ISBN: 9781933619293 - ben patterson: in the state of fluxus (24 Ergebnisse)

Hardcover. Zustand: Very Good. With two CD-ROMs, each in holder on inside front/rear cover. Light wear & aging to covers. Binding is firm. Interior is clean. Heavy item -- no international or Priority shipping. Illustrated in color and b+w (illustrator).

Zustand: like_new. Condition: Like New â" Book is in excellent condition with little to no visible wear. Pages are clean and crisp, and the cover and dust jacket if included are intact with minimal, if any, signs of handling. No markings, damage, or defects that affect readability. All orders are shipped via UPS Mail Innovations and may take up to 10 business days from the initial scan to be delivered.…

paperback. Zustand: Good. Includes a CD/DVD Satisfaction 100% guaranteed.

HARDCOVER. Zustand: As New. Hardcover edition. As New, still in shrinkwrapper.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: New. Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.…

Zustand: New.

Zustand: New. In English.

Paperback. Zustand: Brand New. paperback/cd edition. 260 pages. 9.41x9.41x0.98 inches. In Stock.

hardbound. Zustand: Very Good. Published in conjunction with the Benjamin Patterson exhibition, November 6 2010 - January 23 2011 Contemporary Arts Museum Houston; includes 2 CD Roms encased to front and rear pastedowns; text by Valerie Cassel Oliver, and with essays by Bertrand Clavez, Charles Gaines, Marcia Reed; colour and b&w plate illustrations throughout; includes Chronology, Select Bibliography; Very Good tight clean copy. no dustwrapper. 268pp. sm 4to. Very Good. profusely illustrated (illustrator).…

Hardcover. Zustand: Very Good. First printing with 2 CD-roms included. Some wear to pictorial boards, label trace on front panel, lower edge of page-block lightly marked.

Zustand: As New. Unread book in perfect condition.

Zustand: New. KlappentextrnrnPerforming and visual artist Ben Patterson (born 1934) was a founding member of Fluxus participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage s precedent, employed.

Taschenbuch. Zustand: Neu. Neuware - Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His 'Variations for Double Bass' (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.…

Soft cover. Zustand: Very Good. No Jacket. 1st Edition, Limited Edition. Square quarto, about 270 pp. Pictorial boards with no dust jacket, as issued. Published in conjunction with the exhibition organized by Valerie Cassel Oliver, Senior Curator, CAMH, which traveled to the Contemporary Arts Museum Houston (Nov. 6, 2010-Jan. 23, 2011), The Studio Museum in Harlem (Mar. 31-June 26, 2011) and the Nassauischer Kunstverein Wiesbaden (June 2-Sept. 30, 2012). Foreword by Bill Arning. Chronology by Meredith Goldsmith. Produced by Marquand Books, Seattle. Distributed by D.A.P. Profusely illustrated in color and black and white with scores, collages, objects, photographs and ephemera. The front cover reproduces Variations for Double Bass (Version for Prague, May 21, 1991), the back cover Décollage Solo for Wolf Vostell (1961), and the endsheets String Music (1960). With CD Light wear to the board corners and edges, with rubbing to the spine. Text clean and unmarked, binding tight.…

Hardcover. Zustand: Fine. 1st Edition. Fine hardcover in illustrated boards. Inscribed and Signed by Patterson on the front end page. Overall a bright and attractive copy, as new. Includes 2 CDs. Illustrated. 264 pp. Signed by Author(s).

Paperback. Zustand: New. Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.…

Hardcover. Zustand: New. Contemporary Arts Museum: 2012. Quarto. Hardcover without a dust jacket, as issued. Book is still in publisher's original shrink wrap and is thus in new condition.

Hardcover. Zustand: Fine. First Edition. Fine. Pictorial boards. No dust jacket, presumably as issued. Includes two CDs, one at the front and one at the back. No marks. 268 pages.

Hardcover. Zustand: New. Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists.…

Farbig illustrierter Original-Pappband; quadratisch Gr. 8°; 268 Seiten; mit zahlreichen farbigen Abbildungen; mit einer Audio-CD im Vorderdeckel. Sehr gutes Exemplar. Sprache: Englisch 1550 gr.

Paperback. Zustand: new. Paperback. Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists. Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with the titular instrument balanced upside down on its scroll. Published for a retrospective at the Contemporary Arts Museum Houston, this volume includes an anthology of Patterson's scores, edited by Fluxus scholar Jon Hendricks; a chronology of the artist's life and work; a CD compilation of his musical performances from 1961 to 2009, produced by Alga Marghen; and essays by a variety of scholars, assessing the career of one of Fluxus' foremost and wittiest artists. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…