ISBN: 9783775713337 - peter doig: charley's space (8 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9783775713337.

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Peter Doig; Charley's Space; Text Paula van den Bosch ; Published by Hatje Cantz Publishers, 2003; Condition: Very Good (VG).

Couverture souple. Zustand: Très bon.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Fine clean copy with no inscriptions markings DJ Very Good clean very slight wear top edge of spine - please see photos.

Softcover. Zustand: Gut. Unabridged. 144 S. !! einige kleinere Flecken sind auf dem Buchdeckel vorhanden!! Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, Schnitt/Papier nachgedunkelt, innen alles in Ordnung. D260615axh78 ISBN: 9783775713337 Sprache: Englisch Gewicht in Gramm: 871. …

Softcover. Zustand: gut. 2003. Exhibition Schedule: Bonnefanten Museum Maastricht May 11 - September 7, 2003, Carree d'Art, Musee d'Art Contemporain de Nimes September 25, 2003 - January 4, 2004. This British artist bases most of his pictorial compositions on models taken from the flood of media images. Thus, his works may include quotations from record covers, sequences from horror movies or citations from art history. In englischer Sprache. 144 pages. 30 x 22,8 x 1,5 cm.…

paperback. Zustand: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Softcover. Zustand: Sehr gut. 1. Auflage. W : 144 pages, 72 illustrations - Doig's oil paintings--"harmless" only at first glance--come in alienating colors with strongly atmospheric effects. Stylistically composed of sampled painting methods, they present a thoroughly unnerving picture of nature. Doig helps himself freely to the collective archive of images, irritating his viewers by refusing to spell out what the picture is precisely about or where it takes place. His eerily familiar mountain landscapes, forest and ocean works, with their scattered human figures, seem to depict dream sequences or snapshots from stories which are bound to end badly. …