9781854377968 - rodchenko and popova: defining constructivism (15 Ergebnisse)
- Softcover
Anbieter: Better World Books: West, Reno, NV, USABetter World Books: West
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Weitere Bilder- Softcover
Anbieter: RZABASBOOKs, Toronto, ON, KanadaRZABASBOOKs
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Soft cover. Zustand: Near Fine. No Jacket.
- Softcover
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Zustand: Good. Paperback, numerous colour illustrations, 4to.; Spine slightly discoloured.
- Softcover
Anbieter: Klondyke, Almere, NiederlandeKlondyke
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Zustand: Good. Paperback, numerous colour illustrations, 4to.
- Softcover
- Erstausgabe
Anbieter: Marcus Campbell Art Books, London, Vereinigtes KönigreichMarcus Campbell Art Books
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Paperback. Zustand: Near fine in wraps. First Edition. 23 x 28cm 199pp near fine exhibition catalogue with colour reproductions showing the works of the ground-breaking Russians. Rodchenko and Popova were pioneers of the art movement known as Constructivism. They considered themselves engineers rather than artists in the traditi…onal sense, and aimed to contribute to the redesign of everyday life. Constructivist art abandoned the galleries for the streets. Artists directed their energies at crockery and textiles, propaganda and cinema posters, book jackets and newspaper kiosks.This shift from two dimensional paintings to three dimensional sculptures went hand in hand with the entry of art into everyday life. Constructivist artists sought to leave behind flat picture planes and static images in order to access a mobile and multi-faceted world inspired by films, carnival floats, clothing and badges.Withc olour reproductions.
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Soft cover. Zustand: Fine. 1st Edition. Qto., 192 pages, colour illustrated. Looks as new, unused, a Fine copy.
- Softcover
Anbieter: ANARTIST, New York, NY, USAANARTIST
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Softcover, 192 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
- Softcover
Anbieter: GoldBooks, Denver, CO, USAGoldBooks
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Paperback. Zustand: new. New Copy. Customer Service Guaranteed.
- Softcover
Anbieter: DeckleEdge LLC, Albuquerque, NM, USADeckleEdge LLC
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paperback. Zustand: new.
Weitere Bilder- Softcover
Anbieter: Inanna Rare Books Ltd., Skibbereen, CORK, IrlandInanna Rare Books Ltd.
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EUR 78,00
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Zustand: Sehr gut. 23,5 cm x 28 cm. Frontispiece, 190 pages with illustrations throughout. Original Softcover. Excellent condition with only minor signs of wear. Includes for example: Being-in-Production: The Constructivist Code / Plates / His and Her Constructivism / Commentary on Drawings / The Line etc. Aleksander Mikhailovic…h Rodchenko (5 December [O.S. 23 November] 1891 December 3, 1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd anglesusually high above or down belowto shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (Wikipedia) Lyubov Sergeyevna Popova (April 24, 1889 May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy. She grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger. As early as 1917 in parallel with her Suprematist work, she had made fabric designs and worked on Agitprop books and posters, In the Tenth State Exhibition: Non Objective Creativity and Suprematism, 1918, she contributed the architectonic series of paintings. She continued painting advanced abstract works until 1921. In the 5 x 5 Exhibition of 1921, Popova and her four fellow Constructivists declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. Popova did not join the Working Group of Constructivists when it was set up in Moscow in March 1921, but joined by the end of 1921. In 1923 she began creating designs for fabric to be manufactured by the First State Textile Printing Works in Moscow. From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas. She designed typography of books, production art and textiles, and contributed designs for dresses to LEF. She worked briefly in the Cotton Printing Factory in Moscow with Varvara Stepanova. (Wikipedia).
- Softcover
- Erstausgabe
Anbieter: Widney Manor Books, solihull, MIDLA, Vereinigtes KönigreichWidney Manor Books
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EUR 90,35
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Soft cover. Zustand: New. 1st Edition.
Verlag: Tate, UK, 2009
- Softcover
Anbieter: Maynard & Bradley, Leicester, Vereinigtes KönigreichMaynard & Bradley
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EUR 39,70
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Softcover. Zustand: Very Good. 2009. A very well-presented copy, lightly used with some minor thumbing at the outer corners of the covers, but in all other regards clean and free from any major signs of wear, page edges crisp and seemingly barely read. Why on Amazon do most sellers not describe their actual book? Buy with confid…ence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Size: 235 x 280 mm. 192 pages. Item Type: Book. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Britain/UK; Modern; ISBN: 1854377965. ISBN/EAN: 9781854377968. Inventory No: 55285.
- Softcover
Anbieter: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, DeutschlandBUCHSERVICE / ANTIQUARIAT Lars Lutzer
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EUR 189,00
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Softcover. Zustand: gut. 2009. Rodchenko & Popova: Defining Constructivism In englischer Sprache. pages.
Rodchenko and Popova; Defining Constructivism
Tupitsyn, Margarita (editor) ; Rodchenko, Aleksandr; Popova, Liubov
- Softcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
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Paperback. Zustand: New.
