensus among British audiences on cold war issues. The book includes tales of conveniently forgotten films like 'High Treason,' directed by Roy Boulting, which put a British McCarthyism on celluloid; 'Little Red Monkey,' in which the Chinese communist threat first emerged; and the fascinatingly ambiguous 'The Man Between,' Carol Reed's follow-up to 'The Third Man,' set in a divided Berlin. It examines cold war issues, as refracted through British films and Hollywood movies released in Britain, and tells how the British public received this 'war propaganda.'.…

Kartoniert / Broschiert. Zustand: New. Uncovers British cinema s contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the first Cold War dictated international politics. It explores the relationship between f.

Paperback. Zustand: New. Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output.Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'.…