clouds clocks approach problem rationality von popper karl (5 Ergebnisse)

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. First Edition. vii, 38 pp. Original printed wrappers. Very Good+. Inscribed: 'To John/a tribute to the memory of/his father,/from Karl/Denver, May 31st, 1966.'. Signed by Author(s).

Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. First Edition. vii, 38 pp. Original printed wrappers. Very Good+. Inscribed: 'To Hakon Töernebohm [sic]/from Karl R. Popper/Denver, June 1966.'. Signed by Author(s).

FIRST EDITION, pp. vii, 38, crown 8vo original stapled white wrappers with a portrait of Compton to front, text to same printed in brown, staples slightly rusted, a couple of very faint spots and some light dustsoiling to covers, very good. Inscribed by the author on the half-title: 'To Alistair Milne, with kind regards from Karl Popper, January 1971'. The recipient was a philosopher, based then at Queen's University, Belfast, and working in the areas of English Idealism and political philosophy. An important lecture, subsequently collected in 'Objective Knowledge' (1978), in which Popper, with reference to a North American tradition, and particularly the work of Charles Sanders Peirce and Compton himself - who provides 'Compton's problem', of how external events and engagements affect one's actions, which the author assesses in relation to the classical Cartesian 'problem' of the co-working of body and mind and its impact on human behaviour and will - proposes the need to formulate a 'new theory of evolution, and a new model of the organism'.

First edition. 8vo. vii, [1], 38 pp. Original white printed wrappers, wire-stitched as issued (some light wear to corners, otherwise a near fine copy). St Louis, Missouri; Washington University. A presentation copy, inscribed by the author to the distinguished Scottish philosopher Herbert James Paton (1887-1969) 'To H.J. Paton with kind regards from K. R. Popper June 1966.' in blue ink to the title page. 'Paton is best known for his scholarly work on the philosophy of Immanuel Kant' (Dictionary of Twentieth Century British Philosophers). 'Karl Popper's influential 1966 essay Of Clouds and Clocks contrasts two physical systems, the indeterminate, such as the irregular formation and dissipation of clouds and the determinate, epitomised by the precise workings of a clock. All other phenomena in the world, argues Popper, lie between these two polarities. For him, the cloud is analogous to the disorderly forces of the natural world while the clock represents the scientific approach, the reductionist Newtonian position that "all clouds are clocks", all the mysteries of the universe will be unlocked by science in time. Following Charles Sanders Pierce, Popper asserts that even the most minutely analysed organism or system contains a certain looseness or imperfection', which he ascribes to chance' (Elwes, Landscape and the Moving Image).

First edition, first printing, inscribed by the author on the title page "To W. S. Collins from K. R. Popper June 1966". A candidate for the recipient is Walter Stowe Collins (1926-1997), professor of music at the University of Oakland, and author of various books on the subject; Popper had a well-known interest in music throughout his life. "Karl Popper's influential 1966 essay 'Of Clouds and Clocks' contrasts two physical systems, the indeterminate, such as the irregular formation and dissipation of clouds and the determinate, epitomized by the precise workings of a clock. All other phenomena in the world, argues Popper, lie between these two polarities. For him, the cloud is analogous to the disorderly forces of the natural world while the clock represents the scientific approach, the reductionist Newtonian position that 'all clouds are clocks', all the mysteries of the universe will be unlocked by science in time. Following Charles Sanders Pierce, Popper asserts that even the most minutely analysed organism or system contains a certain looseness or imperfection', which he ascribes to chance" (Elwes). The lecture was later included in his collection Objective Knowledge, 1978. Catherine Elwes, Landscape and the Moving Image, 2022. Octavo. Wire stitched as issued in stiff printed paper wrappers. A fine copy.