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Verlag: Vintage, 1998
ISBN 10: 0375704469ISBN 13: 9780375704468
Anbieter: ZBK Books, Carlstadt, NJ, USA
Buch
Zustand: good. Pages and cover are intact. Used book in good and clean conditions. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks.
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Gebraucht ab EUR 8,30
Mehr entdecken Softcover Erstausgabe
Verlag: Gardners Books, 1972
ISBN 10: 0571098649ISBN 13: 9780571098644
Anbieter: PAPER CAVALIER US, Brooklyn, NY, USA
Buch
Zustand: good. A good reading copy. May contain markings or be a withdrawn library copy.
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Gebraucht ab EUR 8,67
Mehr entdecken Softcover
Verlag: Vintage, 1968
ISBN 10: 0394704665ISBN 13: 9780394704661
Anbieter: Brentwood Books, Kinnelon, NJ, USA
Buch Erstausgabe
Paperback. Zustand: Collectable, good. 1st. First printing of the Vintage mass market paperback, 1968. Cover has moderate wear, slight dampstain on edges, pages quite tanned due to age, a few notes in text. G+ condition. ** We are a small family business selling fine new and pre-owned books online since 1999. We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.
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Gebraucht ab EUR 14,44
Mehr entdecken Softcover Erstausgabe
Paperback. Zustand: Vlery Good. First Vintage Books Ed., Sept, 1968. 83pp. Slight wear. Photos on request. Size: Mass Market.
Verlag: Viking Press, New York, 1968
Anbieter: Anthology Booksellers, Portland, OR, USA
Wraps. Zustand: Very Good. First Paperback Printing. 12mo, 83 pp. Wrappers sunned, rubbed and edgeworn, lower wrapper corners creased.
Verlag: New York, Random House Vintage Books., 1968
Anbieter: Bucks County Bookshop IOBA, Doylestown, PA, USA
Verbandsmitglied: IOBA
Erstausgabe
First Edition, First Printing thus as Vintage Books pocket paperback. -- Softcover, 83 pages. Condition: very good minus (spine faintly sunned; owner name; page margins tanned).
Verlag: NY: Vintage Books, 1968
Anbieter: Steve Finer - Rare Books, Greenfield, MA, USA
Verbandsmitglied: SNEAB
Erstausgabe
Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. Slim 8vo, printed wrappers, [viii], 84, i pp. First Paperback Edition. A Very Good to Fine copy, though the text block is yellowing with age.
Verlag: Alfred A. Knopf, New York, 1967
Anbieter: Your Book Soon, Stroud, GLOS, Vereinigtes Königreich
Buch
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 2nd Edition. xi / 86 pp, green cloth with black title to spine, blindstamped design to front, top edges red. Stain to top part of front cover, nick to top edge of rear cover, inscription to front pastedown, pages clean and firmly held, dust wrapper faded on spine, edges rubbed with nicks and small tears along top edges.
Verlag: Faber and Faber, 1972
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Faber 1972 Reprint. Clean tight copy, Pages clean and bright. Dust juacket condiiton very good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Verlag: Faber & Faber, 1967
ISBN 10: 0571081061ISBN 13: 9780571081066
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Faber & Faber 1967. Reprint. Hardcover with tight binding. Condition: Very Good. Clean and bright text. Includes a dust jacket, price clipped, in fine condition. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Verlag: Faber and Faber, London, 1967
Anbieter: Rosley Books est. 2000, WIGTON, Vereinigtes Königreich
Buch
Hardcover. Zustand: Very Good Plus. Zustand des Schutzumschlags: Very Good. First Edition Thus. LONDON : 1966. [ The 'First Faber Edition'. First published by Heinemann, 1960; the only volume published in her lifetime.]. Hardback. Original red cloth; silver lettered spine. In white bold printed dust-jacket (not price-clipped). No owner name or internal markings. Bright, tight and clean. Jacket spine slightly dulled and faintly stained; wear only to jacket (one small closed-tear and tiny nick). Minor marks to front cover of book. VERY GOOD INDEED in VG jacket; now in a clear protective sleeve. 86 pages. 8vo. **Will be well-packed for posting/shipping**. [ Rosley Books for Antiquarian books, CHS, Cumberland, Everyman, GKC, Inklings, Keswick, Literature, MacDonald, Rarities, Theology and History. ].
Verlag: London: Faber and Faber, 1967, 1967
Anbieter: Adrian Harrington Ltd, PBFA, ABA, ILAB, Royal Tunbridge Wells, KENT, Vereinigtes Königreich
Erstausgabe
[Poetry] FIRST FABER EDITION, second printing. Octavo (22 x 15cm), pp.88. Publisher's orange cloth with silver titles, typographic dust-wrapper priced at 18s. 6d. Slightly dusty but essentially a clean, near fine copy.
Verlag: FABER & FABER, LONDON, 1967
Anbieter: Elder Books, Ross on Wye, Herefordshire, Vereinigtes Königreich
Buch Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. FIRST FABER EDITION. HARDBACK IN THE ORIGINAL CLOTH BINDING WITH THE ORIGINAL DUST JACKET PRICED AT 18s. HALF TITLE. BOOK MEASURES APPROX 9 x 6 INCHES. MINOR EDGE WEAR WITH A FEW MINOR CHIPS TO EDGES OF JACKET, SPINE & REAR OF JACKET BROWNED, SMALL INSCRIPTION DATED 1968 TO FRONT ENDPAPER, LIGHT MARKS TO ENDPAPERS. OVERALL A VERY GOOD COPY WITH PAGES & CLOTH COVER CLEAN & BRIGHT. PLEASE NOTE THAT THE JACKET HAS SOME REFLECTIONS PRESENT IN IMAGES FROM THE CLEAR REMOVABLE COVERING. EXTRA POSTAGE COSTS MAY APPLY TO OVERSEAS ORDERS. ALL BOOKS POSTED IN STURDY BOOK BOX.
Verlag: Alfred A Knopf, 1967
Anbieter: tim hildebrand books, Janesville, WI, USA
Buch
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Hard cover book with dust jacket. Second printing. Book is in excellent condition. Dust jacket has very slight chipping, some yellowing on back cover.
Verlag: Knopf, New York, 1962
Anbieter: Carrington Bookshop, South Nyack, NY, USA
HC/DJ. First American Edition. Interior VG+, DJ worn at top of spine, else good+.
Verlag: Alfred A. Knopf, New York, 1962
Anbieter: Second Wind Books, LLC, New Haven, CT, USA
Erstausgabe
Zustand: Fine / Very good. First American Edition. Octavo. Green cloth boards bright and fresh, front panel embossed. Top edge red; 83,[7] pp. Brief gift inscription on front free endpaper. A fine copy, in very good, later issue dust jacket whose typography, binding, and design is by Vincent Torre. The price remained the same at $4.00, and in every other regard is identical, but the text refers to Ms. Plath in the past tense. First American edition, as stated. Sylvia Plath was born in Boston in 1932, and lived in England with her husband, the English poet Ted Hughes, and her two children until her death at thirty. This book was published in England in a somewhat different form by William H. Heinemann Ltd. in 1960. There was a second impression of the American first edition in 1967. An absolutely stunning poet of enormous talent, this is the only collection of her poetry published in her lifetime. .
Verlag: Alfred A. Knopf, New York, 1962
Anbieter: Elder's Bookstore, Nashville, TN, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Clean, crisp copy. Dust jacket has normal age wear, in very good shape. Book and pages have little to no marks or wear. Green cloth cover is still a vibrant green. ; 87 pages.
Verlag: Alfred A. Knopf, New York, 1967, 1967
Anbieter: Longhouse, Publishers & Booksellers, Brattleboro, VT, USA
Erstausgabe
First edition, first printing The poet's first book. With a back cover fullness of the poem "Watercolor of Grantchester Meadows." Very close to fine green boards in like dust jacket. Quite a handsome copy all around and becoming scarce in this fine condition. Dedicated "For Ted".
Verlag: Heinemann, London, 1960
Anbieter: Temple Bar Bookshop, Dublin, DUB, Irland
Buch Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First edition, a very good copy in the dust wrapper with some light staining to the edges. Not inscribed or price clipped. Plath?s first collection and the only to be published during her lifetime. Scarce.
Verlag: Heinemann, 1960
Anbieter: THE FINE BOOKS COMPANY / A.B.A.A / 1979, ROCHESTER, MI, USA
Erstausgabe
First Edition. THE COLOSSUS AND OTHER POEMS, Heinemann, 1960, first edition, fine in vg+/near fine dust-wrapper with some light tanning and two closed tears.
Verlag: Heinemann, 1960
Anbieter: Jonkers Rare Books, Henley on Thames, OXON, Vereinigtes Königreich
Erstausgabe
First edition. Publisher's green cloth in original white printed dustwrapper. Loosely laid in is "A Poet's Epitaph", Al Alvarez's notice of Plath's death in The Observer Weekend Review of 17th February 1963. A fine copy in a very good dustwrapper, slightly tanned to spine and with a very short closed tear the to lower joint. Plath's first collection of poetry, the only one published in her lifetime. Tabor A2.
Verlag: Heinemann, London, 1960
Anbieter: Raptis Rare Books, Palm Beach, FL, USA
Erstausgabe
First edition of the first complete volume of poetry to be published by Plath and the only volume published in her lifetime. Octavo, original cloth. Near fine in a near fine dust jacket. Housed in a custom half morocco slipcase. An exceptional example. "With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock. "[Her poems] have that exquisite, heart-breaking quality about them that has.
Verlag: Heinemann, 1960
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
FIRST EDITION, a few tiny spots largely restricted to prelims, pp. 88, crown 8vo, original green cloth, backstrip lettered in gilt, edges and endpapers lightly spotted, the flyleaf with the ownership inscription of Frieda Hughes (see below), dustjacket with a sprinkling of faint spots, very good. Her daughter's copy of the poet's debut collection - the book was published in the year of Frieda Hughes's birth. Aside from the superb association, this is an excellent copy. (Tabor A2a).
Verlag: Heinemann (1960), London, 1960
Anbieter: James S. Jaffe Rare Books, LLC, ABAA, Deep River, CT, USA
Erstausgabe Signiert
8vo, original green cloth, dust jacket. Signs of use, but a very good copy in worn and soiled dust jacket. Signs of use, but a very good copy in worn and soiled dust jacket First edition of Plath's first regularly published book. Presentation copy, inscribed by Plath on the front free endpaper: "For Luke & Cynthia / with love - / Sylvia / April 13, 1961." A highly important association copy, rich in personal interest and history: E. Lucas (Luke) Myers, an aspiring writer from Tennessee, was intimately connected to Ted Hughes and Plath. Plath met Luke Myers at Cambridge, where she and Myers were studying, and admired his poetry and fiction. In her journal entry for February 25, 1956, she wrote: "I have learned something from E. Lucas Meyers (sic) although he does not know me and will never know I've learned it. His poetry is great, big, moving through technique and discipline to master it and bend it supple to his will. There is a brilliant joy, there, too, almost of an athlete, running, using all the divine flexions of his muscles in the act. Luke writes alone, much. He is serious about it; he does not talk much about it. This is the way." - Sylvia Plath, The Journals (London: Faber & Faber, 2000), p. 207. On March 3, Plath commented on Myers' fiction: "A chapter - story from Luke's novel arrived, badly typed, no margins, scrawled corrections, & badly proofread. But the droll humor, the atmosphere of London & country which seeps indefinably in through the indirect statement: all this is delicate & fine. The incidents & intrigues are something I could never dream up . . . Nothing so dull & obvious & central as love or sex or hate: but deft, oblique. As always, coming unexpectedly upon the good work of a friend or acquaintance, I itch to emulate, to sequester." - Plath, The Journals, p. 344. Luke Myers was a close friend of Ted Hughes, and it was outside the chicken coop behind the rectory of St. Botolph's Church that Myers rented from Mrs. Helen Hitchcock, the widow of a former rector, that Hughes used to pitch his tent on weekend visits to Cambridge University, from which he had graduated a year and a half before. St. Botolph's rectory "was a poets' haven, anarchic and unjudgmental", with Mrs. Hitchcock "turning a blind eye to the capers, bibilous and otherwise, of her undergraduate lodgers, of whom she was very fond." - Anne Stevenson, Bitter Fame: A Life of Sylvia Plath (London: Viking Penguin, 1989), p. 73. In February, 1956, a group of young Cambridge poets including Luke Myers, Ted Hughes, Daniel Huws and David Ross, among others, had just put together a little magazine appropriately named the St. Botolph's Review after Luke Myers' digs where they often gathered, and the launch party for the magazine (of which only one issue was published) was to be the occasion for the first fateful meeting between Plath and Hughes on Saturday, February 25, 1956. Plath, who had read some of the poetry by the St. Botolph's group - and two of whose own poems had been criticized recently by one of them, Daniel Huws, in the student magazine Chequer - purchased a copy of the Review on the morning of the party, and memorized several of Hughes's poems in anticipation of attending the party and meeting him. According to Plath's journal entry, after dancing for a while with a drunken, "satanic" Luke Myers, she ran into Hughes. Amid the crush of the party, "I started yelling again about his poems and quoting: â most dear unscratchable diamond' and he yelled back, colossal, in a voice that should have come from a Pole, â You like?' and asking me if I wanted brandy, and me yelling yes and backing into the next room . . . And then it came to the fact that I was all there, wasn't I, and I stamped and screamed yes, . . . and I was stamping and he was stamping on the floor, and then he kissed me bang smash on the mouth and ripped my hair band off, my lovely red hairband scarf which has weathered the sun and much love, and whose like I shall never again find, and my favorite silver earrings: hah, I shall keep, he barked. And when he kissed my neck I bit him long and hard on the cheek, and when we came out of the room, blood was running down his face." - Sylvia Plath, The Journals, pp. 211-212. As Diane Middlebrook put it: "Ted Hughes may not have been looking for a wife that night, but Sylvia Plath was looking for a husband, and Ted Hughes met her specifications exactly." - Diane Middlebrook, Her Husband: Hughes and Plath - A Marriage (London: Viking, 2003), p. 5. A month later in London, Hughes, not wanting "to declare his interest . . . asked Lucas Myers to play go-between. Myers could meet Plath for a drink somewhere, then just drop in on Hughes at the flat on Rugby Street, as if by chance. Myers admits in his memoir that he had taken a dislike to Plath, and that he agreed to this ploy reluctantly. He duly invited Plath to join him and Michael Boddy, another of Hughes's friends, at a pub called the Lamb, in Conduit Street - a poets' hangout - and shortly afterward suggested a visit to Hughes. It didn't take long to see that Hughes and Plath wanted to be alone." Later that night, at Plath's hotel, they spent - in Plath's words - a "sleepless holocaust night" together. - Middlebrook, p. 24. Soon after, Hughes left the job he had in London and moved to Cambridge, sharing a flat with Myers in Tenison Road, meeting Plath every day, and abruptly marrying her on Bloomsday, June 16, 1956 - secretly, with Plath's mother, Aurelia, the only family member at the wedding. In later years, Myers was witness to the difficulties in the marriage, and aware of its tenuous nature. In a measured attempt to explain "Sylvia's behavior and volte-faces between pleasantness and bitchiness" to Olwyn Hughes in a letter dated March 12, 1960, Myers wrote: "I have the feeling that it is best to think of Sylvia as being always pretty much as she was this weekend . . . Ted suffers a good deal more than he would ever indicate or admit, but he.