Isbn: 9783330851740 - nicholas row and george lillo: a comparative study (5 Ergebnisse)

Taschenbuch. Zustand: Neu. Nicholas Row and George Lillo: A Comparative Study | Samia Al-Shayban | Taschenbuch | 368 S. | Englisch | 2018 | Noor Publishing | EAN 9783330851740 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In conventional modern criticism, Nicholas Rowe (1674-1718) has always been overlooked and underestimated. Today, he is remembered as the the first editor of Shakespeare plays and not the successful and popular dramatist who dominated and shaped the theatrical tradition of his era. Opposite stands George Lillo (1691-1739) who occupied a prominent and immortal place in the history of drama. This study attempts to restore Rowe's reputation and prove the undisputable dramatic debt, Lillo owes him. To that end the study falls into three parts, patriarchal, patriotic and Stoic tragedies. A close examination of the two dramatist's plays is conducted to prove Lillo's close emulation of Rowe's plays. The study should help to restore Rowe's dramatic reputation and grant him a well-deserved and overdue place in the history of British theatre. The book is especially useful to academics and students interested in the history of British theatre, particularly, the Restoration and eighteenth century period. It is also useful to anyone interested in drama and its moral role. 368 pp. Englisch.…

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: AL-Shayban SamiaI obtained my PHD. from University of London, Goldsmiths College. My research field is British Theatre,ideology and Politics during the long eighteenth century. I am also interested in the issues of slavery, religion.…

Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -In conventional modern criticism, Nicholas Rowe (1674-1718) has always been overlooked and underestimated. Today, he is remembered as the the first editor of Shakespeare plays and not the successful and popular dramatist who dominated and shaped the theatrical tradition of his era. Opposite stands George Lillo (1691-1739) who occupied a prominent and immortal place in the history of drama. This study attempts to restore Rowe's reputation and prove the undisputable dramatic debt, Lillo owes him. To that end the study falls into three parts, patriarchal, patriotic and Stoic tragedies. A close examination of the two dramatist's plays is conducted to prove Lillo's close emulation of Rowe's plays. The study should help to restore Rowe's dramatic reputation and grant him a well-deserved and overdue place in the history of British theatre. The book is especially useful to academics and students interested in the history of British theatre, particularly, the Restoration and eighteenth century period. It is also useful to anyone interested in drama and its moral role.Books on Demand GmbH, Überseering 33, 22297 Hamburg 368 pp. Englisch.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In conventional modern criticism, Nicholas Rowe (1674-1718) has always been overlooked and underestimated. Today, he is remembered as the the first editor of Shakespeare plays and not the successful and popular dramatist who dominated and shaped the theatrical tradition of his era. Opposite stands George Lillo (1691-1739) who occupied a prominent and immortal place in the history of drama. This study attempts to restore Rowe's reputation and prove the undisputable dramatic debt, Lillo owes him. To that end the study falls into three parts, patriarchal, patriotic and Stoic tragedies. A close examination of the two dramatist's plays is conducted to prove Lillo's close emulation of Rowe's plays. The study should help to restore Rowe's dramatic reputation and grant him a well-deserved and overdue place in the history of British theatre. The book is especially useful to academics and students interested in the history of British theatre, particularly, the Restoration and eighteenth century period. It is also useful to anyone interested in drama and its moral role.…