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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Book and jacket in very tidy condition. No inscriptions or markings. Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative processes on which so much contemporary music depends. The incorporation of two features-improvisation and collaboration-into much contemporary music suggests that the received view of the relationship between composition and performance requires reassessment. Improvisation and collaborative working practices blur the composition/performance divide and, in doing so, provide important new perspectives on the forms of distributed creativity that play a central part in much contemporary music. Distributed Creativity: Collaboration and Improvisation in Contemporary Music explores the different ways in which collaboration and improvisation enable and constrain creative processes. Thirteen chapters and twelve shorter Interventions offer a range of perspectives on distributed creativity in music, on composer/performer collaborations and on contemporary improvisation practices. The chapters provide substantial discussions of a variety of conceptual frameworks and particular projects, while the Interventions present more informal contributions from a variety of practitioners (performers, composers, improvisers), giving insights into the pleasures and perils of working creatively in collaborative and improvised ways.
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Oxford University Press Inc, 2018
ISBN 10: 0199355916 ISBN 13: 9780199355914
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In den WarenkorbZustand: New. 2018. Hardcover. . . . . .
Sprache: Englisch
Verlag: Oxford University Press Inc, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Verlag: Oxford University Press
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hardcover. Zustand: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.
Sprache: Englisch
Verlag: Oxford University Press Inc, 2018
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Verlag: Oxford University Press OUP, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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Sprache: Englisch
Verlag: Oxford University Press Inc, 2017
ISBN 10: 0199355916 ISBN 13: 9780199355914
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In den WarenkorbHardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
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Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer. But this overlooks the distributed and interactive nature of the creative processes on which so much contemporary music depends. The incorporation of two features-improvisation and collaboration-into much contemporary music suggests that the received view of the relationship between composition and performance requires reassessment. Improvisation and collaborative working practices blur the composition/performance divide and, in doing so, provide important new perspectives on the forms of distributed creativity that play a central part in much contemporary music. Distributed Creativity: Collaboration and Improvisation in Contemporary Music explores the different ways in which collaboration and improvisation enable and constrain creative processes. Thirteen chapters and twelve shorter Interventions offer a range of perspectives on distributed creativity in music, on composer/performer collaborations and on contemporary improvisation practices. The chapters provide substantial discussions of a variety of conceptual frameworks and particular projects, while the Interventions present more informal contributions from a variety of practitioners (performers, composers, improvisers), giving insights into the pleasures and perils of working creatively in collaborative and improvised ways.