9781854377784 - Street and Studio: An Urban History of Photography von Eskildsen, Ute (32 Ergebnisse)

Paperback. Zustand: Very Good. Street & Studio: An Urban History of Photography This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Zustand: New. pp. 224 Illus.

Zustand: New.

Oversize Paperback. Zustand: Near Fine. No Jacket.

Paperback. Zustand: Very Good. 2 This book is in very good condition; no remainder marks. Unread copy. It does have some cover shelfwear. Inside pages are clean. ; 0.79 x 10.79 x 8.98 Inches; 224 pages.

Paperback. Zustand: new. Paperback. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography. Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. This book examines the contrasts and tensions between these two traditions, revealing about the history of photography itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9781854377784.

Paperback. Zustand: New. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography.Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves.

Zustand: New. 2008. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2008. Paperback. . . . . .

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. illustrated edition. 224 pages. 10.75x8.75x0.75 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 224.

Zustand: New. pp. 224.

Zustand: New.

Zustand: Very Good. Softcover, 224 pages. The street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through elaborate staging and technical tricks. In recent years, with celebrities posing in the street and the studio being used for more informal, intimate shots, both traditions have undergone a transformation. This stunning collection features many of the greatest street hotographers of all time--Atget, Brassai, Cartier-Bresson, Arbus, Frank, as well as studio-based artists such as Carlo Ponti, Edward Steichen, Richard Avedon, Annie Leibovitz, and Jurgen Teller. Record # 351450.

Paperback. Zustand: New. New copy - Usually dispatched within 4 working days.

Soft cover. Zustand: New. Zustand des Schutzumschlags: No Dust Jacket. 1st Edition. Type: Book.

Zustand: Very good.

Paperback. Zustand: Very Good. Pictorial card covers. 275 x 230 mm. 224 pp. Published on the occasion of the exhibition. Copiously illustrated in b&w and colour. Spine not creased. A clean, bright copy. Book.

Paperback. Zustand: new. Paperback. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography. Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. This book examines the contrasts and tensions between these two traditions, revealing about the history of photography itself. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Zustand: very good. London : New York : Tate Pub. ; Distributed in the U.S. and Canada by Harry N. Abrams, 2008. paperback. 221 p. : ill. (some col.) ; 28 cm. Edited by Ute Eskildsen ; with Florian Ebner and Bettina Kaufmann. Published on the occasion of the exhibition at Tate Modern, London, 22 May-31 Aug. 2008, and Museum Folkwang, Essen, 11 Oct. 2008-11 Jan. 2009./ Includes bibliographical references . Condition : very good copy. ISBN 9781854377784. Keywords : ,

Zustand: New. KlappentextThe street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through ela.

Paperback. Zustand: new. Paperback. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography. Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. This book examines the contrasts and tensions between these two traditions, revealing about the history of photography itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Zustand: Neu. Neuware - The street allows photographers to conceal cameras and catch subjects unaware, in informal settings. By contrast, the studio permits both photographers and subjects to present carefully composed images to the world through elaborate staging and technical tricks. In recent years, with celebrities posing in the street and the studio being used for more informal, intimate shots, both traditions have undergone a transformation. This stunning collection features many of the greatest street hotographers of all time--Atget, Brassai, Cartier-Bresson, Arbus, Frank, as well as studio-based artists such as Carlo Ponti, Edward Steichen, Richard Avedon, Annie Leibovitz, and Jurgen Teller. 'Street and Studio' provides a revealing look at the history of photography through the contrasts and tensions between these two traditions. Insightful and engaging essays by leading critics explore how the images these photographers have produced have conditioned the way we see both the modern city and ourselves.

Paperback. Zustand: New. Any examination of the history of the photographic portrait uncovers two very different traditions, shaped by the place where they were made - in the street or in the studio. Both are essentially urban. The street has been the place where small and easily concealed cameras allowed photographers to capture subjects unaware or at least in informal settings. In contrast, the studio offered both photographer and subjects the opportunity to present carefully composed images to the world, making use of all the elaborate staging and technical tricks at their disposal. Both these practices have since been subverted, with celebrities becoming used to posing in the street and the studio being used for informal and intimate shots. For the first time this book examines the contrasts and tensions between these two traditions, revealing much about the history of photography itself and providing fascinating insights into the changing face of societies across the globe.The book will include many of the greatest names in the history of photography.Among those who have famously photographed in the street, it will feature work by Atget, Brassai, Henri Cartier-Bresson, Robert Frank, Diane Arbus, Araki, Boris Mikhailov and Wolfgang Tillmans. Studio-based photographers include Carlo Ponti, Edward Steichen, Richard Avedon, David Bailey, Annie Leibovitz, Jurgen Teller, and Rineke Dijkstra. Essays by leading critics examine the history of street and studio photography and how the images these photographers have produced has conditioned the way we see both the modern city and ourselves.