Winnie the Pooh von Milne (Mehr als 10.000 Ergebnisse)

The two concluding illustrations from chapter five of Winnie-the-Pooh ("In which Piglet meets a Heffalump") and both published on page 68 of the original 1926 Methuen edition. The first drawing shows Christopher Robin eagerly jumping by a concerned Piglet (to accompany the text "'Well,' said Christopher Robin, putting on his shoes.") The second drawing shows Winnie-the-Pooh with his head stuck in a jar of honey (to accompany the text "Crash went the Heffalump's head against the tree-root.") E. H. Shepard sold his original drawings for Winnie-the-Pooh at an exhibition held at The Sporting Gallery, Covent Garden, London, 26 November to 21 December 1926. The pairing of these two drawings, sold together, was presumably the artist's. As usual with Shepard's drawings, the published versions are smaller than originally drawn and fine detail in the original tends to be lost. The buttons on Piglet's top, Christopher Robin's jumper, and the tree-root in the heffalump trap have a clarity of line which was lost or blurred when published. Original drawings (91 x 62 mm and 50 x 54 mm) on artist's board (160 x 112 mm and 107 x 84 mm), ink, first drawing signed with initials ("EHS") lower right, with remnants of artist's signature and address on reverse, mounted, framed, and glazed with conservation acrylic glazing (framed size 320 x 245 mm). Strong and unfaded ink drawings. Some browning below mount, not affecting image.

First editions, first impressions, each signed by Milne and Shepard on the title pages. Christopher Robin's stuffed bear, bought at Harrods for his first birthday, was known initially as Edward or Edward Bear. It was renamed Winnie-the-Pooh after two real animals: a favourite bear cub at London Zoo, "Winnie", and a friend's swan which Robin christened "Pooh". The toy inspired the "Teddy Bear" poem in When We Were Very Young (1924) and a story Milne contributed to the London Evening News, "The Wrong Sort of Bees", which later provided the basis of the first chapter in Milne's follow-up book, Winnie-the-Pooh (1926). This story collection was an immediate success and garnered even more enthusiastic reviews than its poetic predecessor. Now We Are Six followed in 1927 and took just two months to eclipse the sales records of the previous two books. The final book, The House at Pooh Corner (1928), was received with a delight tinged with sadness. "The Times Literary Supplement, although it congratulated Milne on deciding to avoid 'the temptation to repeat his successful formula mechanically', said: 'It is sad to see the stories end'" (Thwaite, p. 336). When We Were Very Young is in the second state, as usual, with page ix numbered. The dust jacket for Winnie-the-Pooh is in the first state, with "117th Thousand" on the rear flap. Ann Thwaite, A. A. Milne: His Life, 1990. 4 works, octavo. Original blue, green, red, and pink cloth, spines lettered in gilt, front covers with pictorial designs and ruled borders in gilt, final three works with illustrated endpapers, top edges gilt. With dust jackets. Housed in a red half morocco solander box by Sangorski & Sutcliffe. Illustrated with line drawings throughout by Shepard. Armorial bookplate on front pastedowns of Cecil Francis Joseph Beausire (1898-1972), a noted art collector who bequeathed his English watercolours to the Walker Art Gallery. Cloth and gilt bright, slight lean to spines, spine ends and corners rubbed, usual browning to free endpapers; unclipped jackets a little nicked and soiled, mild toning to spines, vertical crease to rear panel of When We Were Very Young: a near-fine set in like jackets.

Zustand: Very Fine. Zustand des Schutzumschlags: Very Fine. First Edition. An unbelievably superb copy of the first American edition, signed limited issue. One of 200 numbered copies in the large paper issue printed on Japanese vellum, signed by both A. A. Milne and E. H. Shepard on limitation leaf at front. [xiv], 159, [3, blank] pp. Publisher's pink paper over boards with blue cloth spine, pink paper spine label; in publisher's original glassine and box. Very Fine in a dust jacket with a short closed tear to the top edge of the front panel, still also Very Fine. So fresh and sharp, the book and dust jacket appear as if brand new. In original glassine, which is toned and largely intact except for one flap, which is largely detached in two segments, both present. In a Very Good+ publisher's box is stained and toned, with splits to two corners. All housed in a custom folding case, in which the glassine is stored in a paper folder. An incredible survival of a book uncommon in such superlative condition. Quite a marvel to behold.

First editions. Complete set of first editions of the Pooh Books, all in original dust jackets, with WHEN WE WERE VERY YOUNG signed by Milne and Shepard. In 1933 Compton Mackenzie described the publication of the first Pooh Book, WHEN WE WERE VERY YOUNG as marking "an epoch as positively as any children's book has ever marked one. It is not extravagant to surmise that a distant posterity may find in that volume of children's verse a key with which to unlock the present more easily than with any contemporary novel, poem, or play" (quoted in Thwaite). The series is an evocative reflection of English childhood in the 1920s, yet transcends the time and place of its making for each new generation to discover - and fall for. As the first book in the series, WHEN WE WERE VERY YOUNG is the most difficult to find signed, making this an especially desirable set. 4 volumes, 7.5'' x 5'' each. Original blue, green, red and pink cloths. In original color printed dust jackets. Top edges gilt. WHEN WE WERE VERY YOUNG has page ix, not the very rare first state. Signed by Milne and Shepard on title page of WHEN WE WERE VERY YOUNG. Contemporary Methuen ad laid into SIX. Housed in beautiful blue goatskin box with in-laid Pooh design on front board. Books all fine, with only a bit of the typical offsetting in the gutter: Firm hinges, fresh cloth, clean text, no inscriptions. Jackets range fine (WINNIE-THE-POOH) to very good (HOUSE, with some small chips to spine ends not affecting text and a long closed tear to front joint); WWVY and SIX solidly near fine with only a bit of shallow chipping and touch of toning to spine of SIX: else little soil or sunning. Overall fine in near-fine jackets.

First editions of each work in Milne's wonderful Pooh quartet. Octavo, original cloth, pictorial endpapers, top edge gilt. Each are fine in near fine to fine dust jackets. Illustrated by Ernest Shepard. Housed in a custom full morocco clamshell box with Winnie the Pooh inlay to the front panel. An exceptional set, most rare and desirable in this condition. â Although Alan Alexander Milne wrote novels, short stories, poetry and many plays for adults, in addition to his work as assistant editor for Punch from 1906 to 1914, it is his writings for children that have captured the hearts of millions of people worldwide and granted Milne everlasting fameâ (Silvey, 461). Milne wrote most of these poems at the request of friend and fellow poet Rose Fyleman, who was planning a new childrenâ s magazine. â On a rain-blighted holiday in Wales, [Milne] escaped from the crowd of fellow guests to the summerhouse, and for 11 days wrote a set of childrenâ s verses, one each dayâ ¦ â There on the other side of the lawn was a child with whom I had lived for three years [his son, Christopher Robin]â ¦ and here within me were unforgettable memories of my own childhood.â He added more verses when he got home, enough for a book, and allowed some to be published in advance in Punchâ (Carpenter & Prichard, 351). Shepard, a Punch staff artist at the time, provided delightful line vignettes, resulting in â a wonderful marriage of verse and vision. His delicately precise and fresh drawings had an instant appealâ (DNB).

Signed limited edition, number 288 of 350 large paper copies signed by both Milne and Shepard, printed on handmade paper. Limited signed editions of the first Winnie-the-Pooh story book are increasingly scarce. After the huge success of When We Were Very Young, published in 1924, Milne was asked to contribute a story to the London Evening News. "The Wrong Sort of Bees", published on Christmas Eve 1925, was based on a bedtime story that Milne had told his son Christopher. It starred Christopher's teddy bear, bought at Harrods for Christopher's first birthday, known initially as Edward or Edward Bear and later renamed Winnie-the-Pooh (after a favourite bear cub at London zoo). Winnie-the-Pooh (1926) was an immediate success and garnered even more enthusiastic reviews than its predecessor. It was published in the UK in three issues: an extra limited issue of 20 copies bound in vellum, the present limited issue of 350 copies on large paper, and a regular trade issue. This is the first title of the series to be issued in this format: there was no equivalent issue of the first book, When We Were Very Young (1924), as the magnitude of its success had not been anticipated. John R. Payne, "Four Children's Books by A. A. Milne", Studies in Bibliography, Vol. 23, 1970, pp. 127-39, item IIB. Small quarto. Original dark blue cloth-backed blue paper covered boards, front cover with paper label lettered in black, edges untrimmed. With dust jacket. Illustrated throughout by E. H. Shepard, folding map at end. Browning to free endpapers, a near-fine and crisp copy. Dust jacket spine toned with head and foot slightly rubbed, minor closed tear to front panel, a very good and attractive example.

First editions of each work in Milne's wonderful Pooh quartet. Octavo, original cloth, pictorial endpapers, top edge gilt. Winnie the Pooh is signed by A.A. Milne on the title page. When We Were Very Young if a first edition, second issue as usual with page ix numbered. Each are fine in very good dust jackets with some loss and wear to the extremities and light toning. Illustrated by Ernest Shepard. An exceptional set, most rare and desirable with Winnie the Pooh signed by Milne. â Although Alan Alexander Milne wrote novels, short stories, poetry and many plays for adults, in addition to his work as assistant editor for Punch from 1906 to 1914, it is his writings for children that have captured the hearts of millions of people worldwide and granted Milne everlasting fameâ (Silvey, 461). Milne wrote most of these poems at the request of friend and fellow poet Rose Fyleman, who was planning a new childrenâ s magazine. â On a rain-blighted holiday in Wales, [Milne] escaped from the crowd of fellow guests to the summerhouse, and for 11 days wrote a set of childrenâ s verses, one each dayâ ¦ â There on the other side of the lawn was a child with whom I had lived for three years [his son, Christopher Robin]â ¦ and here within me were unforgettable memories of my own childhood.â He added more verses when he got home, enough for a book, and allowed some to be published in advance in Punchâ (Carpenter & Prichard, 351). Shepard, a Punch staff artist at the time, provided delightful line vignettes, resulting in â a wonderful marriage of verse and vision. His delicately precise and fresh drawings had an instant appealâ (DNB).

"People say nothing is impossible, but I do nothing every day. Don't underestimate the value of Doing Nothing, of just going along, listening to all the things you can't hear, and not bothering." A Fine First Edition Set of the Four "Pooh" Books in their Original Dust Jackets MILNE, A[lan] A[lexander]. SHEPARD, Ernest H., illustrator. [The Four Pooh Books]. When We Were Very Young. With Decorations by Ernest H. Shepard. London: Methuen & Co., [1924]. First edition (second issue with p. ix numbered). Small octavo (7 1/2 x 5 inches; 190 x 127 mm.). x, [2], 99, [1] pp. Numerous text illustrations. Publisher's dark blue cloth, gilt ruled front cover pictorially stamped in gilt, back cover pictorially stamped in gilt, spine lettered in gilt, plain endpapers, top edge gilt. Minimal rubbing to corners and spine extremities. Neat contemporary ink name and date "November 28th 1924" on front blank. A near fine copy. In the original cream-colored pictorial dust jacket printed in dark blue. Jacket spine with minimal browning and a few tiny chips to head and tail of spine with no loss of text. [Together with:] MILNE, A[lan] A[lexander]. Winnie-the-Pooh. With Decorations by Ernest H. Shepard. London: Methuen & Co., [1926]. First edition. Small octavo (7 1/2 x 5 inches; 190 x 127 mm.). xi, [5], 158, [2] pp. Numerous text illustrations. Publisher's dark green cloth, gilt ruled front cover pictorially stamped in gilt, spine lettered in gilt, pictorial endpapers, top edge gilt. Slight discoloration from jacket on free-endpapers. Neat near contemporary ink name and date "January 11th 1927" on front blank. A near fine copy. In the original yellow-colored pictorial dust jacket printed in dark blue. Jacket spine with minimal browning and minimal wear to head and tail of spine with no loss of text. [And:] MILNE, A[lan] A[lexander]. Now We Are Six. With Decorations by Ernest H. Shepard. London: Methuen & Co., [1927]. First edition. Small octavo (7 1/2 x 5 inches; 190 x 127 mm.). x, [2], 103, [1] pp. Numerous text illustrations. Publisher's maroon cloth, gilt ruled front cover pictorially stamped in gilt, spine lettered in gilt, pink pictorial endpapers, top edge gilt. Minimal rubbing to corners and spine extremities. A near fine copy. In the original pale green-colored pictorial dust jacket printed in dark blue. Jacket spine with minimal browning and a small chip to head of spine with no loss of text. [And:] MILNE, A[lan] A[lexander]. The House at Pooh Corner. With Decorations by Ernest H. Shepard. London: Methuen & Co., [1928]. First edition. Small octavo (7 1/2 x 5 inches; 190 x 127 mm.). xi, [1, blank], 178, [2] pp. Numerous text illustrations. Publisher's salmon cloth gilt ruled front cover pictorially stamped in gilt, spine lettered in gilt, pictorial endpapers, top edge gilt. Minimal discoloration from jacket on free-endpapers. Original peach pictorial endpapers printed in black. A near fine copy in the original salmon pictorial dust jacket printed in dark blue. Jacket spine with minimal browning and one tiny chip to tail of spine and one very small (3/8 inch) closed neat tape repair to lower back panel with no loss of text. A near fine and quite wonderful set of this 'Children's Classic' housed together in a pale orange cloth clamshell case with printed label on spine. Alan Alexander Milne (1882-1956) was an English writer who was best known for his children's stories about the adventures of Winnie-the-Pooh. After attending the University of Cambridge's Trinity College and writing for the literary magazines Granta and Punch, Milne began a successful career as a novelist, poet and playwright in the 1920s. His best-known works are his two collections of children's poetry, When We Were Young and Now We Are Six, and his two books of stories about the lovable bear Winnie-the-Pooh and his animal friends. Ernest Howard Shepard (1879-1976) was an English artist and book illustrator. He is known especially for illustrations of the anthropomorphic animal and soft toy characters in The Wind in the Willows and The Pooh Books. Throughout the first world war he had been contributing to Punch. He was hired as a regular staff cartoonist in 1921 and became lead cartoonist in 1945. Shepard was recommended to A. A. Milne in 1923 by another Punch staffer, E. V. Lucas. Milne initially thought Shepard's style was not what he wanted, but used him to illustrate the book of poems When We Were Very Young. Happy with the results, Milne then insisted Shepard illustrate Winnie-the-Pooh, Now we Are Six and The House at Pooh Corner. Realizing his illustrator's contribution to the book's success, the writer arranged for Shepard to receive a share of his royalties. Shepard modeled Pooh not on the toy owned by Milne's son Christopher Robin but on "Growler", a stuffed bear owned by his own son. His Pooh work is so famous that 300 of his preliminary sketches were exhibited at the Victoria and Albert Museum in 1969, when he was 90 years old.

All first editions, all in original cloth and dust jackets, t.e.g., decorated throughout by E.H. Shepard; 4 volumes, 8vo, in a custom-made fleece-lined brown cloth clamshell box lettered in gilt; 1) When We Were Very Young, second state as usual, without pagination on p. ix; ; the dust jacket with several short breaks at the spine ends; slight wear and small breaks at the top of the spine 2) Winnie-the Pooh, jacket a bit soiled, with small breaks at the spine extremities; 3) Now We Are Six, spine of jacket a little toned and with short breaks at the top; 4) The House at Pooh Corner, small pinhole on back panel of the dust jacket. All are quite bright in original cloth. In all, a very good to near fine set.

First editions, first impressions, of these timeless classics of children's literature. When We Were Very Young is in the second state of the first impression with the page number ix present in the preliminaries. These four volumes comprise a full set of the Pooh books and are presented in beautiful bindings by Bayntun (Riviere) of Bath. The illustrations rendered in coloured onlays comprise: Christopher Robin on the stairs ("Halfway Down") (see p. 80 of When We Were Very Young), Winnie-the-Pooh outside his home ("under the name of Sanders") (see p. 3 of Winnie-the-Pooh), Christopher Robin in his garden ("Solitude") (see p. 1 of When We Were Very Young), and Christopher Robin eating an apple ("what does Christopher Robin think about it?") (see p. 105 of The House at Pooh Corner). After the huge success of When We Were Very Young, published in 1924, Milne was asked to contribute a story to the London Evening News. "The Wrong Sort of Bees", published on Christmas Eve 1925, was based on a bedtime story that Milne had told his son Christopher. It starred Christopher's teddy bear, bought at Harrods for Christopher's first birthday, known initially as Edward or Edward Bear, and later renamed Winnie-the-Pooh (after a favourite bear cub at London zoo). Winnie-the-Pooh (1926) was an immediate success and garnered even more enthusiastic reviews than its predecessor. Now We Are Six followed in 1927, and took just two months to eclipse the sales records of the previous two books. The final book, The House at Pooh Corner, was received by critics with a delight tinged by sadness. "The Times Literary Supplement congratulated Milne on avoiding 'the temptation to repeat his successful formula mechanically', though it was 'sad to see the stories end'" (Thwaite, p. 336). Ann Thwaite, A. A. Milne: His Life, 1990. 4 works, octavo (180 x 115 mm). Bound in red morocco by Bayntun (Riviere), signed on front turn-ins, spine with raised bands and lettered in gilt, front covers with illustrations after E. H. Shepard in coloured onlays, covers with gilt fillet borders, gilt edges, gilt turn-ins, marbled endpapers, original cloth bound in at end together with original pictorial endpapers when issued. Housed in a custom red cloth slipcase. Illustrated throughout by E. H. Shepard. Spines very slightly sunned, minor browning to the top of a few leaves in The House at Pooh Corner, some leaves lightly toned, slipcase rubbed at extremities; a near-fine and attractive set.

First editions, 'When We Were Very Young', first issue with p.ix NOT numbered; 8vo; illustrations; 'When We Were Very Young', neat ink ownership inscription and light browning to endpapers, slight sunning to spine, jacket with light toning to spine and panels, spine ends and corners a little chipped, 1 or 2 short tears with light creasing to head and foot, professional restoration to head of spine, extremities a little rubbed; 'Winnie-the-Pooh', map endpapers (very light browning), jacket with light toning to spine, neat and professional repairs and restorations to spine, corners and along upper fore-edge, repaired tear straying into upper panel; 'Now We Are Six', pictorial endpapers, spine slightly darkened, light toning to jacket spine and head of upper panel, spine with chip to foot, minor chipping to tip of spine and corners, some light surface soiling, short nick to head; 'The House at Pooh Corner', pictorial endpapers (very light browning), jacket spine with light toning, minor chipping and light creasing to spine tips and corners; all in publisher's pictorial cloth, gilt, light rubbing to spine tips and corners, top edge gilt, dust-jackets, a very good set; preserved in a custom-made slip-case. Milne's first volume, When We Were Very Young, was published in November 1924 and was such a resounding success that the subsequent three titles followed in quick succession. This is a superior set of first editions with the very rare first issue of the first title, near-fine internally.

Signed limited edition, number 141 of 350 large paper copies signed by Milne and Shepard, printed on handmade paper. Limited signed editions of the first Winnie-the-Pooh story book are increasingly scarce. This copy includes an autograph letter signed by Milne discussing a publishing agreement, a contribution to a periodical, an injury, and his wonder at the value of limited editions. After the huge success of When We Were Very Young, published in 1924, Milne was asked to contribute a story to the London Evening News. "The Wrong Sort of Bees", published on Christmas Eve 1925, was based on a bedtime story that Milne had told his son Christopher. It starred Christopher's teddy bear, bought at Harrods for Christopher's first birthday, known initially as Edward or Edward Bear and later renamed Winnie-the-Pooh (after a favourite bear cub at London zoo). Winnie-the-Pooh (1926) was an immediate success and garnered even more enthusiastic reviews than its predecessor. It was published in the UK in three issues: an extra limited issue of 20 copies bound in vellum, the present limited issue of 350 copies on large paper, and a regular trade issue. This is the first title of the series to be issued in this format: there was no equivalent issue of the first book, When We Were Very Young (1924), as the magnitude of its success had not been anticipated. This copy includes an autograph letter signed to George Henry Grubb (1875-1934), a director of the publishing firm of Putnam and Co. in London. Milne writes with reference to a publishing agreement (presumably for Three Plays) and states that he is "afraid that the amateur rights must be left in the hands of Samuel French". He admits to having "let myself in for many too many Christmas numbers" and therefore declines an invitation to contribute to the magazine Tit-Bits. Milne regrets not having written before but explains he had "idiotically twisted my inside, playing with Bill and tore some muscles: with the result that I've been strapped up for the last week, and felt too uncomfortable to do anything but lean against cushions and read. a cough or a sneeze or a laugh is agony, so I avoid draughts of humorous books". Milne concludes by asking "did you see in the Times last week that a copy of the limited edition of W[hen] W[e] W[ere] V[ery] Y[oung] went for £53. The record so far." John R. Payne, "Four Children's Books by A. A. Milne", Studies in Bibliography, Vol. 23, 1970, pp. 127-39, item IIB. Small quarto. Original dark blue cloth-backed blue paper covered boards, front cover with paper label lettered in black, edges untrimmed. With dust jacket. Together with an undated autograph note signed ("A.A. Milne") from Milne to G. H. Grubb, 1 leaf (190 x 140 mm), headed notepaper ("13, Mallord Street, Chelsea, S.W.3.") Illustrated throughout by E. H. Shepard, folding map at end. Corners bumped, browning to free endpapers, gatherings unopened, some slight foxing to top edge; a near-fine copy. Extremities of dust jacket worn with loss to head and foot of spine, covers and spine toned; a good example of the jacket. Light browning to letter, together with removed staple holes; a near-fine letter.

Zustand: Near fine. Zustand des Schutzumschlags: Very good. Ernest H. Shepard (illustrator). First Trade Edition. Crown 8vo, 7 5/8 x 5 in (194 x 127 mm), pp. 158, green cloth, gilt stamping on the front board with an illustration of Christopher Robin and Pooh, gilt lettering on spine, top edge gilt; full-page and text illustrations, illustrated endpapers with map of "100 Aker Wood. Drawn by me and Mr. Shepar Helpd (sic.)"; in very good dust jacket (slightly worn, some dust and finger smudging - primarily affecting back panel, spine panel somewhat sunned, some dampstaining to bottom edge of spine panel, 1/4 inch; 6 mm tear to stop of spine panel, slight chipping with no losses to lettering or design elements). Illustrated by Ernest H. Shepard (except where exceptions are noted). THIS COPY SIGNED IN INK BY BOTH A.A. MILNE AND ERNEST H. SHEPARD ON THE TITLE PAGE. [Haring-Smith C79; Cutler-Stiles p. 116; Grolier, no. 71]. Milne, A.A. (Alan Alexander: 1882-1956). Winnie-the-Pooh. London: Methuen & Co. Ltd., 1926. First Edition. Crown 8vo, 7 1/2 x 5 in (192 x 126 mm), pp. 160, green cloth, gilt stamping on the front board with an illustration of Christopher Robin and Pooh, gilt lettering on spine, top edge gilt; full-page and text illustrations, illustrated endpapers with map of "100 Aker Wood. Drawn by me and Mr. Shepar Helpd (sic.)"; Cover and spine lightly rubbed, endpapers age stained as usual The second in the classic quartet of Milne's cycle based on the teddy bear which belonged to his son, Christopher Robin Milne. Pooh first appeared in a poem, published in Punch in February 1924, and reprinted in When We Were Very Young, but the character was only fully developed in Winnie-the-Pooh, which documents the adventures of the "bear of little brain." Accompanied by the magical drawings of Ernest H. Shepard, whom Milne had met as they both were contributors to Punch. Their collaboration spanned many projects and "Milne was so aware of the extent to which Shepard's drawings contributed to the success of Winnie-the-Pooh that he arranged for him to share in the royalties." [Grolier: One Hundred Books Famous in Children's Literature, p. 232] To own a copy of this first trade edition, signed by both contributors is exceptional.

A first edition, first printing published by Methuen in 1926 - illustrations by E.H. Shepard, map endpapers, original publisher's green pictorial cloth gilt, t.e.g., dust jacket with '7/6 Net' to spine and '117th Thousand' at the head of the rear flap. A fine book without inscriptions - the usual off-setting to the endpapers. Spine tips a little pushed. In a fine first issue dust wrapper with some miniscule pushing to the spine tips and corners. A magnificently crisp, fine example of this fragile dust wrapper.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. A complete set of the first, UK trade editions for all four "Pooh" books. "When We Were Very Young" is the first issue, without "IX" on the table of contents page. All books and jackets are correct first editions. Condition ranges from near fine to very good, as shown in photos. More photos available on request. "Winnie The Pooh" has been listed on the New York Public Library's 100 greatest children's books of the century and the Ashdown Forest, where the stories take place, has become a tourist attraction as a result. "I think Pooh's secret is the kindness and generosity of spirit of the characters toward each other." (Jeanne Lamb, NY Public Library). Housed in a custom-made collector's slipcase.

First editions, first impressions, of these timeless classics of children's literature. When We Were Very Young is in the second state of the first impression with the page number ix present, as usual, in the preliminaries. The dust jacket for Winnie-the-Pooh is in the first state with "117th Thousand" on the rear flap. After the huge success of When We Were Very Young, published in 1924, Milne was asked to contribute a story to the London Evening News. "The Wrong Sort of Bees", published on Christmas Eve 1925, was based on a bedtime story that Milne had told his son Christopher. It starred Christopher's teddy bear, bought at Harrods for Christopher's first birthday, known initially as Edward or Edward Bear, and later renamed Winnie-the-Pooh (after a favourite bear cub at London zoo). Winnie-the-Pooh (1926) was an immediate success and garnered even more enthusiastic reviews than its predecessor. Now We Are Six followed in 1927, and took just two months to eclipse the sales records of the previous two books. The final book, The House at Pooh Corner, was received by critics with a delight tinged by sadness. "The Times Literary Supplement congratulated Milne on avoiding 'the temptation to repeat his successful formula mechanically', though it was 'sad to see the stories end'" (Thwaite, p. 336). Ann Thwaite, A. A. Milne: His Life, 1990. 4 works, octavo. Original blue, green, red, or pink cloth, spines lettered in gilt, front covers with pictorial designs and ruled borders in gilt, top edges gilt. With dust jackets. Housed in a custom purple cloth folding box. Illustrations throughout by E. H. Shepard. Some extremities a little bumped or rubbed, usual browning to endpapers, minor cockling to fixed endpapers in When We Were Very Young; extremities of jackets a little worn with occasional minor loss, jackets toned at spine, creases to jacket for When We Were Very Young, closed tears with minor tape repairs on reverse of jackets for When We Were Very Young and Now We Are Six, prices integral to spine: a very good set in very good jackets.

Zustand: Near fine in near fine jacket. First edition. Signed limited large paper copy, one of only 350 numbered copies signed by Milne and Shepard, of the first book of Pooh prose stories. In Milne's first book of children's verse, WHEN WE WERE VERY YOUNG (1924), the silly old bear appears in only a couple poems and does not yet have a name. After that book's smashing success, Milne was encouraged by his wife to write down some of the bedtime stories he made up for his son about his favorite toys. Here we get many of the best loved stories from the Hundred Acre Wood: Piglet meets a Heffalump, Eeyore has a birthday, and Pooh runs out of honey. This is a beautiful copy of the deluxe signed edition. 8.75'' x 7''. Original quarter blue cloth, light blue paper boards. In original blue printed dust jacket. Illustrated by Shepard in black and white throughout; folding map at rear. Printed on handmade paper. xvi, 158, [2] pages. Signed by Milne and Shepard on limitation page. Small bump and rub on lower corner, expected offsetting to endpapers, else beautiful. Jacket with toning to spine and some light soil and wear.

A beautiful collection of first editions of the Pooh Books, all in original dust jackets. In 1933 Compton Mackenzie described the publication of the first Pooh Book, WHEN WE WERE VERY YOUNG as marking "an epoch as positively as any children's book has ever marked one. It is not extravagant to surmise that a distant posterity may find in that volume of children's verse a key with which to unlock the present more easily than with any contemporary novel, poem, or play" (quoted in Thwaite). The series is an evocative reflection of English childhood in the 1920s, yet transcends the time and place of its making for each new generation to discover and fall for. 4 volumes, 7.5'' x 5'' each. Blue, green, red and pink cloths. In original color printed dust jackets. Top edges gilt. WHEN WE WERE VERY YOUNG has page ix, not the very rare first state. Housed in custom cloth covers with leather spine labels (VERY YOUNG label misdated 1926). Books solidly near-fine or better, with some offsetting around the firm hinges; ink gift inscription in VERY YOUNG, POOH CORNER with slight lean. Jacket of VERY YOUNG with light chipping at spine extremities, touch of expert repair to head, and faint stain around upper joint; jackets of WINNIE and SIX are sunned on spines with a bit of wear to heads of spines (barely visible repair on SIX); POOH CORNER jacket stunning. Overall near fine in very good to near-fine jackets.

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: very good. E. H. Shepard (illustrator). London: Methuen and Co., 1924 - 1928. First Editions (When We Were Very Young is 1st edition, second state with "ix" on Contents page), Four volumes. With wonderful line drawings throughout, illustrated by E. H. Shepard.When We Were Very Young, published in 1924, first trade edition, second state, NF copy with light wear to extremities in VG dustwrapper with a tanned spine, miniscule chip out of top left of spine, navy cloth boards with gilt lettering and gilt vignettes to front and back covers, 100 pps, one of 4,500 copies printed in the first edition, which sold out in the first week.Winnie-the-Pooh, published in 1926, first trade edition, NF copy in a NF first issue dustwrapper with 117th thousand marked on back flap is bright and complete (does have small wrinkle on back which is not a tear) with minor dustiness, green cloth boards with gilt lettering and vignettes of Christopher Robin and Winnie the Pooh, illustrated end papers with map of 100 Aker Wood and numerous line drawings throughout the book of Pooh and his friends, 158 pps.Now We Are Six, published in 1927, first trade edition, NF in first state VG dustwrapper with 7/6 price on the spine, back panel has a one-inch tear and slight chips to head and tail of spine, PO name on verso of FFEP, maroon cloth with gilt lettering and vignette of Christopher Robin playing with a train engine on front and Pooh and Piglet on back, 103 pps.The House at Pooh Corner, published 1928, first trade edition, NF copy in VG first issue dustwrapper (back flap contains an ad for When We Were Very Young, stating it is in its 179th Thousand), small one-half inch tear to front of dustwrapper at the top in the middle and a small gouge (paper still present) to bottom right corner, salmon cloth boards with gilt lettering and vignette, small prior bookshop label to rear endpaper, 179 pps.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. A complete set of the first, UK trade editions for all four "Pooh" books. "When We Were Very Young" is the first issue, without "IX" on the table of contents page. All books and jackets are correct first editions. Condition ranges from near fine to very good, as shown in photos. More photos available on request. "Winnie The Pooh" has been listed on the New York Public Library's 100 greatest children's books of the century and the Ashdown Forest, where the stories take place, has become a tourist attraction as a result. "I think Pooh's secret is the kindness and generosity of spirit of the characters toward each other." (Jeanne Lamb, NY Public Library). Housed in a custom-made collector's slipcase.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. A handsome set, all first editions, first issues (no "IX" in 1st book), in near fine dust jackets. Housed in a custom-made case.

New York: E.P. Dutton & Company, 1926. 4to, [xiv], 159, [3, blank] pp. Publisher's pink paper over boards, blue cloth backstrip with pink paper label in the original pink dust-jacket printed in black. Board corners worn, backstrip ends rubbed, hinges a little soft, gift inscription on front free endpaper. Dust-jacket with edge wear and several large chips in spine panel. § First American limited edition, on large paper, numbered 17 of 200 copies, signed by Milne and Shepard.

Hardcover. Zustand: Fine. First Editions. Hardback. 8vos. Appeared between 1924 and 1928. First editions, first impressions,of the great classic. When We Were Very Young is in the second state of the first impression with the page number ix present in the preliminaries. In exquisite crushed full leather by Bayntun Riviere of Bath. The illustrations rendered in coloured onlays on the front covers comprise: Christopher lying on the grass (When We Were Very Young) Christopher Robin pulling on his boots (Winne-the - Pooh)Christopher Robin standing in the rain in wellingtons, raincoat and rain hat (The House at Pooh Corner) and Christopher Robin skipping with a rope (Now We are Six) Bound in red, blue, green and bright red crushed morocco by Bayntun Riviere , their binders gilt stamp on front turn-ins, spine with raised bands and lettered in gilt with small gilt bear at he centre of the spine, front covers with illustrations after E. H. Shepard in coloured onlays, covers with gilt fillet borders, gilt edges, gilt turn-ins, marbled endpapers, original cloth covers and spine bound in at end together with original pictorial endpapers when issued. All edges gilt. Housed in a custom brown textured plain cloth slipcase. Illustrated throughout by E. H. Shepard. Slipcase faintly tanned at top edge otherwise a fine set. Fine.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. A complete set of the first, UK trade editions for all four "Pooh" books. "When We Were Very Young" is the first edition, second issue, with "IX" on the table of contents page. Otherwise all books and jackets are pure first editions. Condition ranges from near fine to very good, as shown in photos. More photos available on request. "Winnie The Pooh" has been listed on the New York Public Library's 100 greatest children's books of the century and the Ashdown Forest, where the stories take place, has become a tourist attraction as a result. "I think Pooh's secret is the kindness and generosity of spirit of the characters toward each other." (Jeanne Lamb, NY Public Library). Housed in a custom-made collector's slipcase.

Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. 1926, 1927, 1928. Three volumes, all first edition, first printing. All Fine, in Near Fine dust jackets, with top and bottom corners of front flaps clipped, and light toning to the spine panels, slight soiling. Winnie the Pooh: Small vintage bookseller ticket to front paste down, toning to endsheets. In first issue dust jacket with "117th Thousand" at the top of the rear flap, with two faint blue lines running horizontally at top third and bottom sixth of jacket, light crimping at top edge of front panel and very small losses at the top of the flap folds. Now We Are Six: Spine cloth faintly darkened. In first issue dust jacket with Winnie the Pooh listed at 70th Thousand and Fourth Edition on rear jacket flap; jacket has an L shaped teat at the top front spine joint extending across the spine and affecting the word "Are" in the title. The House at Pooh Corner: Toning to endsheets, and a light crimp to dust jacket at foot of spine, else a very sharp and bright copy in a first issue dust jacket with a price on the spine and "179th Thousand" on rear flap. While not complete (lacking the first book in the series When We Were Very Young), an honest and true set, with dust jacket spines uniformly sunned, with volumes not married or packaged together in modern times. A beautiful and bright set, in much nicer shape than as normally found in.

Rare collection of six Winnie-The-Pooh prints specially bound with an autograph note signed by both A. A. Milne and Ernest Shepard. Quarto, bound in hand-made paper wrappers, the collection includes six mounted Winnie-the-Pooh illustrations extracted from issues of Home Chat magazine which were produced by Shepard exclusively for Home Chat in 1928 and never appeared in any of the Pooh books. With a mounted note signed by Milne and Shepard. The prints are titled: Christopher Robin has a Little Something at Eleven; What Christopher Robin does in the Mornings; Christopher Robin gives Extract of Malt all round; Christopher Robin's Green Braces; Christopher Robin at the Enchanted Place; Christopher Robin organises an "Exposition". In near fine condition. A unique example. â Although Alan Alexander Milne wrote novels, short stories, poetry and many plays for adults, in addition to his work as assistant editor for Punch from 1906 to 1914, it is his writings for children that have captured the hearts of millions of people worldwide and granted Milne everlasting fameâ (Silvey, 461). Milne wrote most of these poems at the request of friend and fellow poet Rose Fyleman, who was planning a new childrenâ s magazine. â On a rain-blighted holiday in Wales, [Milne] escaped from the crowd of fellow guests to the summerhouse, and for 11 days wrote a set of childrenâ s verses, one each dayâ ¦ â There on the other side of the lawn was a child with whom I had lived for three years [his son, Christopher Robin]â ¦ and here within me were unforgettable memories of my own childhood.â He added more verses when he got home, enough for a book, and allowed some to be published in advance in Punchâ (Carpenter & Prichard, 351). Shepard, a Punch staff artist at the time, provided delightful line vignettes, resulting in â a wonderful marriage of verse and vision. His delicately precise and fresh drawings had an instant appealâ (DNB).

Zustand: Very Good+. First Edition. First American edition, limited issue. One of 200 numbered copies in the large paper issue printed on Japanese vellum, signed by both A. A. Milne and E. H. Shepard on limitation leaf at front. [xiv], 159, [3, blank] pp. Publisher's pink paper over boards with blue cloth spine, pink paper spine label; lacking the publisher's glassine and box. Very Good+ with light wear at extremities, light soiling and light tanning to covers, stray ink mark to spine, foxing to top edge. Tanning to pages with several hinges slightly exposed.

Decorations by Ernest H. Shepard (illustrator). Teg. Bindings sequentially bound in blue, green, red and salmon. The House at Pooh Corner has a slight lean, and a 1" chip to lower spine of dust jacket, closed tears along folds, and a smooth crease to corner of title page, otherwise all copies essentially fine in fine to near fine dust jackets, although Now We Are Six has a 1/4" chip top spine along front joint. All volumes are first editions in original dust jackets, with the exception of When We Were Very Young, which is the second state with numbered page ix.

hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. First editions. All four book in the series, all first edition in very good dust jackets. Housed in a custom-made slipcase.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. A complete set of the first, UK trade editions for all four "Pooh" books. "When We Were Very Young" is the first edition, second issue, with "IX" on the table of contents page. Otherwise all books and jackets are pure first editions. Condition ranges from near fine to very good, as shown in photos. More photos available on request. "Winnie The Pooh" has been listed on the New York Public Library's 100 greatest children's books of the century and the Ashdown Forest, where the stories take place, has become a tourist attraction as a result. "I think Pooh's secret is the kindness and generosity of spirit of the characters toward each other." (Jeanne Lamb, NY Public Library). Housed in a custom-made collector's slipcase.