Verlag: New York: Berghahn Books, 2003, 2003
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like new green and white hardcover with printed covers. CHERLIN, MICHAEL, ed. . The great tradition and its legacy: the evolution of dramatic and musical theater in Austria and Central Europe. Edited by Michael Cherlin, Halina Filipowicz, and Richard L. Rudolph. New York: Berghahn Books, 2003, xiii, 274pp., . Austrian history, culture, and society ; v. 4 - "Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow., This volume not only offers an overview of the theatrical history of the region, it is also a cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists." - CONTENTS: Preface - Richard L. Rudolph - Notes on Contributors - DRAMATIC THEATER: Introduction: Rethinking Drama and Theater in Austria and Central Europe / Halina Filipowicz - Part I: The Enlightenment and the "New Beginning": Chapter 1. "By and By We Shall Have an Enlightened Populace": Moral Optimism and the Fine Arts in Late-Eighteenth-Century Austria / Ernst Wangermann - Chapter 2. Taming a Transgressive National Hero: Tadeusz Kosciuszko and Nineteenth-Century Polish Drama / Halina Filipowicz - Chapter 3. Nestroy and His Naughty Children: A Plebeian Tradition in the Austrian Theater / Carl Weber - Chapter 4. Pantomime, Dance, Sprachskepsis, and Physical Culture in German and Austrian Modernism / Harold B. Segel - Chapter 5. Populism versus Elitism in Max Reinhardt's Austrian Productions of the 1920s / Michael Patterson - Part Two: Post-Holocaust and Postmodern Theater: Chapter 6. Elfriede Jelinek's Nora Project; or, What Happens When Nora Meets the Capitalists / Christine Kiebuzinska - Chapter 7. George Tabori's Return to the Danube, 19871999 / Hans-Peter Bayerdörfer - Chapter 8. Thomas Bernhard's Heldenplatz: Artists and Societies beyond the Scandal / Alfred Pfabigan - Chapter 9. Pulling the Pants Off History: Politics and Postmodernism in Thomas Bernhard's Eve of Retirement / Jeanette R. Malkin - MUSICAL THEATER: Introduction: Conflict and Crosscurrents in Viennese Music / Michael Cherlin - Part III: The Emergence of the Classical Style: Chapter 10. Vienna as a Center of Ballet Reform in the Late Eighteenth Century / Sibylle Dahms - Chapter 11. The Viennese Singspiel, Haydn, and Mozart / Eva Badura-Skoda - Chapter 12. Displaying (Out)Rage: The Dilemma of Constancy in Mozart's Operas / Gretchen A. Wheelock - Part IV: Some Major Transformations of the Nineteenth and Twentieth Centuries: Chapter 13. Karl Goldmark's Operas during the Directorship of Gustav Mahler / Peter Revers - Chapter 14. A Break in the Scenic Traditions of the Vienna Court Opera: Alfred Roller and the Vienna Secession / Evan Baker - Chapter 15. Schoenberg's Music for the Theater / Michael Cherlin - References - Index. 9781571811738 ISBN 1571811737.
Sprache: Englisch
Verlag: Berghahn Books, Incorporated, 2004
ISBN 10: 1571814035 ISBN 13: 9781571814036
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Paperback. Michael Cherlin, Berghahn Books, Incorporated. Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region; it must also be seen as an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists. Paperback.
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Sprache: Englisch
Verlag: Berghahn Books, Incorporated, 2003
ISBN 10: 1571811737 ISBN 13: 9781571811738
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Sprache: Englisch
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.
Taschenbuch. Zustand: Neu. The Great Tradition and Its Legacy | The Evolution of Dramatic and Musical Theater in Austria and Central Europe | Michael Cherlin (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2004 | Berghahn Books | EAN 9781571814036 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Sprache: Englisch
Verlag: Berghahn Books, Incorporated, 2003
ISBN 10: 1571811737 ISBN 13: 9781571811738
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. This volume offers an over-view of the theatrical history of the region.
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Both dramatic and musical theater are part of the tradition that has made Austria - especially Vienna - and the old Habsburg lands synonymous with high culture in Central Europe. Many works, often controversial originally but now considered as classics, are still performed regularly in Vienna, Prague, Budapest, or Krakow. This volume not only offers an excellent overview of the theatrical history of the region, it is also an innovative, cross-disciplinary attempt to analyse the inner workings and dynamics of theater through a discussion of the interplay between society, the audience, and performing artists.