Isbn: 9783937572345 - rodin/beuys (15 Ergebnisse)

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover, 368 pages, in English and German; very good condition, light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Englische Broschur. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

1. Auflage. 30 x 23 cm. 367 S. OLeinen mit OUmschlag. Kleiner Einriss am oberen Steg des Umschlages sauber hinterlegt, sonst sehr gutes Exemplar. Erschienen anlässlich der Ausstellung "Rodin Beuys" in der Schirn-Kunsthalle Frankfurt, 9. September - 27. November 2005. Texte in Deutsch und Englisch. Durchgehend mit Abbildungen versehen. Selten funktionierte eine Gegenüberstellung zweier nach außen hin scheinbar höchst unterschiedlicher Künstlerpersönlichkeiten so gut wie hier. Gebundene Buchhandelsausgabe. …

Hardcover. Zustand: VG+/VG+. Golden yellow cloth boards with gray lettering, white dust jacket with bw illustrations and white lettering on front, white spine with black lettering, bw frontispiece, 367 pp, profusely illustrated throughout in bw and color. Text in German and English. "Next to Wilhelm Lehmbruck, Auguste Rodin was among the sculptors that Joseph Beuys, up to his death in 1986, most highly prized. Beuys became aware of the great sculptor as early as 1950 when he read the monograph by Rainer Maria Rilke on Rodin's work, which provided him with crucial aesthetic impulses. Beuys' early drawings show thematic and conceptual connections to Rodin's watercolors and drawings. For instance, both artists refer back to ancient mythology, e.g., in their female figures, which they paint on paper in coats of glaze. But also the lines of tradition that Auguste Rodin passed on by way of Wilhelm Lehmbruck were taken up by Beuys, such as his interest in the artistic possibilities of the torso." "The complex relation to the work of Auguste Rodin can be followed in the book's comprehensive section showing works by Rodin, Lehmbruck and Beuys."--Jacket. Contents include: Plates I : Rodin 1878-1900 : Beuys 1946-1953 -- Rodin -- Lehmbruck -- Beuys / Pamela Kort -- Plates II : Lehmbruck 1910-1918 -- Antiapotheoses : Rodin's "Assemblage with the heads of the Burghers of Calais" from the perspective of the young Beuys / Claude Keisch -- Plates III : Rodin 1896-1900 -- Beuys and Rodin : La Faunesse, audicious images of women, and "everyone is an artist" / J. Adolf Schmoll gen. Eisenwerth -- Plates IV : Beuys 1953-1956 -- Why do some of the women Joseph Beuys depicts show their genitalia so prominently? / Dieter Koepplin -- Plates V : Beuys 1956-1957 : photographs Rodin 1893-1904 -- Photography in the dissemination of Rodin's works to the press and in exhibitions / Helene Pinet -- Plates VI : Rodin 1901-1910 : Beuys 1958-1985 -- Auguste Rodin : a chronology of his reception in Germany 1930-1950 / Josephine Gabler.…

Broschur. 367 Seiten, Einband leicht geschmutzt, Ecken und Kanten etwas berieben, sonst in einem guten Zustand 9783937572345 Sprache: Englisch Gewicht in Gramm: 2070.

Zustand: Near Fine. dj. First Edition. First edition of this examination of the work of two sculptors - putting the work of Joseph Beuys in dialogue with that of one of his greatest mentors, Rodin. 11.5'' x 9''. Original yellow cloth boards, grey-lettered spine and front board. In original photographic dust jacket (no price, as issued). Yellow endpapers. Illustrated throughout in black and white and in color. Text in German and English. 368 pages. Small sticker to rear board. Jacket with some edgewear and a few nicks, one closed tear repaired with tape to verso; a couple tiny red marks to front flap. Tiny bump to top of spine, faintest toning to margins. Else sound. Near fine in very good plus jacket.…

Softcover. Künstler: Rodin, Auguste ; Beuys, Joseph . Herausgeber: Kort, Pamela ; Hollein, Max ; Schirn Kunsthalle Frankfurt . Datum: 2005. 368 Seiten mit zahlr., meist farb. Abb. Deutsch . 4to., Quartformat. OKlappkarton. Diese Publikation erscheint anlaesslich der Ausstellung "Rodin Beuys" in der Schirn Kunsthalle Frankfurt, 9. September - 27.November 2005. gutes bis sehr gutes Exemplar. 3-937572-34-1.…

4°, Leinen. Zustand: Gut. 1. Auflage. 367 S., Gebundenes Buch mit Original-Schutzumschlag. Umschlag mit leichten Lagerspuren, innen sauber und gut erhalten ISBN: 9783937572345 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 2000.…

367 Seiten, kartoniert, mit zahlreichen s/w und fbg. Abbildungen, sehr gut erhalten. Sprache: deu.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: gut. 2005. Rodin / Beuys. Herausgegeben von / edited by Pamela Kort und / and Max Hollein. Mit Beiträgen von / withj contributions by Pamela Kort, Claude Keisch, J. Adolf Schmoll gen. Eisenwerth, Dieter Koepplin, Helene Pinet und / and Josephine Gabler. In deutscher Sprache. pages. …

Hardcover. Zustand: New.

4°, weiße illustrierte OBrosch. Mit zahlreichen Illustationen, 367 Seiten, Schönes Exemplar Sprache: Deutsch Gewicht in Gramm: 2250.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 368 Seiten/pages,187 Farbabbildungen/illustrations in color, 121 bw, 10 duotone, Leinen mit Schutzumschlag/clothbound with jacket - Between 1947 and 1964 Joseph Beuys produced a swath of works on paper that, in their style, technique, and formal vocabulary, echo those of Auguste Rodin by way of his teacher and mentor, sculptor, Wilhelm Lehmbruck. Although Beuys's work remains very different from his predecessors', it does take up themes they had pursued, including the idea of the torso as an autonomous, enclosed form and of the fragment as the simplest and most elementary embodiment of immutability. This book sets Beuys's works on paper and sculptures opposite the works on paper and sculptures of Rodin and Lehmbruck, and finds both striking affinities and autonomy.…