bloody chamber von carter, Erstausgabe (24 Ergebnisse)

Zustand: New. 2008. 1st Edition. Paperback. Full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. Series: York Notes Advanced. Num Pages: 152 pages. BIC Classification: 2AB; 4KL; DSBH; DSK. Category: (UA) A / AS level; (UU) Undergraduate. Dimension: 210 x 147 x 8. Weight in Grams: 202. . . . . .

Soft cover. Zustand: As New. First Thus. (75th Anniversary) Introduction by Kelly Link. Large sturdy softcover with flaps, an ornate illustration of wolf's head door knocker on front wrapper with leafy design to all of front and back wrappers, 162 pages. Retelling of old fairy tales. Mint.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition Thus. First Everyman's edition, hardcover, has a tiny skew to the binding, and slight bumps to the spine ends and cover corners. Otherwise, this is a solid, tight and clean, Very Good+ copy in a like, unclipped dust jacket, which has light bumps to the spine ends and corners, some rubbing to the covers, and a touch of creasing to the head of the back. The jacket is wrapped in Mylar.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Very good, clean, tight copy. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Hardcover. Zustand: Fine. Igor Karash (illustrator). First Edition Thus. xvi / 146 pp 7 colour plates, quarter black cloth with silver and red titles, white paper sides with silver decorations, red endpapers, red slipcase. Book clean and sound barely looks read, slipcase shows a little shelf wear.

Paperback. Zustand: Very Good-. First Edition; First Printing. The thick pictorial covers show minimal wear or handling. Contents are tightly bound still and clean. ; 8vo 8" - 9" tall; 164 p. ; 15661.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. 1st Edition. Near mint, with tiny faint trace of rubbing on the dust jacket at the back top edge. Unclipped dust jacket protected by archival mylar.

Introd. Marina Warner; illus. Igor Karash. (illustrator). 1st thus. Octavo, original quarter-leather illustrated boards, colour plates, ppxvi, 146. Fine condition in near-fine slipcase. Ground-breaking and now iconic collection of short stories, first published 1979. Marina Warner's introduction discusses how Carter subverted the tropes of fairy tales and "brought them leaping back to life".

First US edition, first printing. Owner's blind stamp, very faint sliver of sunning to top edge, still fine in fine dust jacket, in mylar cover.

Hard Cover. Zustand: Mint. First Edition. First American edition, first printing. A fine fresh copy with unclipped price dust wrapper. Exceptional offer. Unique listing. Only three copies offered in this condition but not as good as this one.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Black boards with gilt lettering to spine. Clean pages. Firm binding. The Jacket is not price clipped. 1st print. Professional seller. All pictures are of the actual book that is for sale. Books are dispatched in cardboard packaging and dust jackets are placed in removable protective covers.

Hardback. Zustand: Collectable - Very Good. Zustand des Schutzumschlags: Very Good. First Edition. VG-/VG 1st print 1st ed 1989 Gollancz Fantasy hardback, unclipped DJ with 'New Fiction Society' sticker to spine of jacket. Some patches of foxing along top edge of pages only, barcode sticker to rear of jacket, VG tight and unmarked. Size: 140\nx 200mm. 160 pages. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Fiction; Contemporary Fiction; ISBN: 0575025840. ISBN/EAN: 9780575025844. Dewey Code: 823/.9/1. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 088052.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Hardcover with dust-jacket.1st Impression.Previous owner's name to endpapers.Some very mild markings to top page edges.Not price-clipped £4.95 net.Dust-jacket has a very tiny nick to head of spine.No tanning or foxing to page edges.Generally very good.

A first edition, first printing published by Golalncz in 1979. A near fine book with one neat name to the front endpaper - some scratching to the rear endpaper. In a very good unclipped wrapper with a little pushing to the top of the spine. Rare.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. FIRST UK EDITION. The jacket is excellent with only a light mark on the front panel. It is a crisp example and is not price clipped. The book is in similar condition with little to no wear at all. A very near fine copy.  The author's collection of short stories loosely based on folk tales. The short story 'werewolf' was used as the basis of the 1984 film 'Company of Wolves'. A sought after title and amongst Angela Carter's best. .

Hardback. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Malcolm Ashman (illustrator). 1st Edition. London, Gollancz, 1979. First edition, first impression. Hardback. A near fine copy. Carter's outstanding re-imagining of fairy tale classics. A wonderful book. A nice copy, price-clipped with some tanning to the jacket and a gift inscription. Cover art by Malcolm Ashman [10688, Hyraxia Books].

Hardcover. Zustand: Very Fine. Zustand des Schutzumschlags: Very Fine. First Edition. Very fine in a bright, unclipped, very fine dustjacket (mylar-protected). Lovely copy of this collection, which includes 'The Company of Wolves', basis of acclaimed 1984 film directed by Neil Jordan from Carter's screenplay.

First edition. Octavo, boards. Ten fantasies including "The Company of Wolves," (filmed in 1984 by Neil Jordan). "The Bloody Chamber is often wrongly described as a group of traditional fairy tales given a subversive feminist twist. In fact, these are new stories, not re-tellings. As Angela Carter made clear, "My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." She knew from the start that she was drawn to "Gothic tales, cruel tales, tales of wonder, tales of terror, fabulous narratives that deal directly with the imagery of the unconscious". "The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality - heterosexual female sexuality - which, unusually for the time, 1979, are told from a heterosexual female viewpoint." "The stories in The Bloody Chamber reverberate with deep and unmistakable imaginative pleasure. There is an astonishing extravivid materiality to this alternative world she invented." - New review by Helen Simpson in The Guardian, 24 June, 2006. Barron (ed.) Fantasy Literature 4A-63. See Barron (ed), Fantasy and Horror (1999) 6-81. A fine copy in a fine dust jacket with slight shelf wear to the spine ends. (30523).

First edition. Octavo, boards. Ten fantasies including "The Company of Wolves," (filmed in 1984 by Neil Jordan). "The Bloody Chamber is often wrongly described as a group of traditional fairy tales given a subversive feminist twist. In fact, these are new stories, not re-tellings. As Angela Carter made clear, "My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." She knew from the start that she was drawn to "Gothic tales, cruel tales, tales of wonder, tales of terror, fabulous narratives that deal directly with the imagery of the unconscious". "The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality - heterosexual female sexuality - which, unusually for the time, 1979, are told from a heterosexual female viewpoint." "The stories in The Bloody Chamber reverberate with deep and unmistakable imaginative pleasure. There is an astonishing extravivid materiality to this alternative world she invented." - New review by Helen Simpson in The Guardian, 24 June, 2006. Barron (ed.) Fantasy Literature 4A-63. See Barron (ed), Fantasy and Horror (1999) 6-81. Head of spine bruised, a fine copy in a fine dust jacket with slight crease at head of spine panel. (30522).

First edition. Octavo, boards. Ten fantasies including "The Company of Wolves," (filmed in 1984 by Neil Jordan). "The Bloody Chamber is often wrongly described as a group of traditional fairy tales given a subversive feminist twist. In fact, these are new stories, not re-tellings. As Angela Carter made clear, "My intention was not to do 'versions' or, as the American edition of the book said, horribly, 'adult' fairy tales, but to extract the latent content from the traditional stories and to use it as the beginnings of new stories." She knew from the start that she was drawn to "Gothic tales, cruel tales, tales of wonder, tales of terror, fabulous narratives that deal directly with the imagery of the unconscious". "The Bloody Chamber is like a multifaceted glittering diamond reflecting and refracting a variety of portraits of desire and sexuality - heterosexual female sexuality - which, unusually for the time, 1979, are told from a heterosexual female viewpoint." "The stories in The Bloody Chamber reverberate with deep and unmistakable imaginative pleasure. There is an astonishing extravivid materiality to this alternative world she invented." - New review by Helen Simpson in The Guardian, 24 June, 2006. Barron (ed.) Fantasy Literature 4A-63. See Barron (ed), Fantasy and Horror (1999) 6-81. A fine copy in a fine dust jacket. (30394).