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Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), Barcelona, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Paperback. Zustand: new. Paperback. This exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaataris artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of annotated and illustrated collection entries from the archive by Ian B. Larson. The book also includes a selection of new work by the artist.Far from presenting a historical account of the Arab Image Foundation (AIF), this book presents an artists perspective, which is critical for understanding the organisations practice. Through Akram Zaatari, one of AIFs founding members who played a key role in its development, the publication reflects on AIFs 20-year history and the multiple statuses of the photograph, as descriptive document, as object, as material value, as aesthetics and as memory. Zaataris expansive work on photography and the practice of collecting, takes an archaeological approach to the medium, digging into the past, resurfacing with new narratives and resituating them in the contemporary.Beyond showcasing a wide spectrum of visual representations of the Arab world, artists who constituted or used AIFs collection addressed radical questions about photographic documents and their function in our times. Projects engaged the writing of histories concerning the practice of ordinary people, small events and a society in general, resulting in new discourses related to the medium.The exhibition will look at the dual status of the AIF itself, as an archive of photographic and collecting practices and as an artist-led initiative that left a visible mark on the artistic landscape of its times, signalling significant moments in its history and the critical debates generated throughout its evolution. Past projects and new artist productions related to the collection will be presented This exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaataris artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of annotated and illustrated collection entries from the archive by Ian B. Larson. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Museu d'Art Contemporani de Barcelona, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Verlag: Museu D'Art Contemporani de Barcelona (MACBA), ES, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Verlag: Museu D'Art Contemporani de Barcelona (MACBA), 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Sprache: Englisch
Verlag: MACBA Museu D'Art Contemporani de Barcelona, 2017
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Softcover, 188 pages, in English; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Sprache: Englisch
Verlag: Museu d'Art Contemporani de Barcelona, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Sprache: Englisch
Verlag: Museu d'Art Contemporani de Barcelona, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Tapa blanda. Zustand: Nuevo.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), Barcelona, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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Paperback. Zustand: new. Paperback. This exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaataris artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of annotated and illustrated collection entries from the archive by Ian B. Larson. The book also includes a selection of new work by the artist.Far from presenting a historical account of the Arab Image Foundation (AIF), this book presents an artists perspective, which is critical for understanding the organisations practice. Through Akram Zaatari, one of AIFs founding members who played a key role in its development, the publication reflects on AIFs 20-year history and the multiple statuses of the photograph, as descriptive document, as object, as material value, as aesthetics and as memory. Zaataris expansive work on photography and the practice of collecting, takes an archaeological approach to the medium, digging into the past, resurfacing with new narratives and resituating them in the contemporary.Beyond showcasing a wide spectrum of visual representations of the Arab world, artists who constituted or used AIFs collection addressed radical questions about photographic documents and their function in our times. Projects engaged the writing of histories concerning the practice of ordinary people, small events and a society in general, resulting in new discourses related to the medium.The exhibition will look at the dual status of the AIF itself, as an archive of photographic and collecting practices and as an artist-led initiative that left a visible mark on the artistic landscape of its times, signalling significant moments in its history and the critical debates generated throughout its evolution. Past projects and new artist productions related to the collection will be presented This exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaataris artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of annotated and illustrated collection entries from the archive by Ian B. Larson. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
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In den WarenkorbKartoniert / Broschiert. Zustand: New. KlappentextrnrnThis exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaatari s artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of an.
Encuadernación de tapa blanda. Zustand: Nuevo. Far from offering a historical account of the Arab Image Foundation (AIF), Against photography presents the perspective of an artist, which is fundamental to understanding the practice of the organization. Through Akram Zaatari, founding member IDA that played a key role in its development, the publication reflects on the twenty years of history of the AIF and the multiple conditions of photography, such as document, object, material value, aesthetics and memory. The expansive work of Zaatari on photography and collecting adopts an archaeological perspective: it digs in the past, makes emerge new narratives and resitúa in the contemporaneity.
Taschenbuch. Zustand: Neu. Neuware - This exhibition catalogue has been published with an essay by Mark Westmoreland about Akram Zaatari's artistic practice and his relationship with the AIF, a conversation between Chad Elias and Akram Zaatari, and a selection of annotated and illustrated collection entries from the archive by Ian B. Larson.
Sprache: Englisch
Verlag: Museu D'Art Contemporani de Barcelona (MACBA), ES, 2018
ISBN 10: 8492505915 ISBN 13: 9788492505913
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: New.