alice s adventures in wonderland von lewis carroll (Mehr als 14.000 Ergebnisse)

Zustand: New. Libro nuevo, sellado, fisico, original. Enviamos a todos el mundo por USPS, Fedex y DHL. 100% garantia en su compra. Sealed, new. Unopened. 100%guarentee. We ship worldwide.

Zustand: Fine. Number of books: 1 book.

Hardcover. Zustand: Very good. In 1865 Macmillan printed this book in England and recalled it because John Tenniel, the illustrator considered the printing of the illustrations unsatisfactory. After consulting with Tenniel, Lewis Carroll authorized Macmillan to sell 1,952 bound copies to Appleton in New York with a new title page replacing Macmillan with D. Appleton and dated 1866. The new title page was tipped onto the excised stub of the Macmillan 1865 edition. Top edge and fore edge gilt. A few small waterspots on the front cover. The half title page has some writing on it and the lower fore edge corner has had a professional repair of the lower fore edge corner not affection the text. Spine a little darkened otherwise a tight copy. Michael Hancher, author of The Tenniel Illustrations to the "Alice" Books was in the shop this summer and examined our copy of this book. There is a census of the extant copies of the 1866 Appleton Alice as announced by John Lindseth in PBSA some time ago that is still a work in progress. He goes on to say, "Extant copies of what has become known as "The Appleton Alice" have turned out to become quite elusive. The British Library is the only institutional holder found in the UK. Some seventy institutional holders are found in the United States and Canada and one in Switzerland. Fewer than twenty private holders have been identified. Our copy may add one to that small number. In his note Lindseth distinguishes four different states of the text, which apparently have no priority. Hancher goes on in his email to write, "I also attach two pages from the new chapter about "Printing" in the revised edition of my Tenniel book. Apparently the image quality for the illustrations of the suppressed Macmillan printing of 1865 (which got recycled as the Appleton edition of 1866) varies from copy to copy and image to image, depending on how much ink leaked through from the printing on the other side of a particular leaf. Tenniel must have been given - and rejected - one of the worse copies. Had he been given your copy he might not have balked." 1st American edition / Ist edition, second issue.

Folio (220 x 354 mm). (3), A1-8, 642, 4 ff. Mimeographed typescript and storyboard comprising 642 illustrations by William Cameron Menzies. Extra-illustrated with 44 black and white production photographs. Contemporary giltstamped full red morocco, spine gilt in compartments. Signed by 27 members of the cast. Copy owned by Charlotte Henry, the actress who played Alice, signed and inscribed by her to another girl on the frontispiece photograph: "To Ann Waddington from Alice in Wonderland / Charlotte Henry". De luxe copy, owned by "Alice", of the script to the 1933 Paramount Pictures adaptation of Lewis Carroll's classic. The script appears to have been available in a numbered edition (number 22 was sold at Sotheby's in 1975) and an un-numbered edition for members of the production (cast-member Ronald "Baby LeRoy" Overacker s copy sold at Bonhams, Los Angeles, in 2019); both were bound in wrappers. The present specimen is a sumptuously bound, extra-illustrated edition for the actress who played the title character, featuring not only 44 inserted black-and-white production photographs (captioned on the reverse), but also the signatures of 27 cast members on the half-title. - Despite an all-star cast including Cary Grant as the Mock Turtle, Gary Cooper as The White Knight, W. C. Fields as Humpty Dumpty, Edna May Oliver as the Red Queen, Edward Everett Horton as The Hatter, Charlie Ruggles as The March Hare, and Baby LeRoy as The Joker, the film adaptation proved a famously unsuccessful experiment by Paramount. It remains the only major live-action Hollywood production to adapt Carroll's original "Alice" stories. Charlotte Henry (1914-1980) enjoyed her first leading role as Alice, beating over 6,800 other actresses who auditioned. The recipient Ann Waddington, to whom Henry gifted her sumptuous memento, is unidentified. - The American film director, screenwriter, and producer Joseph L. Mankiewicz (1909-93) enjoyed a long Hollywood career. He is best remembered for "All About Eve" (1950), which was nominated for 14 Academy Awards and won six. William Cameron Menzies (1896-1957) was a hugely influential production designer and art director. He received an Honorary Academy Award "for outstanding achievement in the use of color for the enhancement of dramatic mood" in "Gone With the Wind". - Occasional tears to some leaves, some photographs with creases and tears, occasional child's scribbles. Hinges professionally restored. A unique survival.

Hardcover. Zustand: Very Good. LIMITED SIGNED EDITION OF 200. Original full tan straight grained leather clamshell box, 18-1/4" x 13-1/2", gilt lettered spine, with the original 2 gilt stamped black silk chemise?s, illustrated by Salvador Dali, complete with frontis and 12 illustrations, the frontispiece is an original signed etching by Salvador Dali, limited to 200 Roman numbered copies on Rives paper with the portfolio containing an additional suite of 13 plates on Japan nacre, of which this is copy CXCI. The clamshell box is in VERY GOOD condition, with the two original leather ties and black clasps, internally clean and bright, about as nice as you?re ever going to find it. Signed by Illustrator(s).

xvii, 193 pp. With forty full-page illustrations in tint from drawings by Peter Newell. Original artwork 11 x 7 inches, matted and framed. Volume 8vo, publisher's gilt art vellum, t.e.g., in green gilt dust jacket and publisher's printed two-part box. First Peter Newell edition. Very fine original condition; the book is unopened. There is some light soiling and wear to the publisher's box. Unlike the published illustration, the original drawing depicts Alice in a delicately colored pink-flowered dress, with rosy cheeks and lips, a gold necklace, and a red ribbon in her hair. The Queen and her entourage, by contrast, are largely in monochrome with only faint touches of color (lips and tongues).

Hardcover. Zustand: Near Fine. 1st Edition. First Edition. First American issue. An attractive copy that has benefitted from some professional restoration. The end result is a beautiful book that is rich in color with no material missing. The binding is tight, and the boards are crisp. The pages are clean, with no writing marks or bookplates in the book. Overall, a lovely copy housed in a custom clamshell slipcase for preservation. We buy Lewis Carroll First Editions.

Zustand: New. John Tenniel (illustrator). Libro nuevo, sellado, fisico, original. Enviamos a todos el mundo por USPS, Fedex y DHL. 100% garantia en su compra. Sealed, new. Unopened. 100%guarentee. We ship worldwide.

Early edition with sixty-second thousand stated on the title page of this classic work, boldly inscribed by the author on the half-title page, "Edith Mary Alice Berkeley from the Author, May 15/80." Octavo, original cloth, gilt titles to the spine, all edges gilt, publisher's cloth s, all edges gilt, housed inÂa modern scarlet morocco slipcase and chemise. 7 1/8 x 4 1/2Âinches (18 x 12 cm); 192 pp., [2] pp. ads, half-title; electrotyped frontispiece, and 42 illustrations from the woodcuts by Dalziel after John Tenniel. In near fine condition. From the library of actor William E. Self, with his book label on the front pastedown. Housed in a custom half morocco chemise and slipcase. Rare and desirable signed and inscribed. Alice's Adventures were "born on a golden afternoon" in July 1862, when the Rev. Charles Lutwidge Dodgson (better known as Lewis Carroll) took the three small daughters of Dean Liddell of Christ Church on a boating trip up the Isis. Carroll delighted the three children by relating Alice's adventures, and eventually promised his favorite among the three, Alice Liddell, to write the story down for her. Through the Looking-Glass can be seen as a mirror image of the Alice's Adventures. For example, the latter begins outdoors in the warmth of May 4 and uses the imagery of playing cards, while the former begins indoors on a snowy, cold November 4 and uses the imagery of chess. "The two Alice books completed the reinstatement of the imagination, so long disapproved of by the opponents of fairy stories, to its proper place. Alice is, in a word, a book of that extremely rare kind which will belong to all the generations to come until the language becomes obsolete " (Carpenter & Prichard, 102).

London, Macmillan, 1871. Rare Presentation copy. INSCRIBED by the Author:"Beatrix Maud Cecil from the author Jan 1872". Cecil, the daughter of Lord Salisbury, was one of Carroll's most famous photographic models. Very Good in a bit rubbed and marked contemporary full brown calf Ramage presentation binding. Provenienz: Nigel Willams London. Fine copy. Sprache: Englisch. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

FIRST EDITION, SECOND ISSUE. Frontispiece and 41 illustrations by John Tenniel. Exquisite full morocco binding by Sangorski & Sutcliffe, covers ruled in blind with the same gilt designs as on the original cover (Alice on the front, the Cheshire Cat on the back), spine in compartments with gilt designs and the author, title and date in gilt, intricately decorated gilt dentelles, with the original binding bound in on 3 separate leaves (front, spine and rear covers). Overall a gorgeous clean copy preserved in a cloth box.

First German language edition, first impression, presentation copy, inscribed by the author "Margaret Evelyn Hardy, from the Author" on the half-title. The first foreign language translation of Alice's Adventures in Wonderland was published in February 1869 before a French translation of August 1869. The original English text was first published in 1866. Williams, Madan, Green, and Crutch praise the illustrations in this edition and note "the reproductions of the woodcuts in this German edition are excellent, and bear comparison with those in any other issue of Alice in Wonderland". The contents listing exactly copied the pagination of the English edition so that for every chapter except the first, the page numbers are incorrect. Gathorne-Hardy, 1st Earl of Cranbrook, (1814-1906) became known to Carroll's Oxford circle in 1865 when he was nominated to stand in the Oxford University constituency. There were three candidates: William Gladstone, William Heathcote and Gathorne Gathorne-Hardy. Carroll records signing a voting paper in his diary for 10 July and Jackson's Oxford Journal for 15 July notes that "Dr Dodson [sic], of Christ Church" voted for Gladstone. The final result was Heathcote 1331, Gathorne-Hardy 767, and Gladstone 735 votes. The election prompted Carroll to write his Dynamics of a Particle (1865) comprising a satirical pamphlet masquerading as a mathematical treatise in which chapter two refers to the contest between Gathorne-Hardy and Gladstone. The politician was responsible for Carroll's admittance to the public area of the House of Commons on 8 April 1867, and when Gathorne-Hardy visited Oriel College, Oxford, Carroll invited him to Christ Church to have his photograph taken. Carroll noted in his diary on 10 June 1867 "He had not long to spare, but I succeeded in taking two pictures of him, neither of them, I fear, particularly successful". Gathorne-Hardy had married Jane Orr in 1838 and they were to have four sons and five daughters. On 24 June 1867 the politician wrote to Carroll stating "my little girl's names are Margaret Evelyn, and I am sure she would dearly treasure Alice in English and French, but has no right to tax you for both". At the time of writing, there were no foreign language translations. A correspondence between the two men commenced and, in time, Carroll certainly sent both English and French editions of Alice. This inscription in an unrequested German translation is previously unknown (unrecorded by Carlson and Eger). Another hand other than Carroll's has added the date of 1871. Carroll continued to send copies of his books to Margaret: she also received an inscribed copy of Through the Looking-Glass dated Christmas 1871 and a copy of The Hunting of the Snark with an inscription dated 24 April 1876. Carroll's diary entry for 12 September 1877 records a visit by the author to the Hardy family to "meet Evelyn again (she is now 'Miss Evelyn')" when he "walked on the Parade with Mrs. Hardy and Misses K. and E." Williams, Madan, Green, and Crutch 71; Carlson and Eger, Dodgson at Auction 1893-1999, 1999. Octavo. Original green cloth, spine lettered in gilt, pictorial roundels and triple-line borders to covers in gilt, brown coated endpapers, binder's label ("Burn & Co") to rear pastedown, all edges gilt. Frontispiece and 42 illustrations by John Tenniel. Some fading and bubbling to covers, spine slightly soiled, corners slightly bumped, minor restoration to spine and hinges, some browning and foxing throughout; a very good copy.

TENNIEL, Sir John (illustrator). Alice's Adventures in Wonderland [With:] Through the Looking Glass. London: MacMillan and Company, 1866. Full Description: CARROLL, Lewis. Alice's Adventures in Wonderland. London: MacMillan and Company, 1866. First published edition, with inverted "s" on the last line of the contents page. Octavo. (7 3/8 x 4 7/8 inches; 186x 123 mm.). [xii], [1]-192 pp. With forty-two illustrations by John Tenniel including frontispiece. With the original cloth binding bound in at the end. The original blue endpapers are also bound in at the end. [Together with] CARROLL, Lewis. Through the Looking Glass, and What Alice Found There. London: MacMillan and Company, 1872. First edition. Octavo. (7 x 4 3/4 inches; 176 x 120 mm.). [xii], [1]-224, [2] pp. With the misprint "wade" instead of "wabe" on page 21. Fifty illustrations by John Tenniel including frontispiece. Without the page of publisher's advertisements. With the original cloth binding bound in at the end. Two volumes uniformly bound by Bayntum-Riviere in red morocco. Boards ruled in gilt. Board edges tooled in gilt. Gilt dentelles. All edges gilt. Alice's Adventures in Wonderland with a stamped in gilt with the white rabbit on the front board and Through the Looking Glass with the queen stamped in gilt on the front board. Spines stamped and lettered in gilt. Marbled endpapers. Small closed tear to leaf B in volume I on lower margin, not affecting text. A small closed tear to Z2 in Volume I at fore-edge margin, not affecting text. Previous owner's old ink inscription dated 1866 on original endpapers. Previous owner's inscription dated 1871 on half-title of volume II. Overall a near fine set in a beuatiful binding. Housed together in a custom cloth slipcase. This is the first authorized edition, often cited as the second edition and was published in November, 1865, (some say issues were ready as early as September 1865), preceding that of the New York 1866 edition by six months. "The first edition, familiarly known to book-collectors as 'the 1865 Alice', was printed at the Oxford University Press. This edition was at the last moment canceled by the author, for whom MacMillan's were publishing 'on commission' (i.e. as agent, not sponsors) because of what was considered the poor printing of Sir John Tenniel's almost equally famous illustrations. The few early copies sent out were recalled; seemingly with fair success, since less than a score are known to survive today. The book was then reprinted, by Clay, with the title-page re-dated 1866, and this constitutes the first regularly published edition" (Printing and the Mind of Man). Williams, Madan and Green 44 and 84. HBS 69110. $15,000.

First Edition. "CARROLL, Lewis. Alice's Adventures in Wonderland. London: Macmillan, 1866. Octavo, mid-20th century full red morocco, elaborately gilt-decorated spine, raised bands, all edges gilt. $14,500.First authorized English edition of Carroll s cherished romp through the realm of nonsense, illustrated with 42 engravings by John Tenniel, handsomely bound by Riviere & Son, with original cloth-gilt at rear."More than a flare of genius," Alice's Adventures in Wonderland "was the spiritual volcano of children's books" (Darton, 260). "Historians of children's literature universally agree that [its] publication marks the liberation of children's books from the restraining hand of the moralists" (Carpenter & Prichard, 102). A mesmerizing masterpiece of comic nonsense, Alice also demonstrates Carroll's gift for recognizing "the child's inner fears, wishes, intelligence and imagination. He unleashed thousands of children's minds and invited them to laugh" (Silvey, 124). "It is, in a word, a book of that extremely rare kind which will belong to all the generations to come until the language becomes obsolete" (Sir Walter Besant). First published and authorized English edition, preceded only by the extraordinarily rare suppressed 1865 London edition, of which only about 20 copies are known to exist, and the scarce New York edition of 1866. Lewis Carroll Handbook 46. Lewis Carroll at Texas 3. See PMM 354. Bookplate. Newspaper clipping laid in.A bit of foxing to front blank endpapers only. A beautifully bound copy with the original cloth bound in.".

Limited Edition. Folio. # 1638 of 2500 numbered portfolios printed in France on Mandeure paper, signed in pencil on the titlepage by Salvadore Dali and includes 12 color woodcut remarque illustrations. One original color etching signed in the plate, contents loose as issued in gilt-lettered cloth chemise housed within a 1/4 morocco over beige cloth clamshell, spine lettering gilt, with bone and morocco clasp. As new in original inner portion of the original shipping box and wrapped in the original paper each with their corresponding numbers of this particular issue. A remarkabley beautiful copy.

Hardcover. Zustand: Fine. FIRST. First edition. Maecenas Press/Random House, New York, 1969. Illustrations by Salvador Dali. #668 of a signed limited edition of 2500 copies , issued as a portfolio containing 12 color wood engravings and a color etching. Signed by the illustrator on the title page. Signed by Dali on the title page, with an original etched frontispiece in four colors signed in the plate, and 12 color heliogravures each with an original remarque. Press/Random House, New York, 1969. Illustrations by Salvador Dali. 1147 of a signed limited edition of 2500 copies , issued as a portfolio containing 12 color wood engravings and a color etching. Signed by the illustrator on the title page. twelve full page color heliogravures. Interior contents bright, clean and fresh. Spine of morocco case lovely copy to beige cloth of folding case. Loose as issued in original brown cloth chemise, quarter morocco folding case original boe closures. Signed by Author(s).

Hardcover. Zustand: Very Good. TENNIEL John 1820-1914 (illustrator). 1st Edition. The second, first published edition, 1866 In the original publishers gilt red cloth, 3 circular lines containing a picture of Alice holding the Pig on the upper cover with the Cheshire Cat to the back cover, a little rubbed & soiled, cloth worn at some extremities. Professionally re-spined, old laid down, gilt titles. Internally, half-title, frontispiece, [10], [1], 2-192 pp, frontis, with tissue guard, + 42 illustrations by John Tenniel, a couple of short tears, some foxing, pale blue endpapers (earliest state), hinges with signs of repair, a.e.g. Housed in a custom red half morocco over red cloth drop-back- box, gilt titles to spine, gilt titles to morocco label to upper cover. (193*126 mm). (Crutch 46. Madan 33. Williams 10). A better than usual copy of Alice with an ownership inscription on half-title dated in the year of publication ( M.A. Watson Binfield 1866) + a bookplate to fpd (Latham). The contents 'S' is normal whilst page 30 is correctly numbered. Dodgson, author, mathematician, and photographer, whose writing meant a great deal to him; writing was the main course by which he could do something for others, to fulfil a deep religious desire to contribute something to humanity?it was his offering to God. After resigning his mathematical lectureship in 1881, at the age of forty-nine (he retained his studentship and resident privileges at Christ Church to the end), he devoted himself primarily to his writing. Often standing at his upright desk (he calculated that he could stand and write for ten hours a day), he turned out a myriad of works. See ODNB.

Moser, Barry (illustrator). Two folio volumes. 150pp.; xxv, 160pp. Each one of 350 copies signed by Barry Moser. Alice is illustrated with 75 wood engravings by Moser, and Through the Looking-Glass contains 95 engravings by Moser. Some of the engravings are full-page plates, while others are beautifully integrated into the layout. Alice bears a presentation inscription on the colophon to a patron, and Moser has added a characteristically detailed pencil drawing of a key. Every illustration in Looking Glass is pencil signed by Moser. Both volumes also come with an additional suite of the wood engravings, each print signed by Moser, in a linen-covered chemise. Both volumes are printed in five colors on a paper specially made for the Press by Strathmore Mills, with calligraphy by G. G. Laurens. The type is Bembo, in blue, black, and red. Bound by Gray Parrot in quarter purple morocco and crimson morocco and marbled boards, respectively. Each is housed in its own morocco-backed linen clamshell box. This was the first in a series of folio editions of classic texts printed at the Pennyroyal Press. It sold out almost immediately and has remained the most popular of Moser's oeuvre ever since. The edition was based on Carroll's corrections to his original text, and the additional commentary was written by one of America's leading Victorianists, James Kincaid. The University of California Press issued a trade edition of this publication which is considered a classic in its own right.

Hardcover. Zustand: Fine. Alice s Adventures in Wonderland. Hatfield: Pennyroyal Press, 1982. A splendid fine copy of the Limited Edition (One of 350 copies) signed by Barry Moser in the Colophon and bound by Gray Parrot in half-purple Morocco with marbled sides. Accompanied by the complete set (75) of pencil-signed wood engravings in the publisher's issue linen folder, the whole housed in the matching leather-backed clamshell case. Moser's magnum opus that launched his career into fine limited-edition publishing. Alice was sold out upon issue. A collector's copy. together with: CARROLL. LEWIS. Through the Looking Glass and What Alice Found There A fine copy of the Limited Edition (One of 350 copies) signed by Barry Moser in the Colophon and bound by Gray Parrot in half-purple morocco with marbled sides. Accompanied by the separate suite of pencil-signed prints housed in the publisher's issue linen folder, the whole housed in the matching leather-backed clamshell case. This production immediately followed Alice. A collector's copy. The pair uncommonly found in commerce. Collector's copies. Signed by Illustrator(s).

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. HARDBACKNODJ, 1ST EDITION , 1866 ON TITLE PG, .FIRST LONDON EDITION. SECOND 1ST PUBLISHED EDITION SINCE 1865 WAS RECALLED. VG-, AS -IS, Final 'S' on the contents page is correctly printed, page '30' numbered '3'. 192 PGS NO ADS IN BACK, ORIGINAL Red Cloth binding 3 circular lines containing a picture of Alice holding the Pig on the upper cover with the Cheshire Cat to the back cover, REBACKED, Preserving Original covers with small stain and spine which has tears chips wear. Wear to exterior with some marks/stains. All edges GOLD gilt. RECENT endpapers, half-title with pencil name. Pages are complete with illustrations throughout. Age toning and the odd mark/spot here and there, otherwise pages are generally clean , TINY CORNER STAIN WEAR FRONT BTM RIGHT , The first published edition, re-set from a copy of the recalled first issue. 3 circular lines containing a picture of Alice holding the Pig on the upper cover with the Cheshire Cat to the back cover, a little rubbed , 192 PGS,

Rackham, Arthur (illustrator). Quarto. xi, 162pp., + 12ff. plates. One of 1,100 copies. Because Rackham was away from London while this book was in production, most copies of the deluxe edition went unsigned; however, this copy has been signed by Rackham on the limitation page. Contains thirteen large tipped-in color plates and many black & white drawings, which offer Rackham's distinctive, new interpretation of scenes made famous in Tenniel's classic illustrations, such as Alice's encounter with the caterpillar, the Caucus Race, and the Mad Tea Party. Hudson describes Rackham's undertaking as "the most controversial of his career," but concludes that "he has certainly made the greatest impression of all Tenniel's multitude of successors." The book opens with a "proem" by Austin Dobson that cheekily addresses the challenge of illustrating such a classic work, saying, "here comes a fresh costumier" to interpret the story according to his own taste. In the publisher's gilt-stamped white cloth bearing the title and a design of the Gryphon and Mock Turtle on the front cover. Cloth shows light finger soiling and minute toning to spine and endpapers; rear hinge started. T.e.g. A pleasing copy overall. (Latimore & Haskell, p. 28; Hudson, pp. 70-78).

Hardcover. Zustand: Near fine. Issued separately, each folio volume is limited to 350 numbered copies signed by the illustrator and accompanied by an additional suite of wood engravings, with each print signed by Barry Moser, in a linen-covered chemise. A matching set, both volumes in this pairing are number 270. Printed in five colors on a paper specially made for the Press by Strathmore Mills, with calligraphy by G.G. Laurens. The type is Bembo, in blue, black, and red. Bound by Gray Parrot in quarter purple morocco and crimson morocco, respectively, over marbled paper-covered boards. Each is housed with the chemise of prints in its own morocco-backed linen clamshell box, which are a little discolored along the extremities (as usual). Alice's Adventures in Wonderland and its sequel, Through the Looking-Glass, were the first two in a series of four folio editions of classic texts printed at the Pennyroyal Press. Both sold out almost immediately and have remained the most popular of Moser's oeuvre ever since. The text was edited by Selwyn Goodacre, with a preface and notes by one of America's leading Victorianists, James Kincaid. A whimsical production and among the greatest achievements of late 20th century American book design.

Hardcover. Dali, Salvador (illustrator). 151 pages. Folio, 44 x 29 cm. Limited edition, copy 2430 of 2500 signed by Dali on title, and one original colored etching by Dali signed in pencil is opposite the frontispiece. Printed on Mandeure paper by Ateliers Rigal. In addition, twelve full page color heliogravures. Interior contents bright, clean and fresh. Spine of morocco case rebacked, some soiling to beige cloth of folding case. Loose as issued in original brown cloth chemise, quarter morocco folding case with replaced bone clasps. Very good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Rackham, Arthur (illustrator). 1st Edition. Carroll, Lewis. (Charles Lutwidge Dodgson). ALICE'S ADVENTURES IN WONDERLAND. New York: Doubleday, Page & Co., [n. d. but 1907]. First American De Luxe Edition illustrated by Arthur Rackham. With a "proem" by Austin Dobson. Limited to 550 numbered copies SIGNED by the publisher of which this is #114. Large quarto. Thirteen full-page tipped-in colored plates with all tissue guards present, illustrations sized much larger than those found in the first trade edition. This large paper edition is 162pp and measures 11 1/2" x 9 ¼". Original publisher's quarter dark green cloth over light green boards lettered in gilt with a small onlay image of Alice affixed to the upper board, t.e.g. A VERY FINE copy in ORIGINAL GLASSINE DUST JACKET still residing inside its matching green ORIGINAL CARDBOARD GIFT BOX. Virtually as new and untouched, an astonishing survival. In 1907, after more than forty years, Lewis Carroll's classic Alice's Adventures in Wonderland entered the public domain. That year, many new editions of Alice's Adventures were free to be published. Of those, Arthur Rackham's 1907 illustrated version is arguably the most iconic (and the most sought after) visual interpretation of Alice outside of the original Victorian era drawings by John Tenniel. In thirty years of selling Lewis Carroll desiderata, this is the first time we've ever seen the Doubleday Edition De Luxe in its original glassine DJ (much less with its original gift box). Also included, an example of the first American Trade Edition (c.1907, printed in England) as a reading copy. Signed by Author(s).

192 pp. With Forty-two Illustrations by John Tenniel. 12mo, in a modern designer binding in full inlaid morocco, a.e.g. by Starr Bookworks. Preserved in a custom quarter morocco slipcase and chemise. First American edition, first printing; second issue with the cancel Appleton title page. 1 x 2" section of the upper right corner of the title page expertly replaced (owner's name removed?) This copy has the title page with the "B" in the second "By" above and slightly to the right of the "T" in "Tenniel," and the hyphen in "Rabbit-hole" on the Contents page. No priority for these variants has been reliably established.

Hardcover. Zustand: Very Good. No Jacket. Limited portfolio number 2105 of 2500 copies. Signed by Salvador Dali on the title page. Top toggle to the case is chipped and the bottom toggle is missing. Leather strap is tucked inside the pages. Loose pages inside a morocco case. Signed by Illustrator(s).

Original buckram. Zustand: Very Good. Arthur Rackham (illustrator). first Rackham edition. DELUXE LIMITED EDITION in exceedingly rare original slipcase. WITH: RACKHAM INK DRAWING of the Gryphon. The book: "Rackham embarked on his new edition of Alice in Wonderland, with illustrations to rival John Tenniel's, when the book came out of copyright in 1907. Rackham's advantage over Tenniel was that now he could introduce colour; also his pen line would not be reproduced by wood-engraving. This gave him some new freedoms for invention, but his amendments to the ingrained image of Alice were not only technical. Rackham's Alice was very much a fleshly Edwardian child who would question the status quo of Wonderland. Her courtesy carried an undercurrent of insistent argument. A contemporary critic observed 'a tender, flickering light of imagination in [Alice's] eyes' (Daily Telegraph, 27 Nov 1907). (Dictionary of National Biography). This deluxe limited edition is number 1030 of 1130 copies, unsigned as issued. (Rackham was out of the country when the book was published and did not sign the edition.) Complete with thirteen large tipped-in color plates and many black and white drawings. In the exceedingly rare original "windowed" slipcase: We can only find records of very few references to the original slipcase, although numerous copies exhibit the patch of rectangular discoloration corresponding to the cut-out opening of the slipcase, designed to display the gilt title and the gilt cover illustrations of the turtle and gryphon. The drawing: Laid-in is a large pen and ink drawing of the gryphon, signed by Rackham ("ARackham") and dated ("07") the same year as the book. The drawing is similar to the one on page 119 of the text, but is larger and with much more detail. Size: sheet = 7 1/4x9 (184x228 mm); image = approx. 5 1/2x7 in (136x180 mm). London and New York: William Heinemann and Doubleday, Page, & Co., 1907.Quarto, original white buckram gilt, original marbled slipcase with morocco edges and cutout displaying the title and illustrations on the front panel. Drawing laid-in. Book with mild rectangular "ghosting" from where the cloth was exposed when in the slipcase; mild toning to spine and a few stray spots but cloth exceptionally clean and bright. Corners a little bumped. Slipcase with general rubbing to marbled paper and chips around the frame of the cutout. Matte for one plate with small abrasions at gutter. Text and plates nearly pristine. Drawing was previously framed, resulting in toning to paper where it was exposed (ink crisp and fine). A beautiful copy of a Rackham classic, complete with the very rare slipcase and a unique Rackham ink drawing.

Alice's Adventures in Wonderland An Early Edition in a Superb Multi-Colored Inlay Binding by Kelliegram [KELLIEGRAM BINDING]. CARROLL, Lewis. Alice's Adventures in Wonderland. With Forty-Two Illustrations by John Tenniel. Twenty-Ninth Thousand. London: MacMillan and Co., 1872. Twenty-Ninth Thousand printing. Small quarto (7 x 4 5/8 inches; 178 x 117 mm.). [xii], [1]-192 pp. Wood engraved frontispiece with original tissue-guard, numerous wood-engraved text illustrations. A few very light marginal smudges, otherwise fine. Bound ca. 1910 by Kelliegram of London, stamp-signed in gilt on rear turn-in. Full hunter green crushed levant morocco, the covers beautifully decorated with multi colored leather inlays depicting ten different Alice characters. The front cover with a large central inlay of the Mad Hatter, surrounded by Father William's Son, the Dodo, the Mock Turtle and the Duchess, all within a gilt-stamped frame. The rear cover similarly decorated with a large central inlay of the White Rabbit, surrounded by the Mouse, the Duck, the Eaglet and the Cheshire Cat, all within a gilt-stamped frame. Spine with five raised bands decoratively tooled and lettered in gilt in compartments, gilt ruled board edges and turn-ins, ochre silk liners and endleaves, all edges gilt. An amazing whimsical binding. "Kelliegram bindings were one of many innovations of the English commercial binding firm of Kelly & Sons. The Kelly family had one of the longest connections in the history of the binding trade in London, having been founded in 1770 by John Kellie, as the name was then spelled. The binding firm was carried on by successive members of the family into the 1930s. William Henry Kelly significantly developed the company in the first half of the nineteenth century, followed by William Henry, Jr., Henry, and Hubert Kelly, who took control in 1892, taking the firm into the twentieth century.The development [during the 1880s] that came to be known as Kelliegram was one of the bindery's most notable, and the popularity continues today as demonstrated by the prices Kelliegram bindings command at auction and in the rare book trade. An interesting note: The story of the first actual printing of Alice in Wonderland. Encouraged by his friends, Reverend Charles Dodgson, otherwise known as Lewis Carroll, first had Alice published by Macmillan & Co. and printed by the Clarendon Press in June 1865, arranging to have a specially bound copy delivered to Alice Liddell, the famous Alice for whom the story was spun, the next month on July 4. However, not several weeks after that, John Tenniel, the illustrator, wrote to Dodgson complaining of his dissatisfaction with the printing of his illustrations. Macmillan examined one of the unbound copies of the book and agreed to fully reprint the book using a more commercial printer from London, Richard Clay. The condemned printing was then sold to David Appleton & Co., an overseas publishing house who wanted to distribute copies of the book in America. Only 1,952 copies were sold to them of the original 2,000 copy print run. The title-pages were redone with a New York imprint dated 1866, the sheets were machine-folded and put into cloth bindings with Appleton's name on the lower spine and the new title-page substituted on a stub for the earlier one. Meanwile, Macmillan completed its new edition in November 1865, but post-dated this printing 1866 in time for the holidays. As of this writing, twenty-two copies of the original 1865 Alice are located and known to have survived with their original title-pages plus one copy presented to Christ Church Library, currently lost, by the author.

8vo. (10), 192 pp. Contemporary red full cloth with giltstamped spine-title, giltstamped borders and 2 ornaments on the covers featuring characters from the story. All edges gilt. Presentation copy of the all-time bestseller illustrated by John Tenniel, signed and inscribed by the author to half-title: "Mary Harriet Rowden, / from the Author. / May 24. 1869". In a lovely binding prepared by the London bookbinder Burn & Co. with their label to lower pastedown, sixth edition. - Mary Harriet Rowden was the daughter of the Revd. Dr Edward Rowden. Her address is given next to the author's inscription in her own hand: "15. S. Giles / Oxford". - Covers slightly spotted. Rebacked with original spine relaid. Occasional minor spotting, front endpaper repaired at margins. Still a good copy. - Williams, Madan, Green & Crutch 46d.

Octavo. In two volumes. Through the Looking-Glass- First edition, first issue with "wade" for "wabe" in the second line of the Jabberwocky verse on page 21. 224pp., (1)pp. publisher's ads, illustrated with 50 fine illustrations by John Tenniel. Alice's Adventures in Wonderland, Twenty-Third Thousand (first published in 1866). 192pp., (1)pp. ad at rear. Also illustrated by John Tenniel with 42 fine illustrations. A fine set bound by Bayntun-Riviere in full red pictorial gilt morocco centrally stamped in gilt.Through the looking Glass with the Rabbit and Alice in Wonderland with the Queen stamped in gilt, edges ruled in gilt, raised bands with compartments beautifully decorated and lettered in gilt, all edges gilt, marbled endpapers, morocco turn-ins gilt. Both volumes have the original covers bound in at the rear. Set housed together within a felt lined publisher's cloth slipcase with ribbon pulls. No names or bookplates, just a hint of foxing to one title page. A beautiful set.