Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 1999. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations.
Hardcover. Zustand: Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.
Hardcover. Zustand: Bon. Traces d'usure sur la couverture. Tampon ou marque sur la face intérieure de la couverture. Edition 1999. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Signs of wear on the cover. Stamp or mark on the inside cover page. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations.
Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.
Verlag: France loisirs, 1999
Anbieter: Librairie Lire et Chiner, Colmar, ALSAC, Frankreich
Zustand: TBE. Paris, cartonnage de l'éditeur; in-8, 190 pp. Très bon état.
Zustand: Très bon. Livre Solar 1998 1998, Solar, in-8 cartonné de 194 pages, couverture illustrée couleurs, traduction-adaptation (de l'espagnol) de Elisabeth de Lavigne. Ce manuel se veut très rigoureux, mais sans être technique. Sont présentées plusieurs types de danses qui ont été regroupées en 3 genres pricipaux : danses de tradition européenne; danses standard; danses de compétition. On trouvera ici les principales figures propres à chacun de ces genres. Tout pas est illustré par un dessin indiquant la position du cavalier et de sa partenaire, et en particulier celle de leurs pieds. les illustrations ont été réalisées à l'ordinateur par Rossana Mauri et Sabrina Giuffré, [.] | Etat : Très bon état général (Ref.: Ref8853). Livre.
Verlag: [Maison Bail et Stilb]; chez l?auteur, [Paris]; Paris, 1895
Erstausgabe Signiert
First editions. First editions. Two works bound in one volume. Contemporary half leather over marbled paper boards; smooth spine ruled in gilt and lettered, signed Duchemin. Detailed French manuals of cotillon and salon dances, with diagrams and figures, inscribed to professional dance teachers. Composite instructional volume combining a detailed manual of the cotillon with a separate treatise on salon dances by G. Stilb, professeur de danse at the Opéra. The first work is structured as a practical guide to cotillon figures, arranged by formations (for one or two couples; three or four couples; larger groups), and includes numerous named figures (e.g. La Surprise, Les Noms des Fleurs, Collin-Maillard, La Main chaude), with diagrams indicating positions, movements, and sequences. A second part treats figures with accessories and their distribution, reflecting the theatrical and improvisational character of the cotillon. The accompanying Danses de salon provides a more general manual of contemporary ballroom repertoire, with sections on polka, mazurka, schottische, waltz (for two and for multiple couples), galop, boston, quadrilles, and related forms, preceded by instructions on posture, etiquette, and the conduct of dancers. Together, the two works form a coherent pedagogical toolkit for late nineteenth-century dance instruction. Such publications document the codification of social dance at a moment when the cotillon functioned as both a choreographed and socially interactive form, combining fixed figures with performative variation. The emphasis on structured sequences and visual diagrams situates the volume within a professional teaching context. The copy is enriched by an autograph inscription from the Stilb to Mr and Mrs Louis, dance instructors in Rennes. Loosely inserted is the visiting card of E. Saint-Louis, identifying the recipient and further documenting his professional activity within the milieu of dance instruction and choreography. . Boards somewhat rubbed, spine slightly faded and with minor wear at head and foot. Marbled endpapers. Text block clean, with occasional light spotting; paper toned. Overall sound and well preserved. Two works bound in one volume. Contemporary half leather over marbled paper boards; smooth spine ruled in gilt and lettered, signed Duchemin. Signed.