Verlag: RMN, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Zustand: Very Good. Very Good condition. English edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: RMN, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: RMN, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4.
Verlag: RMN, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Zustand: Good. Most items will be dispatched the same or the next working day.
Verlag: RMN, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Anbieter: medimops, Berlin, Deutschland
Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Verlag: Rmn-grand Palais, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Anbieter: RECYCLIVRE, Paris, Frankreich
Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.
Verlag: Réunion des Museés Nationaux, France, 2001
ISBN 10: 2711838978 ISBN 13: 9782711838974
Anbieter: Jorge Welsh Books, Lisboa, Portugal
Soft cover. Zustand: Good. English text; Paperback; 22.4 x 28.2 cm; 0.629 Kg; 128 pages with colour illustrations.; Signs of wear, with markings on the cover and back cover. Minimal edgeworn. No markings on the interior; Opening in Paris in 1889, the Musée Guimet was greatly expanded in 1945 when it received the collections of Khmer art and architecture from the Musée du Trocadéro, and those of Far Eastern decorative arts from the Louvre. Since then these original holdings, further augmented by a constant influx of new acquisitions, have heightened our appreciation of artefacts discovered in the much wide context of Asia as a whole. No longer are they exotic objects or curios, but rather true works of art belonging to the mainstream of world art history.