Isbn: 9781848222649 - sharing images: renaissance prints into ceramic and bronze (14 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Greenworld Books, arlington, TX, USAGreenworld Books

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    Zustand: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

  • Sprache: Englisch

    Verlag: Lund Humphries, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore

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    hardcover. Zustand: Very Good. no dust jacket as issued No dust jacket. With very good dust jacket. Oversized.

  • Sprache: Englisch

    Verlag: Lund Humphries, First Edition, FIRST PRINTING, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: KULTURAs books, Los Angeles, CA, USAKULTURAs books

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    Zustand: Gebraucht - Sehr gut

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    Hardcover. Zustand: Fine. 4to 11" - 13" tall; 144 pages.

  • Sprache: Englisch

    Verlag: Lund Humphries, London, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Mullen Books, ABAA, Marietta, PA, USAMullen Books, ABAA

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    Verbandsmitglied: ABAAILAB

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    EUR 27,15

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    Hardcover. Zustand: VG+: As new in shrinkwrap. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher.

  • Sprache: Englisch

    Verlag: Lund Humphries, London, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Mullen Books, ABAA, Marietta, PA, USAMullen Books, ABAA

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    Zustand: Gebraucht

    EUR 36,20

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    Hardcover. pictorial boards w/ goldenrod cloth spine, black printing. 156 pgs, color illustrations. Back board has mounted, publisher's correction of book description. "It is well known that the advent of the printed image in the Renaissance transformed the content, appearance, and function of art in the following centuries. As rapidly producible multiples, prints could broadcast visual motifs, compositions, subjects, and styles with unprecedented speed and to an ever-expanding audience. The print, more than any other medium, created an artistic canon that went beyond geographic and medial boundaries. The two art forms most directly and dramatically influenced by prints in the Renaissance were ceramics and bronze plaquettes. Brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. Sharing Images: Renaissance Prints into Maiolica and Bronze documents the National Gallery of Art exhibition that brings prints, istoriato maiolica, and plaquettes into the same space, addressing the impact prints had on the decorative arts but also the modalities of their reception, highlighting the remarkably creative engagement artists and craftsmen had with their models."--Provided by publisher. Like New (bump to upper edge of spine).

  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, GB, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA

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    Hardback. Zustand: New. This book is the first full-length study into the multifarious influence of Renaissance prints on maiolica and bronze. Focusing on designs by major artists such as Andrea Mantegna, Antonio del Pollaiuolo, Raphael, Michelangelo, Parmigianino, and Albrecht Dürer, the book tells the story of how printed images were transmitted, transformed, and translated onto ceramics and small bronze reliefs, creating a shared visual canon across artistic media and geographical boundaries. Prized by princes and popes, and collected by scholars and diplomats, brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. They are also among the least familiar, even to lovers of early modern art. Although seemingly unrelated and usually exhibited in isolation, ceramics and bronzes are in fact bound by the complex network of connections they share with prints and illustrated books. Sharing Images provides a comprehensive introduction to different aspects of the phenomenon, from the role of 15th-century prints and the rediscovery of ancient art to the importance of illustrated books and the artistic exchanges between Italy and northern Europe.

  • Sprache: Englisch

    Verlag: Lund Humphries, 2018

    1848222645 / 9781848222649

    • Hardcover
    • Erstausgabe

    Anbieter: The Roving Eye Books, Ridgely, MD, USAThe Roving Eye Books

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    Hardcover. Zustand: New. No Jacket. 1st Edition. Elegantly printed study of how images were transformed into designs in sculpture,ceramics, bronze relief, with focus also on illustrated books, glazed Italian ceramics, Renaissance prints.

  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Basi6 International, Irving, TX, USABasi6 International

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    Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Romtrade Corp., STERLING HEIGHTS, MI, USARomtrade Corp.

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    Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: SMASS Sellers, IRVING, TX, USASMASS Sellers

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    Zustand: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Majestic Books, Hounslow, Vereinigtes KönigreichMajestic Books

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  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Books Puddle, Woodside, NY, USABooks Puddle

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  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Biblios, frankfurt am main, HESSE, DeutschlandBiblios

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  • Sprache: Englisch

    Verlag: Lund Humphries Publishers Ltd, GB, 2018

    1848222645 / 9781848222649

    • Hardcover

    Anbieter: Rarewaves USA United, HEBRON, KY, USARarewaves USA United

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    Hardback. Zustand: New. This book is the first full-length study into the multifarious influence of Renaissance prints on maiolica and bronze. Focusing on designs by major artists such as Andrea Mantegna, Antonio del Pollaiuolo, Raphael, Michelangelo, Parmigianino, and Albrecht Dürer, the book tells the story of how printed images were transmitted, transformed, and translated onto ceramics and small bronze reliefs, creating a shared visual canon across artistic media and geographical boundaries. Prized by princes and popes, and collected by scholars and diplomats, brightly painted maiolica and minutely crafted bronze reliefs are among the most beautiful and intriguing objects produced in the period. They are also among the least familiar, even to lovers of early modern art. Although seemingly unrelated and usually exhibited in isolation, ceramics and bronzes are in fact bound by the complex network of connections they share with prints and illustrated books. Sharing Images provides a comprehensive introduction to different aspects of the phenomenon, from the role of 15th-century prints and the rediscovery of ancient art to the importance of illustrated books and the artistic exchanges between Italy and northern Europe.