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Verlag: University Of Chicago Press, 1996
ISBN 10: 0226571653ISBN 13: 9780226571652
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Gebraucht ab EUR 6,08
Mehr entdecken Softcover Erstausgabe
Verlag: The University of Chicago Press, 2003
ISBN 10: 0226571688ISBN 13: 9780226571683
Anbieter: Goodwill Books, Hillsboro, OR, USA
Buch
Zustand: Good. Signs of wear and consistent use.
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Gebraucht ab EUR 2,81
Mehr entdecken Softcover
Verlag: University of Chicago Press, 1996
ISBN 10: 0226571645ISBN 13: 9780226571645
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. illustrated edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Gebraucht ab EUR 10,34
Verlag: The University of Chicago Press, Chicago, 1996
ISBN 10: 0226571653ISBN 13: 9780226571652
Anbieter: Clausen Books, RMABA, Colorado Springs, CO, USA
Buch Erstausgabe
Wraps. Zustand: Fine. Photographs/Diagrams (illustrator). 1st Printing. Gift quality copy, textblock is bright and tight, b&w photographs and diagrams. All page edges are straight and sound. Minimal shelf wear; 364p., including index. Size: 8vo - over 7 " - 9 " tall. Paperback.
Verlag: University of Chicago Press, 1998
Anbieter: Brothertown Books, Deansboro, NY, USA
Buch
Soft cover. Zustand: Very Good. This is the 1998 Third Printing of "Critical Terms for Art History" by Robert S. Nelson and Richard Shiff, published by the University of Chicago Press. The following is excerpted from the 1998 cover blurb : " Over the past decade, the nature of the visual and the pictorial has moved to the center of debates in the humanities. No longer simply the study of timeless masterpieces, art history as a discipline now addresses basic notions of cultural production and questions how images function and how they mediate what we see. The new scope of art history has led to a major expansion and reassessment of its methods and terminology. Edited by Robert S. Nelson and Richard Shiff, "Critical Terms for Art History" is both an exposition and a demonstration of contested terms from the current art-historical vocabulary. In individual essays, scholars examine the history and use of these terms by grounding their discussions in single works of art and reading each work through current debates and methods.This instructive combination of theory and practice allows readers to examine the terms as they are being employed." ***************************************** TITLE : Critical Terms for Art History / AUTHORS : Various / EDITORS : Robert S. Nelson and Richard Shiff / COVER ARTIST : Jasper Johns, "Savarin Can" 1960 / IMPRINT : University of Chicago Press / PLACE : Chicago / DATE : (© 1996) / EDITION : 3rd Printing, 1998 / PROVENANCE : From the personal library of a professor of art. / ISBN : 0226571653 / PHYSICAL DETAILS : Academic Oversize Paperback published for the Trade; contains a few halftone monochrome illustrations; has a Foreword, an Afterword, References, and an Index; xvi + 364 pages; approximately 6 1/2" x 9 1/4"; color-pictorial wraps, glued. **************************************** CONTENTS : At the Place of Foreword : Someone Looking, Reading , and Writing . by Robert S. Nelson OPERATIONS - Representation . by David Summers / / Sign . by Alex Potts / Simulacrum . by Michael Camille // COMMUNICATIONS -- Word and Image . by W. J. T. Mitchell / Narrative . by Wolfgang Kemp / Context . by Paul Mattick, Jr. / Meaning , Interpretation . by Stephan Bann // HISTORIES -- Originality . by Richard Shiff / Appropriation . by Robert S. Nelson / Art History . by David Carrier / Modernism . by Charles Harrison / Avant-Garde . by Ann Gibson / Primitive . by Mark Antliff & Patricia Leighton // SOCIAL RELATIONS -- Ritual . by Suzanne Preston Blier / Fetish . by William Pietz / Gaze . by Margaret Olin / Gender . by Whitney Davis // SOCIETIES -- Modes of Production . by Terry Smith / Commodity . by Paul Wood / Collecting Museums . by Donald Preziosi / Value . by Joseph Leo Koerner & Lisbet Koerner / Postmodernism, Postcolonialism . by Homi K. Bhabha // AFTERWORD : Figuration . by Richard Shiff ********************************************** CONDITION -- VERY GOOD -- This is a previously owned book which remains clean and attractive, with the following particulars noted :: EXTERIOR : Soft bumps to corner tips, with attendant dog-earing; shallow crimp to front fore-edge; mild edge nicking. No creasing to spine. Shelving mark on top text-block edge, else edges are clear. / BINDING : Solid - tight. / INTERIOR : Clean and unmarked.
Verlag: University Of Chicago Press, 2003
ISBN 10: 0226571661ISBN 13: 9780226571669
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Buch
Hardcover. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
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Mehr entdecken Hardcover
Verlag: University of Chicago Press 1996, 1996
Anbieter: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, Neuseeland
Verbandsmitglied: IOBA
Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.
Softcover. Zustand: Nice copy. 364pp.
Verlag: The University of Chicago Press, 1996
Anbieter: Llibres Bombeta, Terrassa, BCN, Spanien
Encuadernación de tapa blanda. Zustand: Bien.
Verlag: The University of Chicago Press, 2003
Anbieter: Llibres Bombeta, Terrassa, BCN, Spanien
Encuadernación de tapa blanda. Zustand: Bien.
Verlag: The University Of Chicago Press, 2003
Anbieter: Collectors' Bookstore, Antwerpen, Belgien
Buch Erstausgabe
Paperback. Zustand: Fine. First Edition. First Edition thus, very fine condition. Critical Terms for Art History Special Collection by Robert S. Nelson. Published by The University Of Chicago Press in 2003. Paperback. Art has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of art and art history acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and termi. Collectible item in excellent condition.