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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. 01 edition. 350 pages. 12.25x8.75x1.00 inches. In Stock.
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Anbieter: Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, Frankreich
Couverture rigide. Zustand: Bon état. Zustand des Schutzumschlags: Good. Livre en anglais. In-4 relié 30,5 cm sur 22. 234 pages. Nombreuses illustrations en couleurs et noir et blanc. Jaquette en bon état. Bon état d'occasion.
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In den WarenkorbHardback. Zustand: New. 1st.
Gebunden. Zustand: New.
Sprache: Englisch
Verlag: Brepols Publishers, Turnhout, 2015
ISBN 10: 2503554369 ISBN 13: 9782503554365
Anbieter: Luigi De Bei, PREGANZIOL, TV, Italien
Erstausgabe
Couverture rigide. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Edition originale. Fecit(MEF 8) M. Leeflang Joos van Cleve A Sixteenth-Century Antwerp Artist and his Workshop IV+234 p., 108 b/w ill. + 168 colour ill., 210 x 297 mm, 2015 ISBN: 978-2-503-55436-5 Languages: English Hardback The publication is available. Retail price: EUR 190,00 excl. tax M. Leeflang Joos van Cleve A Sixteenth-Century Antwerp Artist and his Workshop IV+234 p., 108 b/w ill. + 168 colour ill., 210 x 297 mm, 2015 ISBN: 978-2-503-55436-5 Languages: English Hardback The publication is available. The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century. Micha Leeflang (1975) studied technical art history at the University of Groningen, where she defended her dissertation 'Uytnemende Schilder van Antwerpen. Joos van Cleve: atelier, productie en werkmethoden' in 2007. From 2005 to 2007 she was on the staff of the Rijksmuseum in Amsterdam as curatorial researcher. Since 2007 she has been a curator at Museum Catharijneconvent in Utrecht, where she was responsible for such exhibitions as Masterly Manuscripts. The Middle Ages in Gold and Ink (2009), and Surviving the Iconoclasm, Medieval Sculpture (2012-2013). In 2011 she was closely involved in the preparations for the exhibition Joos van Cleve, Leonardo des Nordens in the Suermondt-Ludwig-Museum in Aachen. Size: 210 X297 Mm.Language : English text.
Hardcover. Zustand: new. Hardcover. The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: Widney Manor Books, Solihull, MIDLA, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: As New. Book in as new condition. 234pp with colour illustrations.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Erstausgabe
Zustand: New. 2015. 1st Edition. hardcover. . . . . .
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In den WarenkorbHardback. Zustand: New. 1st.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2015. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.
Hardcover. Zustand: new. Hardcover. The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.