9781906289652 - making meaning: clay therapy with children and adolescents von souter-anderson, lynne (30 Ergebnisse)
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Paperback. Zustand: new. Paperback. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creativ…e arts therapies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynnes book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)s research analysis of over 300,000 therapeutic sessions using the toolkit (sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, Clay Therapy: Theoretical Underpinning of Clay Therapy, in which the author explains her own theoretical basis, The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical. She uses the analogy of the five lenses to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapists presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the masters dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynnes book is a must-read for all creative play and arts therapists. This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creative arts ther…apies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynne's book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)'s research analysis of over 300,000 therapeutic sessions using the 'toolkit '(sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, 'Clay Therapy: Theoretical Underpinning of Clay Therapy', in which the author explains her own theoretical basis, 'The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical'. She uses the analogy of the 'five lenses' to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapist's presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the master's dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynne's book is a 'must-read' for all creative play and arts therapists.
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Paperback. Zustand: New. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creative arts ther…apies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynne's book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)'s research analysis of over 300,000 therapeutic sessions using the 'toolkit '(sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, 'Clay Therapy: Theoretical Underpinning of Clay Therapy', in which the author explains her own theoretical basis, 'The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical'. She uses the analogy of the 'five lenses' to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapist's presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the master's dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynne's book is a 'must-read' for all creative play and arts therapists.
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Paperback. Zustand: New. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creative arts ther…apies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynne's book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)'s research analysis of over 300,000 therapeutic sessions using the 'toolkit '(sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, 'Clay Therapy: Theoretical Underpinning of Clay Therapy', in which the author explains her own theoretical basis, 'The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical'. She uses the analogy of the 'five lenses' to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapist's presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the master's dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynne's book is a 'must-read' for all creative play and arts therapists.
- Softcover
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Paperback. Zustand: new. Paperback. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creativ…e arts therapies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynnes book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)s research analysis of over 300,000 therapeutic sessions using the toolkit (sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, Clay Therapy: Theoretical Underpinning of Clay Therapy, in which the author explains her own theoretical basis, The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical. She uses the analogy of the five lenses to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapists presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the masters dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynnes book is a must-read for all creative play and arts therapists. This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: New. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creative arts ther…apies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynne's book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)'s research analysis of over 300,000 therapeutic sessions using the 'toolkit '(sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, 'Clay Therapy: Theoretical Underpinning of Clay Therapy', in which the author explains her own theoretical basis, 'The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical'. She uses the analogy of the 'five lenses' to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapist's presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the master's dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynne's book is a 'must-read' for all creative play and arts therapists.
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Paperback. Zustand: new. Paperback. It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, TouchingClay, Touching What?: The Use of Clay in Therapy (2010), gave credence and credibility to using clay in therapy. It was apioneering book in the field of the creativ…e arts therapies and gave a broad perspective on working in this modality with all age groups ; This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training ; Lynnes book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)s research analysis of over 300,000 therapeutic sessions using the toolkit (sand, music, clay, art/drawing, puppets, movement,drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process ; Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, Clay Therapy: Theoretical Underpinning of Clay Therapy, in which the author explains her own theoretical basis, The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical. She uses the analogy of the five lenses to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process ; For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can prove to be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of the quality of the therapists presence are seen, because she has the courage to show her own process thereby offering authenticity to the work ; To be able to do this effectively specialised training is required There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the masters dissertations produced by students at the Academy of Play and Child Psychotherapy and Cambridge University, which are included towards the end of the book ; Lynnes book is a must-read for all creative play and arts therapists. This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - It is delightful to see another book by Lynne Souter-Anderson, contributing to the field of Clay Therapy. Her first book, Touching Clay, Touching What : The Use of Clay in Therapy (2010), gave credence and credibility to using clay in ther…apy. It was a pioneering book in the field of the creative arts therapies and gave a broad perspective on working in this modality with all age groups.This new book is written for already qualified professionals who want to add the use of Clay Therapy in their work with children and adolescents. It is a hands-on book for practitioners and easy to read. However, the application of clay therapy in this specialist field requires appropriate additional training. Lynne's book is a significant addition to the small but growing library of books on the market about specialist therapeutic approaches with young children and adolescents. Play Therapy UK (PTUK)'s research analysis of over 300,000 therapeutic sessions using the 'toolkit '(sand, music, clay, art/drawing, puppets, movement, drama, therapeutic story, creative visualisation etc.) has shown that clay is the fifth most used medium in play therapy sessions. It is therefore an important medium to offer to children and adolescents to support their healing process. Lynne achieves a good balance between the application of theory and the actual process, which is always valuable for the reader. This is especially well demonstrated in Chapter 1, 'Clay Therapy: Theoretical Underpinning of Clay Therapy', in which the author explains her own theoretical basis, 'The Theory of Contact: Physical, Emotional, Spiritual and Metaphorical'. She uses the analogy of the 'five lenses' to demonstrate the stages of immersion and discovery in the clay therapy process, and includes an invaluable diagram to clarify her theory about the evolving nature of the process.For me the book comes really alive through the ten case studies, which demonstrate how clay therapy has been used with the younger clients and adolescents, a client group that can proveto be difficult to reach and work with in therapy. The illustrations used deepen the experience and understanding of the process for the reader. Throughout the case studies glimpses of thequality of the therapist's presence are seen, because she has the courage to show her own process thereby offering authenticity to the work. To be able to do this effectively specialised training is required.There is still very little published in the field, but it is heartening and exciting to see recent research initiatives described in the master's dissertations produced by students at the Academy ofPlay and Child Psychotherapy and Cambridge University, which are included towards the end of the book. Lynne's book is a 'must-read' for all creative play and arts therapists.
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- Print-on-Demand
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Taschenbuch. Zustand: Neu. Making Meaning | Clay Therapy with Children and Adolescents | Lynne Souter-Anderson | Taschenbuch | Englisch | 2025 | Archive Publishing | EAN 9781906289652 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
