ISBN: 9781880146514 - ellsworth kelly: diagonal (7 Ergebnisse)

First Edition. First edition. Hardcover. 90 pages. Exhibition catalog for a show that ran February 6 through April 25, 2009. Features an essay by Johanna Burton. Includes numerous color illustrations. A fine copy in gray cloth boards and in a fine dust jacket.

Burton, Johanna. ELLSWORTH KELLY: Diagonal. Unpaginated, roughly 25 color plates. 4to, cloth. New York, Matthew Marks Gallery, 2009.

Zustand: Very Good +. Zustand des Schutzumschlags: Very Good +. First Edition. New York: Matthew Marks Gallery, 2009. First Edition. Quarto. Unpaginated. Color photographs. Photographic dust jacket. Dark gray boards stamped in black. Dust jacket lightly rubbed along edges. Binding is sound. Very slight chipping along bottom edge of text block, but overall pages clean and unmarked.…

Hardcover with dustjacket, 52 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Used. Zustand des Schutzumschlags: Very Good. Used Very Good Condition Art Book. Minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. First Edition. First edition, hardcover published to accompany the exhibition of the same title, the book has a minor lean to the binding, shallow bowing to the covers, and very slight wear to the spine ends and cover corners. This is a solid, clean, Very Good+ copy in a Very Good dust jacket, which has slight bumps to the spine ends and corners, some sunning to the spine, rubbing with a few light smudges to the covers, and mild wear to the edges. Jacket is wrapped in Mylar. …

Hardcover. Zustand: New. As spacious and sleek as the work itself, this monograph reproduces two sculptures from 2004 and 2005, along with 17 new paintings dating from 2007 and 2008, eight of which consist of a black or white rectangle with a contrasting black, white or colored rectangle placed diagonally on top and extending beyond the boundary of the canvas below. In the catalogue, Johanna Burton writes, "What Kelly is producing does not end at the edge. a shadow is thrown, but rather than demarcating the shape and space of the work more clearly, it works to utterly confuse what is being looked at: these are paintings that, in places, don't end or, perhaps, refuse to show how they begin. Rather than a perceptual fluke or an experiment in phenomenology, however, this is, I think, a part of the painting." The book accompanies the exhibition held at the Matthew Marks Gallery in the Spring of 2009. All plates are full color.…