Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
hardcover. Zustand: New.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 90,29
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In den WarenkorbHardcover. Zustand: Brand New. 206 pages. 10.25x7.25x0.75 inches. In Stock.
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
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In den WarenkorbHardback. Zustand: New. 1st.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
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Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
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In den WarenkorbZustand: New.
Hardcover. Zustand: new. Hardcover. What is technique in the arts? Now widely used to refer to the practical aspects of art making, 'technique' was a neologism in the vernacular, and started to appear in treatises on arts and sciences from around 1750. Rooted in the Greek techne, which was translated routinely as 'art' until the mid-eighteenth century, technique referred to processes of making or doing and their products. Described previously as 'art', 'methods', 'manners' or 'mechanics', techniques were recorded in text with the intention of documenting or transmitting practical skills and knowledge. This book bridges the gap between the changing concept of technique and the practices currently described by it. It explores the linguistic, philosophical, and pedagogic history of technique in the arts, answering the question why the term 'technique' first emerged around 1750, and exploring how its meaning to artists, art theorists, and natural philosophers changed until the twentieth century. This book explores the linguistic, philosophical, and pedagogic history of technique in the arts, answering the question why the term 'technique' first emerged around 1750, and exploring how its meaning to artists, art theorists, and natural philosophers changed until the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Anbieter: EDITORIALE UMBRA SAS, Foligno, PG, Italien
Zustand: Nuovo. Ril. in cart. con sovr., cm 26x18,5, pp 206, tavv. e ill. a col. - ISBN: 9782503598994.
Zustand: New. 2023. Hardcover. . . . . .
Zustand: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
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EUR 102,37
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In den WarenkorbHardback. Zustand: New. 1st.
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. What is technique in the arts? Now widely used to refer to the practical aspects of art making, 'technique' was a neologism in the vernacular, and started to appear in treatises on arts and sciences from around 1750. Rooted in the Greek techne, which was translated routinely as 'art' until the mid-eighteenth century, technique referred to processes of making or doing and their products. Described previously as 'art', 'methods', 'manners' or 'mechanics', techniques were recorded in text with the intention of documenting or transmitting practical skills and knowledge. This book bridges the gap between the changing concept of technique and the practices currently described by it. It explores the linguistic, philosophical, and pedagogic history of technique in the arts, answering the question why the term 'technique' first emerged around 1750, and exploring how its meaning to artists, art theorists, and natural philosophers changed until the twentieth century. This book explores the linguistic, philosophical, and pedagogic history of technique in the arts, answering the question why the term 'technique' first emerged around 1750, and exploring how its meaning to artists, art theorists, and natural philosophers changed until the twentieth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.