bar rouge (19 Ergebnisse)

Couverture souple. Zustand: Très bon. #Broché : 187 pages #Parution : août 2006.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Couverture souple. Zustand: Bon. In-8. 249 pages. Traces de plis à la couverture. 1ère édition de ce recueil de poésie.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New. In French.

Soft cover. Zustand: New. 168 pages : illustrations, maps ; 30 cm. in French. The study of social and cultural changes which occurred in the period between 3000 and 1000 BC in the areas bordering the Nile and the Red Sea. Studied were the Egyptian texts, archaeological evidence as well as paleo-climatic circumstances.

paperback. Zustand: Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Candy bar book ----- rouge well [Empress Biography 5] the Gaoyang forward. book paper outer lining packageFour Satisfaction guaranteed,or money back.

Soft cover. Zustand: New. Language:Chinese.Author:HAO XIAO HUI.Binding:Soft cover.Publisher:Chongqing Publishing Group; 1 edition (June 1. 201.

Paperback. Zustand: Brand New. 238 pages. 8.94x6.02x0.55 inches. This item is printed on demand.

Blattgröße ca. 53 x 67 cm. Bildausschnitt ca. 49 x 63 cm. Am linken Rand mit dem Hinweis "Remarque": "Cette Carte differe beaucoup des anciennes pour les Limittes l Ortographe et les Chaussées, l on y a fait beaucoup de Corrections suivant les Observations de Mess.rs de l Accademie des Sciences en 1734.". Le Rouge (geb. um 1707 in Hannover, gest. um 1790) lebte ab 1736 in Paris und war ab 1738 mit dem Titel eines "Lieutenant" auch in den Diensten von Moritz von Sachsen.- Vertikalen und horizontale Faltspuren geglättet und tlw. hinterlegt. Rückseite mit hs. Anmerkung in Tinte. Das Kartenbild stellenweise leicht braunfleckig.

Pas de couverture. Zustand: Très bon. Lithographie originale par Georges Van Houten (1888-1964) Signée dans la planche (monogramme) Feuille de 29 x 24 cm Papier vélin d'Arches Tirage à 500 exemplaires seulement. (copie du justificatif de tirage fournie). Lithographie extraite de l'ouvrage MOULIN ROUGE, publié en 1925 par Marcel Seheur. Monde la nuit parisienne des années 1920 : danseuses de cancan, musiciens de jazz, fête nocturne, orchestre, beaux messieurs, ambiance de cabaret, etc. Sujet de la lithographie vendue dans cette annonce : au bar du Moulin rouge (aquarellée à l'époque à la main). Très bon état. Certaines lithographies peuvent avoir quelques traces d'humidité dans la marge, sans gravité et loin du sujet. Voir photos. A encadrer. Vous enchérissez sur ce que vous voyez. GEORGES VAN HOUTEN (Belgian / 1888-1964) The artist Georges van Houten was born in Antwerp, to Dutch parents. After studying under the Belgian post-Impressionist Jacob Smith, who mediated the influence of Vincent van Gogh and J.-F. Millet in van Houten's work, in 1905 van Houten went to Paris to study art. By 1910 Georges van Houten was a member of the Société des Artistes Indépendants, and exhibited five paintings in their Salon. Georges van Houten had his first solo exhibition at the Galerie Eugène Blot in Paris in 1913, and a second at the same venue the following year. At this exhibition his work caught the eye of the critic and connoisseur Théodore Duret, the great expert on the Impressionists, and he was commissioned to paint Duret's portrait. This portrait was completed the following year, but as van Houten spent the war years in the Belgian army, it was not exhibited until after the war, in the 1919 Salon d'Automne, where it was warmly received. That same year, Georges van Houten had an exhibition at the Galerie Sauvage. It seemed as if van Houten was set fair to become one of the great names of twentieth century art. But a seemingly trivial setback soured his attitude to the art world. In 1920, Georges van Houten was rejected in his application for membership of the Société du Salon d'Automne. Although all the foreign applicants were rejected that year, presumably as a result of reactionary post-war pressures, van Houten took it as a personal slight, attributing it to the malign influence of his contemporary rivals, particularly Matisse and Braque. He harboured a grudge about this incident to the end of his life. Georges van Houten did in fact exhibit a canvas, "Boulevard" at that year's Salon d'Automne, but subsequently he retreated to the Salon des Indépendants, where he exhibited regularly until 1932. The following year van Houten inherited a fortune, and although he continued to paint, stopped exhibiting or selling his work. What Georges van Houten prized above everything in art was fluidity of line, writing, "I would like one day to execute my line with a single stroke, as easily as I move my arm, to draw with no more effort than I write a letter." Our suite of lithographs by Georges van Houten depicting performers and customers in the louche atmosphere of the Moulin Rouge in the Roaring Twenties show how nearly he attained that dream. He described them to a friend as "illustrations de notre pauvre humanité d'après guerre", illustrations of our poor post-war humanity. After van Houten's death the Ashmolean Museum in Oxford held a retrospective exhibition, Georges van Houten 1888-1964, with a catalogue by Andrew Wilton (Ashmolean Museum, 1965). Georges van Houten left his art collection and some 300 of his own paintings to the Ashmolean; their collection includes at least two paintings closely related to the Moulin Rouge lithographs, "Moulin Rouge" (1922) and "Bar at the Moulin Rouge" (1924). The Moulin Rouge lithographs were published in 1925; an earlier portfolio, Arlequinades (1919) tackled another favourite Montmartre motif, the circus. In both, the influence of Toulouse-Lautrec overrides that of van Gogh, whose influence is more pronounced in van Houten's oil paintings.

Paperback. Zustand: new. Paperback. Billionaire CEO Holden Lyle has never been able to hold down an assistant. With a reputation for overworking staff, the demanding, insensitive, genius CEO is devoted to the company he built from scratch. With no time for friends or a love life, he's now on the verge of closing a once-in-a lifetime deal for his tech company. Unfortunately, his assistant abruptly quits, leaving Holden in a terrible position.If he can't find a replacement willing to put up with him, the deal could go up in smoke and destroy the business empire that Holden built.When Chelsea Randall agrees to a job interview, she's only doing it out of desperation. She knows Holden's reputation as a nightmare boss, but she has bills to pay and nothing is going to get in the way of a paycheck. Not even a boss as gorgeous and maddening as Holden. If she wants to keep her head above water, she'll have to find a way to resist the employer she can't get out of her head.Is it no surprise when the boss and new assistant don't get along?Holden refuses to be contradicted and Chelsea has never been one to bite her tongue no matter how much she needs a job. With sparks flying, they'll either drive each other crazy or give in to dangerous temptation.USA Today Bestselling Author, Lexy Timms, brings you billionaire novella with an HEA and a whole bunch of mayhem in this Contemporary billionaire boss and his no-mess--but one hot-mess--secretary romance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.