Isbn: 9782503512297 - the flemish primitives iii: hieronymus bosch, albrecht bouts, gerard david, colijn de coter, goossen van der weyden (catalogue of early netherlandish ... museums of fine arts of belgium, 3, band 3) (10 Ergebnisse)

hardcover. Zustand: New. 1st.

Hardcover. Zustand: Good. Cover edge damaged The cover rubbed, bumped sa1-3.

392pp with 24 colour and 31 monochrome plates, 116 colour and 179 monochrome illustrations. Boards 30x21.5cms. ISBN: 2503512291. Third in the series covering the Museum's collection of 15th century painting, this volume focuses on 17 works by Bosch, Bouts, David, Colijn de Coter and Goossen van der Weyden. Text in English.…

Zustand: New. 2002. 1st Edition. hardcover. . . . . .

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Zustand: New. 2002. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Couverture rigide. Zustand: Neuf. Edition originale. Brussel 2002. 1 Volume/1. Hardback ( 29,7 x 21 cm ). ------ 392 pages , 223 b/w ill. + 140 colour ills., . *************** "" In this volume, a wealth of documentation is presented on fifteenth century southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussel, containing colour reproductions, analyses and other visual documentation. The publication of the second in a five-volume scholarly catalogue of the 15th-century Southern Netherlandish paintings in the Royal Museums of Fine Arts of Belgium in Brussels is a long awaited event not only in Belgium but troughout the art world. The museums' rich collection of Flemish Primitives boasts paintings by Rogier van der Weyden, Gerard David, Petrus Christus, Dirk Bouts, Hans Memling and Hieronymus Bosch. It also includes several important works by artists with provisional names from the Schools of Tournai, Bruges and Brussels, such as th Master of Flémalle, the Master of the St Lucy Legend and the Master of the Life of Joseph. This multi-volume English-language catalogue will include approximately 100 paintings. Each work is the subject of a thorough analysis covering technical, iconographical and stylistic aspects. Information is drawn from documents in the Institut royal du Patrimoine artistique/Koninklijk Instituut voor het Kunstpatrimonium and the Centre international d'étude de la peinture médiévale des bassins de l'Escaut et de la Meuse/ Internationaal Studiecentrum voor de Middeleeuwse Schilderkunst in het Schelde-en Maasbekken. The project was made possible by the Federal Prime Minister's Office for Scientific, Technical and Cultural Affairs which created an interuniversity research network in collaboration with federal scientific and cultural agencies. Launched in 1993, the project benefits from the cooperation of three institutions: the Royal Museums of Fine Arts of Belgium (Eliane De Wilde), the Université catholique de Louvain (Roger Van Schoute) and the Katholieke Universiteit Leuven (Maurits Smeyers). The entries were written by four art historians, Cyriel Stroo, Pascale Syfer-d'Olne, Anne Dubois and Roel Slachmuylders, and the infrared reflectography was performed by Freya Maes. The catalogue contains colour reproductions of all the paintings as well as other visual documentation from laboratory investigations, photographs of related works and diagrams of original frames. . '' *********************.…

Couverture rigide. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Edition originale. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium(CENP 3) C. Stroo The Flemish Primitives III Hiëronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen van der Weyden 392 p., 223 b/w ill. + 140 colour ill., ills., 210 x 297 mm, 2002 ISBN: 978-2-503-51229-7 Languages: English Hardback The publication is available. Retail price: EUR 222,00.- The third volume comprises investigations on seventeen paintings by a final group of preeminent, identified artists from the period of transition at the end of the fifteenth and the beginning of the sixteenth century, to which the authors adjust various attributions and interpretations. The third volume includes a final group of preeminent, identified artists from the period of transition at the end of the 15th and the beginning of the 16th century. Artistic production at this time was still rooted in late medieval thought, yet more and more seized with new renaissance developments, and at a permanent state of ferment with constantly changing needs of society. The catalogue deals with correspondingly complex issues of interpretation through the works of Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter and Goossen van der Weyden. It comprises a technical, stylistic and iconographical investigation of seventeen paintings on the basis of a scientific research method, which has been fully established over the years. The authors have been able to adjust various attributions and interpretations. At the same time most valuable discoveries have been made with regard to the provenance of some work belonging to the Albrecht Bouts and Colijn de Coter Groups. Review "Für die weitere Forschung zu den betreffenden Künstlern oder den fraglichen Werken wird der Band eine unverzichtbare Basis darstellen." (S. Kemperdick in Sehepunkte, 3 (2003), nr. 1, 15.01.2003).…

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Zustand: gut. Flemish Primitives III, Hieronymus Bosch, Albrecht Bouts, Gerard David, Colijn de Coter, Goossen van der Weyden. In deutscher Sprache. pages.