Isbn: 9781933045405 - mastering the melon (6 Ergebnisse)

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    • Sprache: Englisch

      Verlag: Galeria Javier Lopez, Madrid, 2006

      193304540X / 9781933045405

      • Hardcover

      Anbieter: Kenneth Mallory Bookseller ABAA, Decatur, GA, USAKenneth Mallory Bookseller ABAA

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      Verbandsmitglied: ABAAILAB

      Zustand: Gebraucht - Gut

      EUR 13,38

      EUR 5,19 Versand 
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      Anzahl: 1 verfügbar

      Hardcover. Zustand: Very Good. Hardcover. 121pp. Lightly edgeworn, else very good.

    • Sprache: Englisch

      Verlag: Galeria Javier Lopez, 2006

      193304540X / 9781933045405

      • Hardcover

      Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore

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      Zustand: Gebraucht - Gut

      EUR 14,50

      EUR 5,20 Versand 
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      Hardcover. Zustand: Very Good. crisp clean w/remainder mark, NICE! Standard-sized.

    • Sprache: Englisch

      Verlag: Javier Lopez Galeria, 2006

      193304540X / 9781933045405

      • Hardcover

      Anbieter: ANARTIST, New York, NY, USAANARTIST

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      Zustand: Gebraucht

      EUR 22,30

      EUR 4,33 Versand 
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      Hardcover without dustjacket as issued, 122 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

    • Sprache: Englisch

      Verlag: Trilce September 2006, 2006

      193304540X / 9781933045405

      • Hardcover

      Anbieter: Hennessey + Ingalls, Los Angeles, CA, USAHennessey + Ingalls

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      Zustand: Gebraucht - Gut

      EUR 26,76

      EUR 6,49 Versand 
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      Hardcover. Zustand: Used - Very Good. In his introduction, 'Artforum' editor-in-chief Tim Griffin calls Alix Lambert a walking tribute to Frank O'Hara's adage 'Grace to be born and live variously as possible.' And Lambert does live variously, infiltrating subcultures from tattoo artists to boxers to pilots and NASA staff. Works like her well-known photo and document-based 'Wedding Series,' in which she married and divorced three men and one woman in the space of six months, and like the multimedia debacle that was Platipussy--a fake all-girl band complete with a video, album, T-shirts and tragedy--show viewers how the artist adapts subcultural signs to discern and evaluate the identity markers that define us. For 'Male Pattern Baldness' she shaved her head down the middle. This first book to document Lambert's extensive projects is an image-filled compendium covering the decade-and-a-half from 1991 to 2005 with humor, incisive cultural commentary and formal accomplishment. Texts include Griffin's introduction and a discussion of Platipussy by 'Vice' editor Amy Kellner. Edited by Ariana Speyer. Essay by Amy Kellner. Introduction by Tim Griffin.

    • Sprache: Englisch

      Verlag: Galeria Javier Lopez, Madrid, Spain, 2006

      193304540X / 9781933045405

      • Hardcover

      Anbieter: Peter Rhodes, Southampton, Vereinigtes KönigreichPeter Rhodes

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      Zustand: Gebraucht - Gut

      EUR 9,63

      EUR 41,75 Versand 
      Versand von Vereinigtes Königreich nach USA

      Anzahl: 1 verfügbar

      Hard Cover. Zustand: Very Good +. No Jacket. First Hardback Edition. 250 x 225mm. pp. 121. English text. A volume showcasing the photographic projects of Alix Lambert. Colour and black and white illustrations. Bound in original pictorial boards. Boards and pages clean and tight. Binding strong. No ownership inscription or underlining.

    • Sprache: Englisch

      Verlag: Gallery, 2006

      193304540X / 9781933045405

      • Hardcover

      Anbieter: BWS BKS, Ferndale, NY, USABWS BKS

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      Zustand: Neu

      EUR 1.762,41

      EUR 2,60 Versand 
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      Anzahl: 1 verfügbar

      Hardcover. Zustand: New. In his introduction, Artforum editor-in-chief Tim Griffin calls Alix Lambert a walking tribute to Frank OâHaraâs adage "Grace to be born and live variously as possible." And Lambert does live variously, infiltrating subcultures from tattoo artists to boxers to pilots and NASA staff. Works like her well-known photo and document-based "Wedding Series," in which she married and divorced three men and one woman in the space of six months, and like the multimedia debacle that was Platipussy--a fake all-girl band complete with a video, album, T-shirts and tragedy--show viewers how the artist adapts subcultural signs to discern and evaluate the identity markers that define us. For "Male Pattern Baldness" she shaved her head down the middle. This first book to document Lambertâs extensive projects is an image-filled compendium covering the decade-and-a-half from 1991 to 2005 with humor, incisive cultural commentary and formal accomplishment. Texts include Griffinâs introduction and a discussion of Platipussy by Vice editor Amy Kellner.