Citation intertextuality memory middle (25 Ergebnisse)

Zustand: As New. Essays in this volume cover topics relevant to medieval Europe including sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Editor(s): Di Bacco, Giuliano; Plumley, Yolanda. Series: Exeter Studies in Medieval Europe. Num Pages: 288 pages, 20 black and white. BIC Classification: DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 161 x 234 x 23. Weight in Grams: 602. . 2013. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland.…

Zustand: As New. Essays in this volume cover topics relevant to medieval Europe including sacred and secular music, historiography, liturgical and biblical studies, sermons and preaching, the architecture of funerary chapels and the role of tombs in literature. Each essay explores the themes using works from the late Middle Ages or early Renaissance. Editor(s): Di Bacco, Giuliano; Plumley, Yolanda. Series: Exeter Studies in Medieval Europe. Num Pages: 288 pages, 20 black and white. BIC Classification: DSBB. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 161 x 234 x 23. Weight in Grams: 602. . 2013. hardcover. Not a first edition copy. . . .…

Hardcover. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. volume I only black boards silver-lettered in wrapper, (Exeter Studies in Medieval Europe).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 288pp hardback, black boards gilt in wrapper.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: Brand New. 1st edition. 288 pages. 9.75x6.75x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

First edition. 8vo., pp. x, 259. Illustrations. Hardback: black cloth, silver-lettered to spine. Dust-jacket. Unused, a hint only of shelf-dust: a fine copy. In the series: Exeter Studies in Medieval Europe.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. The essays investigate work by renowned authors, composers and artists, as well as less familiar .

Zustand: New.

Zustand: New. pp. 288.

Hardcover. Zustand: Brand New. 1st edition. 288 pages. 9.50x6.50x0.75 inches. In Stock.

Zustand: New. pp. 288.

Buch. Zustand: Neu. Neuware - From the Middle Ages onward, writers, artists, and composers have evoked canonical works from the distant or more recent past, in some cases in order to demonstrate respect for tradition, in others merely to enrich their own productions. But whatever their reasons, they all, explains 'Citation, Intertextuality, and Memory in the Middle Ages and Renaissance,' manipulated the memory of their readers. The essays in this multidisciplinary volume offer a wide array of scholarship on the role of memory and citation in the cultural production of the late Middle Ages and early Renaissance, examining both renowned and less well-known works from France, England, and Italy.…

Hardcover. Zustand: New. University of Exeter Press - Exeter Studies in History; From the Middle Ages onward, writers, artists, and composers have evoked canonical works from the distant or more recent past, in some cases in order to demonstrate respect for tradition, in others merely to enrich their own productions. But whatever their reasons, they all, explains Citation, Intertextuality, and Memory in the Middle Ages and Renaissance, manipulated the memory of their readers. The essays in this multidisciplinary volume offer a wide array of scholarship on the role of memory and citation in the cultural production of the late Middle Ages and early Renaissance, examining both renowned and less well-known works from France, England, and Italy.…