9781941792421 - sightlines: on peace, power & prestige: metal arts in africa (bgcx) (21 Ergebnisse)
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Verlag: Bard Graduate Center, Exhibitions Department, US, 2025
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Paperback. Zustand: New. New modes of displaying and viewing African art and material culture. At the heart of SIGHTLINES on Peace, Power and Prestige: Metal Arts in Africa is a design-focused question of how to present historical and contemporary works alongside one another. Through the use of a long wall designed by the archit…ectural firm AD-WO for the 2023 exhibition, Bard Graduate Center invited visitors and interlocutors to engage with African art in a variety of ways. As part of the exhibition, the department of public humanities and research at BGC worked with curator Drew Thompson to craft a vigorous and lively series of public programs, inviting guests to create their own sightlines. Participants mary adeogun, JJJJJerome Ellis, Jessica Lynne, Annissa Malvoisin, Maaza Mengiste, and Okwui Okpokwasili offered their vantage points, illuminating various aesthetic, functional, and symbolic uses of the metalworks on view, and highlighting the modes of historical analysis and storytelling behind the contemporary works. This book gathers those sightlines with photographs of the exhibition installation and other illustrations selected by the authors. An introductory essay by curator Thompson grapples with current debates on the display of historical and contemporary art of Africa and the Black diaspora. Exhibition designers and curatorial advisers Emanuel Admassu and Jen Wood present a visual essay on the inspiration for and the ideas behind their long-wall display. The book also features an interview between Admassu, Thompson, and Wood.SIGHTLINES marks a different approach to scholarship around exhibitions in two immediate ways. First, it showcases how visitors engaged with the exhibition through its design and display of objects. Second, it provides an opportunity to highlight the kinds of research and cultural insights that a collaborative and design-focused curatorial approach provides. The publication is the first Bard Graduate Center book to explore the visual and material culture of Africa and the Black diaspora, delving into the history of the metalworks as well as larger debates on collecting practices, museum display, gallery education, and provenance.
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Verlag: Bard Graduate Center, Exhibitions Department, New York, 2025
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Paperback. Zustand: new. Paperback. New modes of displaying and viewing African art and material culture. At the heart of SIGHTLINES on Peace, Power & Prestige: Metal Arts in Africa is a design-focused question of how to present historical and contemporary works alongside one another. Through the use of a long wall designed by t…he architectural firm ADWO for the 2023 exhibition, Bard Graduate Center invited visitors and interlocutors to engage with African art in a variety of ways. As part of the exhibition, the department of public humanities and research at BGC worked with curator Drew Thompson to craft a vigorous and lively series of public programs, inviting guests to create their own sightlines. Participants mary adeogun, JJJJJerome Ellis, Jessica Lynne, Annissa Malvoisin, Maaza Mengiste, and Okwui Okpokwasili offered their vantage points, illuminating various aesthetic, functional, and symbolic uses of the metalworks on view, and highlighting the modes of historical analysis and storytelling behind the contemporary works. This book gathers those sightlines with photographs of the exhibition installation and other illustrations selected by the authors. An introductory essay by curator Thompson grapples with current debates on the display of historical and contemporary art of Africa and the Black diaspora. Exhibition designers and curatorial advisers Emanuel Admassu and Jen Wood present a visual essay on the inspiration for and the ideas behind their long-wall display. The book also features an interview between Admassu, Thompson, and Wood. SIGHTLINES marks a different approach to scholarship around exhibitions in two immediate ways. First, it showcases how visitors engaged with the exhibition through its design and display of objects. Second, it provides an opportunity to highlight the kinds of research and cultural insights that a collaborative and design-focused curatorial approach provides. The publication is the first Bard Graduate Center book to explore the visual and material culture of Africa and the Black diaspora, delving into the history of the metalworks as well as larger debates on collecting practices, museum display, gallery education, and provenance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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SIGHTLINES On Peace, Power & Prestige: Metal Arts in Africa
Thompson, Drew (Editor)/ Lynne, Jessica/ Ellis, Jjjjjerome/ Adeogun, Mary/ Mengiste, Maaza
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SIGHTLINES On Peace, Power & Prestige: Metal Arts in Africa
Thompson, Drew (Editor)/ Lynne, Jessica/ Ellis, Jjjjjerome/ Adeogun, Mary/ Mengiste, Maaza
- Softcover
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Paperback. Zustand: Brand New. spiral-bound edition. 67 pages. 9.75x6.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Bard Graduate Center, Exhibitions Department, New York, 2025
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Paperback. Zustand: new. Paperback. New modes of displaying and viewing African art and material culture. At the heart of SIGHTLINES on Peace, Power & Prestige: Metal Arts in Africa is a design-focused question of how to present historical and contemporary works alongside one another. Through the use of a long wall designed by t…he architectural firm ADWO for the 2023 exhibition, Bard Graduate Center invited visitors and interlocutors to engage with African art in a variety of ways. As part of the exhibition, the department of public humanities and research at BGC worked with curator Drew Thompson to craft a vigorous and lively series of public programs, inviting guests to create their own sightlines. Participants mary adeogun, JJJJJerome Ellis, Jessica Lynne, Annissa Malvoisin, Maaza Mengiste, and Okwui Okpokwasili offered their vantage points, illuminating various aesthetic, functional, and symbolic uses of the metalworks on view, and highlighting the modes of historical analysis and storytelling behind the contemporary works. This book gathers those sightlines with photographs of the exhibition installation and other illustrations selected by the authors. An introductory essay by curator Thompson grapples with current debates on the display of historical and contemporary art of Africa and the Black diaspora. Exhibition designers and curatorial advisers Emanuel Admassu and Jen Wood present a visual essay on the inspiration for and the ideas behind their long-wall display. The book also features an interview between Admassu, Thompson, and Wood. SIGHTLINES marks a different approach to scholarship around exhibitions in two immediate ways. First, it showcases how visitors engaged with the exhibition through its design and display of objects. Second, it provides an opportunity to highlight the kinds of research and cultural insights that a collaborative and design-focused curatorial approach provides. The publication is the first Bard Graduate Center book to explore the visual and material culture of Africa and the Black diaspora, delving into the history of the metalworks as well as larger debates on collecting practices, museum display, gallery education, and provenance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
SIGHTLINES On Peace, Power & Prestige: Metal Arts in Africa
Drew Thompson|Jessica Lynne|Jjjjjerome Ellis|Mary Adeogun|Maaza Mengiste
- Softcover
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Sprache: Englisch
Verlag: Bard Graduate Center, Exhibitions Department, New York, 2025
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Paperback. Zustand: new. Paperback. New modes of displaying and viewing African art and material culture. At the heart of SIGHTLINES on Peace, Power & Prestige: Metal Arts in Africa is a design-focused question of how to present historical and contemporary works alongside one another. Through the use of a long wall designed by t…he architectural firm ADWO for the 2023 exhibition, Bard Graduate Center invited visitors and interlocutors to engage with African art in a variety of ways. As part of the exhibition, the department of public humanities and research at BGC worked with curator Drew Thompson to craft a vigorous and lively series of public programs, inviting guests to create their own sightlines. Participants mary adeogun, JJJJJerome Ellis, Jessica Lynne, Annissa Malvoisin, Maaza Mengiste, and Okwui Okpokwasili offered their vantage points, illuminating various aesthetic, functional, and symbolic uses of the metalworks on view, and highlighting the modes of historical analysis and storytelling behind the contemporary works. This book gathers those sightlines with photographs of the exhibition installation and other illustrations selected by the authors. An introductory essay by curator Thompson grapples with current debates on the display of historical and contemporary art of Africa and the Black diaspora. Exhibition designers and curatorial advisers Emanuel Admassu and Jen Wood present a visual essay on the inspiration for and the ideas behind their long-wall display. The book also features an interview between Admassu, Thompson, and Wood. SIGHTLINES marks a different approach to scholarship around exhibitions in two immediate ways. First, it showcases how visitors engaged with the exhibition through its design and display of objects. Second, it provides an opportunity to highlight the kinds of research and cultural insights that a collaborative and design-focused curatorial approach provides. The publication is the first Bard Graduate Center book to explore the visual and material culture of Africa and the Black diaspora, delving into the history of the metalworks as well as larger debates on collecting practices, museum display, gallery education, and provenance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Bard Graduate Center, Exhibitions Department, US, 2025
- Softcover
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Paperback. Zustand: New. New modes of displaying and viewing African art and material culture. At the heart of SIGHTLINES on Peace, Power and Prestige: Metal Arts in Africa is a design-focused question of how to present historical and contemporary works alongside one another. Through the use of a long wall designed by the archit…ectural firm AD-WO for the 2023 exhibition, Bard Graduate Center invited visitors and interlocutors to engage with African art in a variety of ways. As part of the exhibition, the department of public humanities and research at BGC worked with curator Drew Thompson to craft a vigorous and lively series of public programs, inviting guests to create their own sightlines. Participants mary adeogun, JJJJJerome Ellis, Jessica Lynne, Annissa Malvoisin, Maaza Mengiste, and Okwui Okpokwasili offered their vantage points, illuminating various aesthetic, functional, and symbolic uses of the metalworks on view, and highlighting the modes of historical analysis and storytelling behind the contemporary works. This book gathers those sightlines with photographs of the exhibition installation and other illustrations selected by the authors. An introductory essay by curator Thompson grapples with current debates on the display of historical and contemporary art of Africa and the Black diaspora. Exhibition designers and curatorial advisers Emanuel Admassu and Jen Wood present a visual essay on the inspiration for and the ideas behind their long-wall display. The book also features an interview between Admassu, Thompson, and Wood.SIGHTLINES marks a different approach to scholarship around exhibitions in two immediate ways. First, it showcases how visitors engaged with the exhibition through its design and display of objects. Second, it provides an opportunity to highlight the kinds of research and cultural insights that a collaborative and design-focused curatorial approach provides. The publication is the first Bard Graduate Center book to explore the visual and material culture of Africa and the Black diaspora, delving into the history of the metalworks as well as larger debates on collecting practices, museum display, gallery education, and provenance.
