ISBN: 9781887149174 - the abstract impulse: fifty years of abstraction at the national academy, 1956-2006 (5 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Hudson Hills, 2007

    1887149171 / 9781887149174

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    Paperback. Zustand: Very Good. Oversize paperback with just light cover wear, clean, no spine crease; an unmarked copy with clean pages; pages have two light indents (otherwise VG+).

  • Sprache: Englisch

    Verlag: Hudson Hills Press LLC, 2007

    1887149171 / 9781887149174

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    Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Hudson Hills Press, 2007

    1887149171 / 9781887149174

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    Softcover, 88 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

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    Sprache: Englisch

    Verlag: National Academy Museum, New York, New York, 2007

    1887149171 / 9781887149174

    • Softcover
    • Erstausgabe

    Anbieter: Mullen Books, ABAA, Marietta, PA, USAMullen Books, ABAA

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    Softcover. Zustand: VG. First. Color illus. wraps; 88 pp.; Profusely illustrated with bw figures and color plates. Published in conjunction with the exhibition of the same name; Includes a foreword by Jules Olitski; Contains works by Joseph Zirker, Reuben Tam, Tony Rosenthal, Milton Resnick, Jules Olitski, Robert Motherwell, Robert Mangold, and many others.…

  • Sprache: Englisch

    Verlag: Hudson Hills Press, 2007

    1887149171 / 9781887149174

    • Softcover

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    Paperback. Zustand: New. This publication together with its coinciding exhibition seeks to unveil the pluralistic ways in which abstraction developed after 1950, which will be revealed by the grouping of the works stylistically and thematically into three general sections: gesture, geometry, and introspection. As opposed to the establishing rigorous and constricting epithets, the sections are presented here merely as a loose guide to help organise the innumerable ways in which artists have continued to create abstract art over the last fifty years. These themes should help to illuminate the pluralism that has been, and continues to be, the abstract impulse. Marshall Price's text covers the history of abstraction at the National Academy both with regard to its exhibition in the Academy's annuals and the election of abstract artists to its membership. Furthermore Price's writing also reveals the process that its members went through to finally feature modern art at the Academy. The exhibition runs at the National Academy.…