ISBN: 9789758555048 - the postcards of max fruchtermann (three volume set) [hardcover] mert sandalcý (3 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Koçbank, Istanbul, 2000

    9758555049 / 9789758555048

    • Hardcover

    Anbieter: Khalkedon Rare Books ABA, ILAB, IOBA, ESA, Istanbul, TürkeiKhalkedon Rare Books ABA, ILAB, IOBA, ESA

    Verkäufer/-in mit 5 Sternen
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    Verbandsmitglied: ABAESAIOBAILAB

    Zustand: Neu

    EUR 293,55

    EUR 18,00 Versand 
    Versand von Türkei nach USA

    Anzahl: 1 verfügbar

    Dust jacket. Zustand: New. Zustand des Schutzumschlags: New. Original binding with original dust wrapper. 3 volumes set in special slip case. Large 4to. (43 x 33 cm). [xi], 1182 p. in total. 2400 postcards. Born in 1852 in Kalucz, a town on the eastern border of the Austro-Hungarian Empire, Max Fruchtermann came to Istanbul in 1867 and two years later opened a picture framing shop in the city. Having decided to have the first Ottoman Postcard Series printed at Breslau in 1895, he ensured through his cards, which number in the millions, that the name "Turkey and the multifarious images associated with it" spread throughout the entire world from Canada to New Zeland. In 1966 when Fruchtermann's daughter-in-law Anna, before closing down the establishment, sold her remaining stock (subsequently realized to number around 600,000) to a secondhand dealer for 2500 liras, she probably never imagined the importance of her father-in-law's postcards. They are not simply photographs of landscape panoramas monumental buildings and people of the time. They are individual documents that reflect in their human types and cross-sections of everyday life the noteworthy political incidents of the late 19th and early 20th centuries and the ethnic and cultural diversity embodied in the Ottoman identity. As such they have acquired significance far in excess of original expectations. It always comes as a pleasant surprise to collectors to see that ordinary objects left to us from the past, and usually assumed to be of mere functional value, in time acquire special significance. For us, however, far more than a pleasant surprise these postcards are a door opening up on our recent history. The places, incidents and types that Fruchtermann saw and appraised with his own eyes have been given new life and brought together as a whole thanks to this study and up-to-date treatment by Mert Sandalci.…

  • Sprache: Englisch

    Verlag: Koçbank, Istanbul, 2000

    9758555049 / 9789758555048

    • Hardcover

    Anbieter: Khalkedon Rare Books ABA, ILAB, IOBA, ESA, Istanbul, TürkeiKhalkedon Rare Books ABA, ILAB, IOBA, ESA

    Verkäufer/-in mit 5 Sternen
    Verkäufer/-in kontaktieren

    Verbandsmitglied: ABAESAIOBAILAB

    Zustand: Neu

    EUR 293,55

    EUR 18,00 Versand 
    Versand von Türkei nach USA

    Anzahl: 1 verfügbar

    Dust jacket. Zustand: New. Zustand des Schutzumschlags: New. Original binding with original dust wrapper. 3 volumes set in special slip case. Large 4to. (43 x 33 cm). [xi], 1182 p. in total. 2400 postcards. Born in 1852 in Kalucz, a town on the eastern border of the Austro-Hungarian Empire, Max Fruchtermann came to Istanbul in 1867 and two years later opened a picture framing shop in the city. Having decided to have the first Ottoman Postcard Series printed at Breslau in 1895, he ensured through his cards, which number in the millions, that the name "Turkey and the multifarious images associated with it" spread throughout the entire world from Canada to New Zeland. In 1966 when Fruchtermann's daughter-in-law Anna, before closing down the establishment, sold her remaining stock (subsequently realized to number around 600,000) to a secondhand dealer for 2500 liras, she probably never imagined the importance of her father-in-law's postcards. They are not simply photographs of landscape panoramas monumental buildings and people of the time. They are individual documents that reflect in their human types and cross-sections of everyday life the noteworthy political incidents of the late 19th and early 20th centuries and the ethnic and cultural diversity embodied in the Ottoman identity. As such they have acquired significance far in excess of original expectations. It always comes as a pleasant surprise to collectors to see that ordinary objects left to us from the past, and usually assumed to be of mere functional value, in time acquire special significance. For us, however, far more than a pleasant surprise these postcards are a door opening up on our recent history. The places, incidents and types that Fruchtermann saw and appraised with his own eyes have been given new life and brought together as a whole thanks to this study and up-to-date treatment by Mert Sandalci.…

  • Sprache: Englisch

    Verlag: Istanbul: Kocbank, 2000., Istanbul:, 2000

    9758555049 / 9789758555048

    • Hardcover

    Anbieter: BOSPHORUS BOOKS, Istanbul, TürkeiBOSPHORUS BOOKS

    Verkäufer/-in mit 4 Sternen
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    Zustand: Neu

    EUR 280,00

    EUR 35,00 Versand 
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    Anzahl: 1 verfügbar

    Hardcover. Zustand: New. SANDALCI, MERT The postcards of Max Fruchtermann. 3 volumes. Istanbul: Kocbank, 2000. 4to., 3 volumes set (1182 p.), color ills. Original binding. Dust wrapper. New Oversize and very heavy volumes. Please contact for postage cost. ISBN: 9758555049 CATALOG: Photographs KEYWORDS: Postcard Istanbul - Constantinople Collection Ottoman culture Born in 1852 in Kalucz, a town on the eastern of the Austro-Hungarian Empire, Max Fruchtermann came to Istanbul in 1867 and two years later opened a picture framing shop in Yuksekkaldirim. Having decided to have the first Ottoman Postcard Series printed at Breslau in 1895, he ensured through his cards, which number in the millions, that the name "Turkey" and the multifarious images associated with it spread throughtoud the entire world from Canada to New Zeland. In 1966 when Fruchtermann's daughter-in law Anna, before closing down the establishment, sold her remaining stock, subsequently realized to number around 600,000 to a secondhand dealer for 2500 liras, she could probably never even have imagined how impartant her father in-law's postcards would later become. (From Foreword).…