hardcover. Zustand: Fine.
Zustand: New.
Hardback or Cased Book. Zustand: New. More Human Than Human. Book.
Zustand: New.
Hardback. Zustand: New.
Zustand: As New. Unread book in perfect condition.
EUR 25,95
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHardback. Zustand: New.
EUR 27,06
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 128 pages. 6.00x0.50x9.00 inches. In Stock.
EUR 24,20
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
EUR 26,69
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
EUR 24,19
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHardback. Zustand: New.
EUR 24,19
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHardback. Zustand: New.
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an "electronic music studio" at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 20,52
Anzahl: 4 verfügbar
In den WarenkorbZustand: New. Print on Demand.
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Anbieter: Books Puddle, New York, NY, USA
Zustand: New. Print on Demand.
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. PRINT ON DEMAND.
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 27,03
Anzahl: Mehr als 20 verfügbar
In den WarenkorbHRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 26,07
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an "electronic music studio" at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Anbieter: CitiRetail, Stevenage, Vereinigtes Königreich
EUR 29,20
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: new. Hardcover. I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an "electronic music studio" at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an 'electronic music studio' at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process.
Anbieter: preigu, Osnabrück, Deutschland
Buch. Zustand: Neu. More Human Than Human | Michael-Patrick Moroney | Buch | Englisch | 2026 | E&R | EAN 9781966155195 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.