el ingenioso hidalgo don quixote de la mancha, ibarra (14 Ergebnisse)

First printing of the celebrated Ibarra edition. Printed for La Real Academia Española (the Spanish Royal Academy) by Joaquín Ibarra y Marín, this edition was intended to be a supreme example of Spanish craftsmanship lavished on the nation's greatest literary work. This edition excels in beauty of type, design, paper, illustration and printing, as well as incorporating a carefully edited and corrected text. The illustrations and delightful ornaments were designed by the best Spanish artists of the day, the paper was milled expressly for this edition, and the type was specially cut. It contains the first map depicting the route taken by Don Quixote and Sancho Panza through Spain. The edition's fame among bibliophiles was thoroughly established throughout Europe within a few years. Cohen-De Ricci 218-19; Palau 52024; Updike II, 73-75. 4 volumes, quarto (302 x 222 mm). Contemporary Spanish green mottled calf, twin red morocco labels, gilt floral decoration to compartments, inset brown calf lozenge to covers with gilt borders, marbled endpapers, gilt edges. 4 engraved title pages, portrait of Cervantes, and 31 plates after Carnicero, Barranco, Brunette, Del Castillo, Ferro and Gil, engraved by Ballester, Barcelon, Fabregat, Gil, Mol, Muntaner, Salvador y Carmona and Selam, engraved map, engraved ornamental initials and head- and tailpieces. Lower margin of frontispiece of vol. I sometime renewed (not affecting image). Expert restoration to joints and extremities, inset calf repair to covers, light damp discolouration to endpapers, some foxing to contents, a few faint running peripheral minor stains, more substantial staining at end of vol. IV. A very good copy in a handsome contemporary Spanish binding.

The deluxe illustrated Ibarra edition of Cervantes' masterpiece. Quartos, 4 volumes. Bound in full 19th century green morocco with central motif and cornerpieces stamped in blind to the panels, gilt titles and tooling to the spine, elaborate double-ruled gilt borders, marbled endpapers, all edges gilt, engraved frontispiece to each volume and 31 engraved plates throughout, 2-page folding engraved map of DonÂQuixote's travels to the rear of volume 1. Spanish printer JoaquÃn Ibarra made several important technical developments in press printing, book-making, typography and paper-making. In his printed work, Ibarra sought to achieve a perfect flow of harmonious type, inks, illustration, margins, and textures. He worked with the best painters and engravers of his time and, based on a secret formula he developed, the Ibarra ink gained a reputation for its exceptional quality and brilliance. The present volume was printed onÂ"ex profeso" paper with melted types of "ex novo" on the pages, both of which Ibarra created in his Madrid workshop specifically for this project. In near fine condition. A superior example of Ibarra's best-known work. Don Quixote tells the tale of a man so entranced by reading about the chivalrous romantic ideals touted in books that he decides to take up his sword and become a knight-errant himself, with the aims of defending the helpless and warding off the wicked. With his somewhat confused laborer-turned-squire, Sancho Panza, they roam the world together and have adventures that have haunted reader's imaginations for nearly four hundred years. Don Quixote is generally recognized as the first modern novel. Over those years, it has had an incredible influence on thousands of writers, from Dickens to Faulkner, who once said he reread it once a year, "just as some people read the Bible". Vladimir Nabokov is quoted as saying, "Don Quixote is greater today than he was in Cervantes's womb. [He] looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through [his] sheer vitality. He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon." Printed for La Real Academia Española (the Spanish Royal Academy) by JoaquÃn Ibarra y MarÃn, this edition was intended to be a supreme example of Spanish craftsmanship lavished on the nation's greatest literary work. This edition excels in beauty of type, design, paper, illustration and printing, as well as incorporating a carefully edited and corrected text. The illustrations and delightful ornaments were designed by the best Spanish artists of the day, the paper was milled expressly for this edition, and the type was specially cut. It contains the first map depicting the route taken by Don Quixote and Sancho Panza through Spain. The edition's fame among bibliophiles was thoroughly established throughout Europe within a very few years. The English bibliomane William Davis wrote in 1821 that "the celebrated Ibarra edition is so well known, that I need only refer to M. Paris's sale, 1791, where a copy sold for £16, 16 shillings, and Col. Stanley's, where a copy sold for £17, 6 shillings, 6 pence" (A Journey Round the Library of a Bibliomaniac).

The deluxe illustrated Ibarra edition of Cervantes' masterpiece "which is to Spanish literature what Shakespeare is to English" (Bloom). Quartos, 4 volumes. Bound in full contemporary Spanish tree calf with gilt titles and tooling to the spine, red and black morocco spine labels, elaborate double gilt-ruled borders, marbled endpapers, all edges gilt, engraved frontispiece to each volume and 31 engraved plates throughout, 2-page folding engraved map of DonÂQuixote's travels to the rear of volume 1. Spanish printer JoaquÃn Ibarra made several important technical developments in press printing, book-making, typography and paper-making. In his printed work, Ibarra sought to achieve a perfect flow of harmonious type, inks, illustration, margins, and textures. He worked with the best painters and engravers of his time and, based on a secret formula he developed, the Ibarra ink gained a reputation for its exceptional quality and brilliance. The present volume was printed on "ex profeso" paper with melted types of "ex novo" on the pages, both of which Ibarra created in his Madrid workshop specifically for this project. In near fine condition with ownership inscriptions and some toning to the page edges, some loss to the edges of the license page. A very bright example of both Cervantes' and Ibarra's best-known works, rare and desirable in this condition. Often cited as the first modern novel, Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age, but the most important work of the entire Spanish literary canon. First published in 1605, Don Quixote gained immediate popularity in Spain for its "variety, liveliness, and gibes at the famous" while Cervantes' universal portrayal of the human condition has cemented its status as "one of those universal works which are read by all ages at all times" (PMM). The Ibarra edition swiftly became the preferred edition in Spain when it appeared in 1780 (Palau, 52024). â It is interesting to realize that the first modern novel was composed by a sick, aged and impoverished man, who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry, Cervantes created a study of reality and illusion, madness and sanity, that links him with such acute 16th-century students of psychology as Erasmus, Rabelais, Montaigne, and Shakespeareâ (Folgerâ s Choice, 30).

Encuadernación de tapa dura. Zustand: Excelente. Por Joaquín Ibarra impresor de Cámara de S. M. Y de la Real Academia, EN MADRID, 1780. Folio (30 cms).- 4 tomos.- Encuadernado en plena piel, pasta española, de época, con papel de guardas igualmente contemporáneo (modelo plegado español) con ex-libris de John Milford, (lomera del tomo I ligeramente cuarteada, las del resto en muy buen estado). Lomos con doble tejuelo, filetes y semillado dorado; planos con ruedas doradas; cortes dorados. TOMO I.- 1 lámina frontis grabada.+ 1 hoja de Portada + XIV de Prólogo de la Academia. + 1 lámina grabada, retrato de Cervantes + CCXXIV páginas que comprenden: Vida de Miguel de Cervantes Saavedra, y análisis de Quijote + 199 pags. + retrato + mapa doble página + 6 láminas. Tomo II: Frontispicio + 2 hojas + 418 páginas + 9 láminas. Tomo III: Frontispicio + portada + XIV + 306 pags. + 7 láminas. Tomo IV: Frontispicio + 2 hojas incluyendo portada + 346 pags. + 9 láminas. Ilustrado por Carnicero, Selma, Salvador y Carmona. Excelente ejemplar, completo y muy limpio.

The deluxe illustrated Ibarra edition of Cervantes' masterpiece "which is to Spanish literature what Shakespeare is to English" (Bloom). Quartos, 4 volumes. Bound in full contemporary Spanish tree calf with gilt titles and tooling to the spine, red morocco spine labels, gilt ruled borders, marbled endpapers, all edges green, engraved frontispiece to each volume and 31 engraved plates throughout, 2-page folding engraved map of DonÂQuixote's travels to the rear of volume 1. Spanish printer JoaquÃn Ibarra made several important technical developments in press printing, book-making, typography and paper-making. In his printed work, Ibarra sought to achieve a perfect flow of harmonious type, inks, illustration, margins, and textures. He worked with the best painters and engravers of his time and, based on a secret formula he developed, the Ibarra ink gained a reputation for its exceptional quality and brilliance. The present volume was printed on "ex profeso" paper with melted types of "ex novo" on the pages, both of which Ibarra created in his Madrid workshop specifically for this project. In near fine condition with bookplates to the pastedown of each volume from the Royal Military College, small library stamps. An excellent example of both Cervantes' and Ibarra's best-known works. Often cited as the first modern novel, Cervantes' masterpiece Don Quixote remains not only the most influential work of literature to emerge from the Spanish Golden Age, but the most important work of the entire Spanish literary canon. First published in 1605, Don Quixote gained immediate popularity in Spain for its "variety, liveliness, and gibes at the famous" while Cervantes' universal portrayal of the human condition has cemented its status as "one of those universal works which are read by all ages at all times" (PMM). The Ibarra edition swiftly became the preferred edition in Spain when it appeared in 1780 (Palau, 52024). â It is interesting to realize that the first modern novel was composed by a sick, aged and impoverished man, who believed that a satirical tale might produce more revenue than the poems and plays that he regarded as his more serious mission. Under the guise of a parody on romances of chivalry, Cervantes created a study of reality and illusion, madness and sanity, that links him with such acute 16th-century students of psychology as Erasmus, Rabelais, Montaigne, and Shakespeareâ (Folgerâ s Choice 30).

Encuadernación de tapa dura. Zustand: Excelente. Fol. (29,5 x 21,5 cm) 4 vols. Encuadernación de época en plena piel marmoleada, rueda dorada en ambos planos, lomos con nervios, hierros dorados en los entrenervios y doble tejuelo rojo: don quixote. I: Frontis, 2 h., XIV p., CCXXIV- 199 p., retrato, mapa y 6 láminas. II: Frontis, 1 h., 418 p., 9 láminas. III: Frontis, XIV-306 p., 7 láminas. IV: Frontis, 2 h., 346 p., 9 láminas. Sobra decir que se trata de la primera edición de la Academia Española, la más estimada de todas las ediciones del Quijote sin duda alguna, publicada por Ibarra con gran gusto, lujo y suntuosidad. Las láminas son obra de los mejores artistas del momento: Carnicero, Selma, Salvador y Carmona, Ballester. La Academia decidió que su primera edición sería la mejor jamás publicada. La impresión se encargó al taller de Ibarra, impresor de Cámara, se fundieron tipos especiales, se fabricó un papel especial y se convocó un concurso para su ilustración. Siete años después de iniciarse el proyecto la edición vería la luz. Palau, 52024; Rius, 53; Salvá, 1564; Cohen, 218-219.

Plena piel con nervios dorados, florones, dos tejuelos, cabeza y cortes dorados y estuche en plena piel 4 volúmenes. I: Frontispicio + 2 hojas incluyendo portada XIV páginas, 1 hoja + CCXXIV-199 pags. + retrato + mapa + 6 láminas. II: Frontispicio + 1 hoja + 418 páginas + 9 láminas. III: Frontispicio + XIV-306 pags. + 7 láminas. IV: Frontispicio + 2 hojas incluyendo portada + 346 pags. + 9 láminas. Ilustrado por Carnicero, Selma, Salvador y Carmona. Excelente ejemplar, completo y con bella encuadernación con firma de Brugalla 1948.Cortes dorados. Firma de Brugalla en 1948.4 petacas de cartone piel para los 4 volumenes.

4 vols., 30 x 23 cm. Tomo I: [4] + XIV, [2] + CCXXIV +199 pp., [8] h. de láms. + mapa grabado por Tomás López; Tomo II: [6] + 418 pp., [9] h. de láms.; Tomo III: [4] + XIV + 306 pp., [7] h. de láms.; Tomo IV: [6] + 346 pp., [9] h. de láms. Encuadernación: pasta española de la época, con tejuelo en el lomo y filete dorado en los planos. Cortes dorados. Ligeramente rozada. Cada tomo está a su vez custodiado en caja a medida gris, con doble tejuelo en lomo. Procedencia: Bello exlibris con escudo heráldico, en cada uno de los tomos: "Julia Helena Acevedo de Martínez de Hoz", de Montevideo. Los tomos I y III presentan además otro exlibris (posiblemente posterior al anterior) que indica su pertenencia a "José Antonio Larrinaga Uribarrena". Descripción: El tomo I presenta puntos de óxido en el margen superior, sin afectar al texto más que muy ocasionalmente; El tomo II presenta igualmente puntos de óxido en el margen superior, sin afectar al texto más que muy ocasionalmente; El tomo III presenta también puntos de óxido en margen superior, pero en menor medida que en tomos I y II. El cuerpo del texto igualmente muy limpio excepto entre páginas 231-235, con puntos de óxido que afectan al texto. La lámina de p. 58 se insertó con posterioridad; El tomo IV presenta un pequeño taladro de polilla (menguante conforme avanzan las páginas) en esquina superior derecha, sin afectar en absoluto al texto. Presenta algunos puntos de óxido en el margen superior.

New edition. Full, contemporary gilt-bordered aniline calf, worn. Hinges starting, gutters worn. Crudely re-cased with the original boards retained. Inner gilt dentelles. Prelim plates detached. All edges gilt. Wide margins with the text remaining in uncommonly good condition; scans and additional bibliographic detail on request. Physical description, plates : ill. ; fol.Notes; Added title-page, engraved; engraved head- and tail-pieces; initials; vignettes. Preliminary matter (v. 1, p. i-ccii) includes; Prólogo de la Academia; Vida de . Cervántes Saavedra y anälisis del Quixote [por Vicente de los Ríos]; Plan cronológico del Quixote; Pruebas y documentos que justifican la Vida de Cervántes. Plates by Antonio Carnicero, José del Castillo, José Brunete, Bernardo Barranco, Pedro Arnal, Gerónimo Gil, and Gregorio Ferro; engraved by Fernando Selma, Manuel Salvador y Carmona, Gerónimo A. Gil, Pedro Pasqual Males, J. Joaquín Fabregat, Joaquín Ballester, Juan de la Cruz, Francisco Muntaner, and Juan Barceló. Referenced by: Palau y Dulcet (2nd ed.) 52024. Language; Spanish. 1 Kg.

New edition. Full, contemporary gilt-bordered aniline calf, worn. Hinges starting, gutters worn. Crudely re-cased with the original boards retained. Inner gilt dentelles. Prelim plates detached. All edges gilt. Wide margins with the text remaining in uncommonly good condition; scans and additional bibliographic detail on request. Physical description, plates : ill. ; fol.Notes; Added title-page, engraved; engraved head- and tail-pieces; initials; vignettes. Preliminary matter (v. 1, p. i-ccii) includes; Prólogo de la Academia; Vida de . Cervántes Saavedra y anälisis del Quixote [por Vicente de los Ríos]; Plan cronológico del Quixote; Pruebas y documentos que justifican la Vida de Cervántes. Plates by Antonio Carnicero, José del Castillo, José Brunete, Bernardo Barranco, Pedro Arnal, Gerónimo Gil, and Gregorio Ferro; engraved by Fernando Selma, Manuel Salvador y Carmona, Gerónimo A. Gil, Pedro Pasqual Males, J. Joaquín Fabregat, Joaquín Ballester, Juan de la Cruz, Francisco Muntaner, and Juan Barceló. Referenced by: Palau y Dulcet (2nd ed.) 52024. Language; Spanish. 1 Kg.

Encuadernación de tapa dura. Zustand: Muy bien. 4 vols. en 8º (16,4 x 10,7 cm.) encuadernados en plena piel marmoleada de época, lomos lisos cuajados de adornos dorados, doble tejuelo rojo y verde DON QUIXOT., rueda dorada en ambos planos. I: 4 h. inc. port., cccxlv-280 p. Con 6 láminas inc. retrato de Cervantes, 1 gran mapa plegado con las rutas de las salidas de don Quijote, grabado por Tomás López. II: Port., IV-602p., 6 láminas grabadas al cobre. III: Port., XXII-437 p., 6 láminas grabadas al cobre. IV: Port., VI-492 p., 6 láminas grabadas al cobre. EJEMPLAR QUE PERTENECIÓ A RICARDO HEREDIA, conde de Benhavís, cuyo exlibris figura en la guarda superior del primer volumen, y con una nota manuscrita de su puño y letra, firmada y fechada en 1873, en la primera hoja de respeto. Ejemplar trufado con una lámina añadida por anterior propietario (Heredia?) al principio del vol. I. En dicha nota, Heredia dice que el ejemplar está encuadernado por V. Capé. Sellos de anterior propietario en portada: Isidro de Villota y de la Presilla. Segunda edición de la Real Academia Española, publicada también por Ibarra, dos años después de la primera de 1780, con un formato inferior al de ésta con el fin de hacerla más manejable. En el propio prólogo se dice así: "El general aplauso con que fue recibida la edición de Don Quixote publicada por la Academia en quatro tomos en cuarto real el año de 1780, la hizo pensar desde luego en repetir la impresión, de suerte que el Público pudiese tenerla por un precio moderado, respecto a que el de la primera no pudo ser tan cómodo como la Academia hubiera querido, por el grande costo que tuvo." Las 24 láminas se deben a Isidro y Antonio Carnicero y están grabadas por Fabregat, Selma, Brieva, Muntaner Palau 52027; Heredia, 1206; Salvá, 1566; Rius, 55: "Papel excelente e impresión irreprochable"; Suñé, 62. La encuadernación del tomo IV es ligeramente diferente, prácticamente inapreciable.

Hardcover. Zustand: Good. El Ingenioso Hidalgo Don Quixote de la Mancha Cumpuesto Por Miguel de Cervantes Saavedra Nueva Edicion Corregida Por la real Academia Espanola Parte Primera [in 4 volumes] Con Superior Permiso: En Madrid Por Don Jiachin Ibarra Impresor de Camara De S.M. Y de la Real Academia MDCCLXXXII 4 volumes. Bound in full leather. Leather is distressed and faded, corners bumped. Spines faded and spine labels missing. Marbled endpapers. Pages clean and white with only very minor foxing. The books measure 4.25 x 6.5 . All the illustrations have been removed. I have tracked down facsimiles of all the original illustrations and I include digital versions of these 24 images with the set. (frontis portrait, map, and 22 illustrations.) Whoever removed the illustrations did so neatly. In most cases, the sewn signature was neatly snipped and the engravings slipped out. The text was then put back in place, but not resewn. As a result, there are loose or detached portions of signatures throughout, corresponding to the missing plates. Volume 1: ccclxvii + 280 pages. Front free endpaper nearly detached. Gutter cracked at page 18/19. Part of 2 signatures near the end detached. The blank back of the front free endpaper has a note written in ink, Michael Cervantesius Saavedra Sale. Multo. Urbem. Detricuit vitam. Tamem. Egit. [word in Greek] silente fama Also the number 1109 written in pencil. There is a small clipping pasted opposite the title page, Literary Items. The German papers announce the death of a man who was so devoted an admirer of Cervantes that he spent nearly the whole of his life and a considerable fortune in collecting every edition of Don Quixote which has been published in Europe Volume 2: iv + 602 pages. There are six places where the inner sheets of a signature are loose or detached. Volume 3: xxii + 437 pages. Six places where the inner sheets of a signature are loose or detached. Volume 4: vi +492 pages. Six places where the inner sheets of a signature are loose or detached. The 1780 edition of Don Quixote published by Ibarra is considered the most beautiful ever printed. It has been described as a landmark and a national monument. It is referred to as the First Spanish Royal Academy edition. This set is the Second Spanish Royal Academy Edition. It is smaller than the first Academy edition and was intended to be more affordable. Ibarra published a third edition in 1787 and another in 1819. This set is in good condition, pages clean and text complete. It is a tragedy that the plates have been removed, but they were neatly pulled and the fact of the missing plates is an interesting chapter in the history of the book, a testament to the enduring popularity of the novel and the importance of its iconography. I have copies of the original images in the form of digital files, which accompany the set (on CD).

Zustand: Bueno. Madrid 1787. Imprenta de la Academia por la Viuda de Ibarra, hijos y compañia. Pasta española. 4 Láminas. xx+300 pp. 18x13. Cantos pintados. Sello anterior propietario.

rigide. Compuesto por Miguel de Cervantes Saavedra, tercera edicion corregida por la Real Academia Espanola, 1 vol. in-12 reliure de l'époque pleine basane racinée, filet doré d'encadrement en plats, En la Imprenta de la Academia por la Viuda de Ibarra, Hijos y Compania, Madrid, 1787, 3 ff., 305 pp. avec 3 planches hors texte Bon état (reliure lég. frottée, qq. mouill.) Langue: Français.