craft musical composition book exercises von hindemith paul (18 Ergebnisse)

Zustand: New.

Paperback. Zustand: new. Paperback. (Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface * Construction of the Simplest One-Voice Melodic Patterns * Beginning of Two-Voice Setting * Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) * Elaborated Melody (Continuation) * Principles of Melodic Construction * Elaborated Melody (Conclusion) * Tonal Higher-Units * Tonality of the Melodies * Elaboration of the Melody Model * Free Two-Voice Setting I and II Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Good. No Jacket. 168 page hardcover with music example illustrations. Part II of The Craft of Musical Composition. Text in English - translation by Otto Ortmann. Full green cloth exterior with title in silver on front cover and spine. Interior is unmarked, tight and clean.

Soft Cover. Zustand: Very Good +. Zustand des Schutzumschlags: No Jacket - As Published. Reprint. Bound in stiff gray wraps, printed in black. A 160 pp. book on Musical Composition. Tight, clean copy.

Paperback. Zustand: Brand New. 160 pages. 8.75x5.75x0.50 inches. In Stock.

Cloth. Zustand: Very Good. 1st English Language edition. 1st English Lang. edition. A Very Good copy. 12mo., viii, 160 pp., with musical score. Green cloth with silver titles. The spine is sunned, with the cloth darkening.

Hardcover. Zustand: Very Good. No Jacket. Hardcover book in Very Good condition, translated from the German by Otto Ortmann. No dust jacket. Green cloth-covered boards are clean and unfaded; series of small bleach spots along bottom half of rear spine. Corners are sharp; light wear to spine caps; binding is square and tight; pages are unmarked.

Paperback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: Good. Undated. No DJ. Green cloth on board; cover rubbed; inside clean. 160 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Cover. very good hardcover, no dust jacket. Stamp on endpaper volume 2 only.

Paperback. Zustand: new. Paperback. (Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface * Construction of the Simplest One-Voice Melodic Patterns * Beginning of Two-Voice Setting * Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) * Elaborated Melody (Continuation) * Principles of Melodic Construction * Elaborated Melody (Conclusion) * Tonal Higher-Units * Tonality of the Melodies * Elaboration of the Melody Model * Free Two-Voice Setting I and II Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Zustand: new. Paperback. (Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface * Construction of the Simplest One-Voice Melodic Patterns * Beginning of Two-Voice Setting * Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) * Elaborated Melody (Continuation) * Principles of Melodic Construction * Elaborated Melody (Conclusion) * Tonal Higher-Units * Tonality of the Melodies * Elaboration of the Melody Model * Free Two-Voice Setting I and II Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Cloth. Zustand: Good Plus. No Jacket. Slightly cocked, central gutter a little strained, clean and tidy Size: 12mo 0.0.

Taschenbuch. Zustand: Neu. Neuware - Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface \* Construction of the Simplest One-Voice Melodic Patterns \* Beginning of Two-Voice Setting \* Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) \* Elaborated Melody (Continuation) \* Principles of Melodic Construction \* Elaborated Melody (Conclusion) \* Tonal Higher-Units \* Tonality of the Melodies \* Elaboration of the Melody Model \* Free Two-Voice Setting I and II.

HARDCOVER. Zustand: Good. Hardcover edition. 223pp.+160pp. octavos hardbound. tight binding. boards wornm bumped, backstrips frayed. Torn chart laid in volume 2. signature starting pg. 34/35 but solid. interior clean throughout.