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Hypnerotomachia Poliphili, ubi humana omnia non nisi: COLONNA, Francesco

COLONNA, Francesco

Verlag: Venice, Aldus Manutius for Leonardus Crassus December 1499 (1499)

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Beschreibung: Venice, Aldus Manutius for Leonardus Crassus December 1499, 1499. Zustand: Molto buono (Very Good). Folio (301 x 200 mm.), 234 leaves. Collation: ?4, a-y8, z10, A-E8, F4: ?1r title HYPNEROTOMACHIA POLIPHILI . , ?1v dedicatory letter in Latin by Leonardo Crasso to Guidobaldo da Montefeltro, Duke of Urbino, ?2r laudatory Latin poem addressed to Crasso by Giovanni Baptista Scyta, unsigned synopsis of the work in Latin distichs, Italian prose and Italian trecets, ?4v epigrams by Andreas Maro Brixianus; a1r Book I, A1r Book II, F4r errata and colophon; 172 woodcuts in the text, 11 full page, 39 woodcut chapter initials. The misprint "Saneque" on a1r corrected in manuscript, uncorrected misprint signature E1 at the begining of quire C. Late XIX century dark brown morocco richly gilt in the style of XVI century bindings signed by Gruel, gilt edges, brown morocco pastedown with gilt decorations, purple silk flyleaves. Provenance: Laurent Meeûs (ex libris). A very good copy. First edition of the most magnificently illustrated book of the Italian Renaissance. The text is ?an enigmatic tale of love lost and regained, presented in two versions and written in"an extraordinary exotic Latinate vernacular, a language never spoken and never again attempted in Latin literature" (Martin Davies, Aldus Manutius, 1995, p.37). The Polifilo has inspired a body of commentary and conjecture disproportionate to its literary merit. From the title, a coniage meaning ?a struggle of love in a dream by the lover of Poliato the oneiric illustrations and text dense with classical allusions, the work has evoked almost as many interpretations as interpreters. "A linguistic and literary debauch, choked with recondite imagery, erudite periphrases, and exotic verbiage" (Lowry, p.120), the text has been confidently glossed as an allegorical guide to neo-classical aesthetics and to Leon Battista Alberti's architectural theories; a fable relating to the struggle of medieval Christian mind towards humanistic enlightenment; a coded alchemical treatise; a Jungian allegory of the individuation of the psyche and its striving for self-knowledge; or a sort of humanistic encyclopaedia. This last, most straightforward interpretation is the result of a close study of the annotations by a 16th-century north Italian humanist reader in a copy still privately owned in Italy (Dorothea Stichel, Reading the Hypnerotomachia Poliphili in the Cinquecento, marginal notes in a copy at Modena in Aldus Manutius and the Renaissance Culture, Essays in Memory of Franklin D. Murphy, Florence, 1998). Numerous allusions misinterpreted or unnoticed by later commentators were easily recognized by that near-contemporary reader, and his copious notes elucidate the rich classical sources underlying the work, whose author relied largely on Pliny, Ovid, and Boccaccio Genealogia deorum. Stchel concludes (as did Lowry) that the Polifilo was conceived first and foremost as a treasury of erudition, fundamentally defined by the classical heritage, and suggest that this may have been Aldus's motivation for agreeing to the request of the well-connected Veronese nobleman Leonardo Crasso that he publish it. On whose behalf Crasso was acting has still not been satisfactorily resolved. The commonly accepted attribution to the dissolute Dominican frair Francesco Colonna is supported by internal evidencethe acrostic formed by the chapter initials and a dedicatory poem, cancelled in all but one copy (Berlin Staatsbibliothek), addressed to Francisco alta columna. Also of possible relevance is an act of the Dominican order dated 5 June 1501, instructing Colonna to repay the Provincial of the Order for the expenses incurred on account of the printed book. (M.T. Casella and G. Piozzi, Francesco Colonna, biografia e opere. Padua, 1959). The identity of the'Polifilo Master? Who designed the woodcuts ? two of which (a6v and c1r) are signed ".b." or "b"(possibly simply the mark of a workshop) ? has also long been disputed. The Paduan miniaturist Benedetto Bordon or Bordone (ca. 1450760-ca. 1530), who spent most of his career in Venice and almost certainly collaborated with Lucantonio Giunta on the illustrations for a sequence of monumental printed choir books, remains the likely artist. Although circumstantial and stylistic, the evidence is strong that Bordon worked with Aldus on the illustration and layout of the Hypnerotomachia Poliphili: "Regardless of the author and the form of the manuscript, Aldus Manutius would have required the assistance of a skilled designer in order to produce the Polifilus. The designer would have overseen the transfer of drawings to woodblocks and would have worked on the complex layout of the woodcuts and type. Such a designer needed to know about woodcut production and to have worked previously with images ? painted or woodcut ?in printed books of the known book artist in the Veneto in the 1490s with these skills. Benedetto Bordon was by far the most obvious candidate". (Lilian Armstrong, Benedetto Bordon, Aldus Manutius and Lucantonio Giunta, Old links and New in Aldus Manutius and the Renaissance Culture, Essays in Memory of Franklin D. Murphy, Florence, 1998). Unlike the identies of its author and illustrator, the book's status as a masterpiece of typographic design is rarely challanged, and it is justifiably celebrated as the greatest early exemple of the harmonious integration of printed text and illustration. The woodcuts depict scenes from the story as well as ancient architecture, inscriptions, monuments and triumphal processions observed by the dreaming Polifilo and described in detail in the text. A deliberate role was apparently assigned to the typeface for the achievement of a felicitous design. For the Polifilo a new set of capitals was combined with the roman type cut by Francesco Griffo da Bologna for the 1495/6 edition of Bembo De Aetna. These capitals were designed according to the rules of proportion based on classical models which had been set forth by Felice Feliciano, Alberti and Luca Pacioli. Lowry went so far as to affirm that the. Bestandsnummer des Verkäufers 0000000000006

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HYPNEROTOMACHIA POLIPHILI] LE SONGE DE POLIPHILE. OU: Colonna Francesco
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Beschreibung: Paris Isidore Liseux 1883, 1883. 2 volumes. FIRST PRINTING OF THIS IMPORTANT LIMITED EDITION, one of only 400 copies on Hollande paper of a total edition of only 410. With a great profusion of illustrations throughout the text being woodcuts after those first issued in the original first edition of 1499 now re-engraved by A. Prunaire. Large 8vo, very handsomely bound in contemporary three-quarter brown morocco over marbled boards, the spines with wide raised bands ruled in blind, two compartments with gilt lettering, marbled endpapers. ccxxxvii, 379; 458 pp. A very handsome set, the bindings very attractive and in fine shape with just a little rubbing at the extremities, the text all fine but for the lightest of spotting to which the Hollande paper is prone, in this case it is very minor. A VERY SCARCE AND BEAUTIFUL EDITION OF COLONNA'S GREAT ROMANCE, THE DREAM OF POLIPHILI, THE MOST MAGNIFICENT AND SERENELY BEAUTIFUL ILLUSTRATED BOOK OF THE ITALIAN RENAISSANCE. With scholarly notes and a long and very fine introduction and translation Claude Popelin. One of the great works of the early Renaissance, Hypnerotomachia Poliphili presents a mysterious arcane allegory in which the main protagonist, Poliphilo pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the "Fountain of Venus". The original edition, published in 1499, has long been sought after as one of the most beautiful incunabula printed. Here we see that tradition of the printer's craftsmanship brought to the modern period with woodcuts skillfully copied from French editions dating back to 1546. The illustrations were so striking for their time that the HYPNEROTOMACHIA served as a sort of pattern-book, influencing book illustration styles all over Europe. For some time, attribution of the illustrations was made to Giovanni Bellini (ca. 1430-1516) or to Raffaello Sanzio (1483-1520) but it is a fact of course, that present scholarship can only conjecture as to the true artist. "[A]rtists.craftsmen.decorators got hold of this incomparable album of compositins in the antique taste. In the countries beyond the Alps its repercussions are even more clearly traceable than in Italy itself, where a greater variety of other sources for the study of clasical forms were to be found. In the north an astonishing proportion of all Renaissance ornament and accessory design can clearly be proved to derive from Colonna s POLIPHILO" (E.P. Goldschmidt, The Printed Bookof the Renaissance, 1950, 52). The text, attributed to "Franciscus Columna" is based on the fact that the woodcut initials form an acrostic of his name, is a blending of the courtly romance of the Middle Ages with the revival of classical culture. It has recently been argued that the hidden autor was not the traditional candidate but rather the Servite friar Eliseo da Treviso (fl. 145-1506): see two articles by Piero Scapecchi in "Accademie e bibloteche d Italia, 1983: 286sqq. and 1985: 68 sqq. This revised opinion is not strongly grounded however. Collona s authorship is implied by several contemporary evidences. The aforementioned acrostic (POLIAM FRATER FRANCISVS COLCMNA PERAMAVIT), the unique setting of the first sheet (?l.4) of HYPNEROTOMACHIA preserved in a Berlin copy (presumably a rare cancellandum) contains Italian verse by on Matteo Visconti of Brescia refering more openly to ".Francisco alta columna l Per cui phama imortal de voi [scil. Polia, and Visconti s own loved one Laurea] rissona." Finally, an act of the Dominican order; of 5 June 1501,instructed that Francesco Colonna should be compelled to repay expenses which the Provincial of the Order had incurred "on account of the printed book." George Painter, in his fascinating essay, gives an appropriate context to the book: "Gutenberg's Forty-two-Line Bible of 1455 and the HYPNEROTOMACHIA of 1499 confront one another from opposite ends of the incunable period with equal and contrasting pre-eminence. The Gutenberg Bible is somberly and sternly German, go. Bestandsnummer des Verkäufers 29725

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Colonna Francesco

Verlag: Methuen, London (1904)

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Beschreibung: Methuen, London, 1904. Vélin à Recouvrement. Zustand: Très bon. Zustand des Schutzumschlags: Neuf. Benedetto Bordon (illustrator). Edition originale. Titre : Poliphili Hypnerotomachia~~Auteur : Colonna Francesco Éditeur : Methuen ~ Description : Colonna Francesco (1453-1538) ~ L'Hypnerotomachie ou songe de Poliphile ~ A Londres, Methuen, 1904. ~ In-fol ;, rare copie de l'édition du Poliphili Hypnerotomachia de 1499, vélin. Oeuvre du Dominicain Francesco Colonna Le Songe de Poliphile est le chef- d'oeuvre typographique d'Alde Manuce et sans aucun doute un des plus beaux livres illustrés de tous les temps. Dans cette oeuvre, au sujet symbolique et écrite dans un style raffiné et plein d'artifice, le Dominicain Francesco Colonna (1433-1527) tente d'exprimer, dans une attitude chère aux humanistes, la conscience aiguë de la splendeur de la vie. Le goût de la Renaissance pour l'Antiquité apparaît à travers ses descriptions de palais somptueusement décorés. L'illustration comprend cent-soixante-dix superbes gravures sur bois, dont une dizaine à pleine page. Cette iconographie a été, depuis plus de cinq siècles, l'objet des attributions les plus variées. Les noms de Bellini et de Mantegna ayant été d'abord proposés, c'est à Benedetto Bordone de Padoue que les chercheurs attribuent de nos jours ces gravures. Sans doute parce que le sujet lui convenait, l'illustrateur, quel qu'il fut, produisit un chef-d'oeuvre sans égal, où texte et image s'intégraient parfaitement. Arches, temples, vases, sculptures, inscriptions, chars de triomphe correspondaient admirablement aux descriptions de l'auteur, avec en plus une sorte de verve qui donnait au livre entier son brio. C'était une plongée sensuelle dans les splendeurs ressuscitées du passé païen (M. Lowry. Le Monde d'Alde Manuce). As regards the authorship of the wonderfull illustrations, the signature b. on the third has led to their being attributed to numerous celebrated artists (A.W. Pollard). Ce livre a exercé une influence considérable, non seulement sur l'esthétique du livre à cette époque mais aussi dans les multiples applications de l'art décoratif (Brun). Bestandsnummer des Verkäufers 000115

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Colonna, Francesco]

Verlag: Methuen., London. (1904)

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Beschreibung: Methuen., London., 1904. Hardcover. Zustand: Very good. First Edition. Facsimile reprint of Aldus 1499 edition. Publisher's linen-backed boards. Aldus' 1499 edition of the Hypnerotomachia is generally regarded as one of the supreme achievements of illustrated book design in the fifteenth century. It is exceptionally rare and nowadays seldom sells for under $250,000. The Methuen facsimile offered here, 13 inches tall, is of the highest quality, and is of interest not only for its remarkable content but as an outstanding example of facsimile printing. Binding is lightly soiled; corners bumped; paper label on spine browned (publisher's replacement label tipped in at rear free endpaper). Edges untrimmed. An exception fresh copy internally with large margins.Please note that we also offfer a good copy of the second Aldine edition of the Hypnerotomachia, published in 1545. Bestandsnummer des Verkäufers 383

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Colonna Francesco

Verlag: Padova: Antenore, 1964

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Beschreibung: Padova: Antenore, 1964. Legatura editoriale. 20mo secolo. Bestandsnummer des Verkäufers ANT1078

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Colonna, Francesco

Verlag: Methuen & Co., London (1904)

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Beschreibung: Methuen & Co., London, 1904. Full Leather. Zustand: Very Good +. Facsimilie Edition. 340 x 230mm. pp. 234. Italian text. Facsimilie reproduction of the first edition of Francesco Colonna's 'Hypnerotomachia Poliphili'. First published in Venice in 1499 by Aldus Manutius Hypnerotomachia Poliphili presents a mysterious arcane allegory in which Poliphilo pursues his love Polia through a dreamlike landscape, and is at last reconciled with her by the Fountain of Venus. 172 black and white woodcuts. Recently bound in full brown speckled calf. A little light foxing, otherwise clean and tight. No ownership inscription. Heavy book at 2.8kg. Will require extra postage. Bestandsnummer des Verkäufers 025355

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Hypnerotomachia Poliphili, Ubi Humana Omnia Non Nisi: Francesco Colonna (Franciscus

Francesco Colonna (Franciscus Columna):

Verlag: London Methuen & Co (1904)

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Beschreibung: London Methuen & Co, 1904. O-Interims-Pappband mit Leinenrücken und montiertem Titelschild, Einband und Rücken mit Gebrauchsspuren, 1. und 2. Blatt etwas gebräunt, restliche Seiten sauber, 234 unpaginierte unbeschnittene Büttenpapierblätter mit Text und 170 Holzschnitten. Zwei heraustrennbare Blätter mit dem Druck von zwei, für das Jahr 1904, anstößigen Darstellungen. Miteingebunden ist ein zweites Titelrückenschild, 4°. Gewicht: 2,8 kg. - - - Eine heutige Ansicht geht davon aus, dass es sich bei der Hypnerotomachia Poliphili um eine codierte Botschaft handelt und der Drucker des Werkes auch gleichzeitig der Autor gewesen ist. - - - Das Originalwerk wurde von Aldus Manutius im Dezember 1499 in Venedig gedruckt. Bestandsnummer des Verkäufers 11119

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Poliphili Hypnerotomachia, ubi humana omnia non nisi: Francesco Colonna

Francesco Colonna

Verlag: London, Methuen (1904)

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Beschreibung: London, Methuen, 1904. Hardcover. Zustand: Good. Small folio, 34 x 23 cm. Bound in publisher's 1/4 linen over gray boards. Uncut page ends. 2 preliminary leaves, facsimile (234 leaves, woodcuts.) Facsimile reproduction of the 1st edition: Venetiis mense decembri. M. ID. in aedibus Aldi Manutii, accuratissime. Light spotting. Facsimile of the 1499 incunabula, an example of linguistic-stylistic parody of Latinizing in a native language, this book is better known for the over 200 finely executed woodcuts that decorate it. One of the most famous illustrated books of the Renaissance. The Hypnerotomachia interweaves the courtly romance of the Middle Ages with the revival of classical culture. In search of his lost love, Polia, Polifilo is led through a fantastic dream-world of pyramids and obelisks, classical gardens, ruined temples and bacchanalian festivals, before finding her and gaining ultimate enlightenment at the temple of Venus. Interpretations of the intricate text are many, and there is evidence that it served as a sort of humanist encyclopedia (D. Stichel, 'Reading the Hypnerotomachia Poliphili in the Cinquecento, marginal notes in a copy at Modena,' Aldus Manutius and Renaissance Culture, Essays in memory of Franklin D. Murphy, Florence: 1998) This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Bestandsnummer des Verkäufers 1907210001

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Beschreibung: Padova, 1963. 2 vols. CV,458,344 pp. Ills. Hardcovers. In slipcase. Fine set. (Itinera Erudiat I). * Numbered edition of 1300 copies, this is number 808. Bestandsnummer des Verkäufers 271604

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Colonna,Francesco.

Verlag: Ed.Antenore-Stamperia Valdonega di Giovanni Mardesteig, Padova, (1980)

ISBN 10: 8884551307ISBN 13: 9788884551306

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Beschreibung: Ed.Antenore-Stamperia Valdonega di Giovanni Mardesteig, Padova, 1980. Zustand: MOLTO BUONO. Ristampa del capolavoro letterario del Colonna nell'edizione aldina del 1499, con il commento di Giovanni Pozzi e Lucia A. Ciapponi. completo in 2 volumi. cm.22,5x33, pp. (XV),468, 343, oltre 225 riproduz.delle xilog Tiratura limitata a 1300 copie, la nostra n.575. Padova, Ed.Antenore-Stamperia Valdonega di Giovanni Mardesteig 1980, completo in 2 volumi. cm.22,5x33, pp. (XV),468, 343, oltre 225 riproduz.delle xilog legg.ed.in tutta tela, in cofanetto. Tiratura limitata a 1300 copie, la nostra n.575. legg.ed.in tutta tela, in cofanetto. Bestandsnummer des Verkäufers 220140

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Hypnerotomachia Poliphili: Francesco Colonna

Francesco Colonna

Verlag: Venezia (1970)

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Beschreibung: Venezia, 1970. Rilegato. Zustand: buono. rilegatura in cuoio marrone con titolo e fregi in foglia d'oro illustrazione centrale angoli in rame con borchie pezzo unico del Maestro Dario Ustino. Bestandsnummer des Verkäufers book 144

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HYPNEROTOMACHIA POLIPHILI. Edizione critica e commento a: COLONNA Francesco

COLONNA Francesco

Verlag: Editrice Antenore, impresso dalla Stamperia Valdonega di Giovanni Mardersteig a Verona, Padova (1964)

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Beschreibung: Editrice Antenore, impresso dalla Stamperia Valdonega di Giovanni Mardersteig a Verona, Padova, 1964. Capolavoro letterario e tipografico dell Umanesimo italiano, "non più impresso in caratteri fusi dal 1545, per la prima volta in edizione critica secondo il testo e con le xilografie dell incunabolo Aldino del 1499". 2 monumentali volumi in-4° (cm. 33x22,3 all esterno; cm. 32,3x22,2 all interno), pagine (XV), 468 del testo originale in carattere "Polifilo" con le riproduzioni delle 171 xilografie; pp.343 di commenti ed apparati in carattere "Bembo" con 25 figure nel testo. Legatura in tela editoriale granata con titolo in oro su tassello in pelle rossa, tagli superiori dorati, gli altri in barbe. Robusto unico cofanetto in cartone telato granata. Tiratura di 1300 esemplari numerati, il nostro reca il n. 1130. Tutte le nitide, mirabili e complesse illustrazioni sono elencate alla fine del secondo volume, ognuna con la sua didascalia esplicativa, benvenuta data la stupefacente simbologia, spesso ermetica: schemi esoterici, geometrie, giardini, erme, obelischi, insegne, gruppi di giovani e fanciulle e putti spesso adamitici, talora bifronti, acefali, tricefali, satiri, draghi, Cupido decapitante o smembrante, falli esibiti, cortei trionfali, lapidi, sepolcri, architetture. I vasti dettagliati commenti occupano 266 pagine del secondo volume, si sviluppano pagina per pagina con citazioni o riferimenti a testi classici o coevi o ad altri passi del testo, eventuali varianti, spiegazioni delle figure ed eventuali significati di misure e proporzioni. Il glossario, di 42 pagine, aiuta ad interpretare la ricca terminologia immaginosa e pittoresca ora vernacola ora classicheggiante. Bestandsnummer des Verkäufers 18788

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Colonna, Francesco

Verlag: Ediciones del Po?rtico

ISBN 10: 8485264371ISBN 13: 9788485264377

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Beschreibung: Ediciones del Po?rtico. Paperback. Zustand: Used - Good. Bestandsnummer des Verkäufers 9788485264377

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The Hypnerotomachia Poliphili of 1499. An Introduction: FACSIMILE.

FACSIMILE.

Verlag: London: Eugrammia Press (1963)

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Beschreibung: London: Eugrammia Press, 1963. 4to (315 x 205 mm), limited to 315 numbered copies, printed on mould-made paper specially made for this edition by W. & R. Balston, 24pp., introduction bound in orig. wrappers (a little worn), with the facsimile bound in full red morocco gilt by Zaehnsdorf, slip-case. Presentation inscription from George Painter. One of the most celebrated books of the fifteenth century. It was illustrated by an unknown master with woodcuts of haunting beauty, and printed by the great Aldus Manutius of Venice in a noble type with majestic setting and press work. Provenance: From the library of Howard M. Nixon (1909-1983), British librarian and bookbinding historian. Bestandsnummer des Verkäufers 36133

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Hypnerotomachia Poliphili.: COLONNA, Francesco. EUGRAMMIA

COLONNA, Francesco. EUGRAMMIA PRESS. PAINTER, George, editor.

Verlag: Eugrammia Press, London (1963)

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Beschreibung: Eugrammia Press, London, 1963. Facsmile of the Newnham College, Cambridge copy of the Hypnerotomachia Poliphili of 1499. No. 192 of 315 copies. Printed in collotype on Atlas mould-made paper by Balston. 4to., bound by Zaehnsdorf in full gloss morocco with image from the book blocked in gilt on the upper cover, together with an essay by George Painter: An introduction on the Dream, the Dreamer, the Artist and the Printer, pp. 24, in the original black stiff wrappers with the same design blocked in gilt on the upper cover. Housed together in the original rather rubbed and worn black slipcase with labels on both sides. Spines rubbed, otherwise good. One of the most celebrated incunables, Colonna's Hypnertomachia Poliphili was printed in Venice by Aldus Manutius in his recut Bembo type with 172 remarkable woodcuts throughout the work. George Painter was the Assistant Keeper in charge of Incunabula at the British Museum and inserted in the book is a tls from him about the possible identity of the artist behind the remarkable woodcuts in the Hypnerotomachia. Bestandsnummer des Verkäufers 10059

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Colonna Francesco

Verlag: Adelphi, Milano (1998)

ISBN 10: 8845914240ISBN 13: 9788845914249

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Beschreibung: Adelphi, Milano, 1998. Couverture rigide. Zustand: Comme neuf. Zustand des Schutzumschlags: Comme neuf. Edition originale. Titolo Hypnerotomachia Poliphili (rist. anast. 1499) Autore Colonna Francesco Prezzo Euro 350,00 Prezzi in altre valute Dati 1998, 2 voll., CXVI-1673 p. Curatore Ariani M.; Gabriele M. Editore Adelphi (collana Classici) xx Livello bibliografico Monografia Tipo di documento Testo a stampa Autore Colonna, Francesco Titolo Hypnerotomachia Poliphili / Francesco Colonna ; a cura di Marco Ariani e Mino Gabriele Pubblicazione Milano : Adelphi, \1998! Descrizione fisica 2 v. ; 23 cm Collezione Classici ; 66 Note generali In custodia Numeri ISBN - 88-459-1424-0 Comprende 1 / Francesco Colonna 2 / Francesco Colonna ; traduzione e apparati Nomi Colonna , Francesco Ariani, Marco |scheda di autorità Gabriele, Mino Soggetti COLONNA, FRANCESCO. HYPNEROTOMACHIA POLIPHILI - EDIZIONE CRITICA Classificazione Dewey 853.3 (20.) NARRATIVA ITALIANA. 1492-1542 Paese di pubblicazione ITALIA Lingua di pubblicazione ITALIANO. Bestandsnummer des Verkäufers 003958

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Beschreibung: Edition by Thames & Hudson Ltd, London, 1999. Cloth binding. Zustand: Very good copy. 4to. 474 pp. 1º edición. First published in the United Kingdom. Bestandsnummer des Verkäufers O09H000021

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FRANCESCO COLONNA

Verlag: ANTENORE, PADOVA (1964)

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Beschreibung: ANTENORE, PADOVA, 1964. DUE VOLUMI PAGG 470 344 CM 33 TUTTA TELA COFANETTO ESEMPLARE 822. Bestandsnummer des Verkäufers 22025

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Hypnerotomachia Poliphili.: COLONNA, Francesco.

COLONNA, Francesco.

Verlag: Eugrammia Press,, London: (1963)

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Beschreibung: Eugrammia Press,, London:, 1963. Hardcover. Zustand: Good. Text is in Latin. With original woodcut illustrations. Limited edition facsimile: this copy is number 92 of 315 copies. Ex-library copy with typical markings, thus only good in a red leather binding with gilt lettering and design. No dust jacket, as issued. B0000CMTDD. Bestandsnummer des Verkäufers 77190

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Francesco Colonna, Joscelyn Godwin (Translator)

Verlag: Thames & Hudson (1999)

ISBN 10: 0500019428ISBN 13: 9780500019429

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Beschreibung: Thames & Hudson, 1999. Hardcover. Zustand: New. Bestandsnummer des Verkäufers DADAX0500019428

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Colonna, Francesco

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Beschreibung: Antenore, 1980. Paperback. Zustand: Brand New. Italian language. 9.69x6.54x1.26 inches. In Stock. Bestandsnummer des Verkäufers zk8884550319

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Colonna, Francesco

Verlag: Dead Authors Society 2017-05-28 (2017)

ISBN 10: 1773230808ISBN 13: 9781773230801

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Beschreibung: Dead Authors Society 2017-05-28, 2017. Paperback. Zustand: As New. Item is in new condition. Bestandsnummer des Verkäufers DS-1773230808-11

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Appell J.W.- Introductory Notice and Description By

Verlag: Dept.of Science and Art in Photo-Lithography (1893)

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Beschreibung: Dept.of Science and Art in Photo-Lithography, 1893. Hard Cover. Zustand: Very Good. No Jacket. New Edition. Cream covers a little grubby around the edges, with red titles to front.Front binding a little weak.First title page has a small splash of something (tea?) at the top otherwise book is internally vvg with no foxing, marks or inscriptions.Staples showing on penultimate page. I would say that this was a poorly bound edition as all copies that I have come across seem to have the same fault. Scan available on request. Art/woodcuts/history. Bestandsnummer des Verkäufers 006504

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Colonna, Francesco

Verlag: Milano, Adelphi Edizioni, 1998, Auflage: Riproduzione dell'edizione aldina del 1499 (1998)

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Beschreibung: Milano, Adelphi Edizioni, 1998, Auflage: Riproduzione dell'edizione aldina del 1499, 1998. Leinen, gebunden; blaue Einbände, weisse, schwarz bedruckte Rückenschilder, Lesebändchen / 2 Bände / Anz. Seiten: 466, CIX, 1206 / 15,3 x 22,8 cm / mit den zahlreichen Illustrationen der Originalausgabe / Zustand: gut, leichte Gebrauchsspuren; Einbände etwas berieben, Besitzereintrag auf Vorsätzen, zahlreiche feine Bearbeitungen mit Bleistift Sprache: it. Bestandsnummer des Verkäufers 77514

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Colonna, Francesco

Verlag: Athenaeum Polak & Van Gennep, Amsterdam (2006)

ISBN 10: 9025306691ISBN 13: 9789025306694

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Beschreibung: Athenaeum Polak & Van Gennep, Amsterdam, 2006. Zustand: Good. 1) tekst met originele illustraties: iv + 476pp. linnen gebonden met leeslint en cassette ca. 31x21 cm; 2) Inleiding, noten en register door Ike Cialona: 248pp. linnen gebonden ca. 20,5 x 13,5 cm. Oplage 150 genummerde exemplaren, Dit exemplaar is genummerd h.c. Bestandsnummer des Verkäufers 214888

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Appell, J[ohann] W[ilhelm] 1829-1896

Verlag: Reproduced for the Department of Science and Art in Photo-Lithography By W. Griggs (1893)

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Beschreibung: Reproduced for the Department of Science and Art in Photo-Lithography By W. Griggs, 1893. ,Following the introduction and a descriptive list of the woodcuts, 168 [of the total 172] are finely reproduced on the rectos of 80 unnumbered leaves. The final leaf contains fifteen initial letters from the original 1499 text. Bound in light-weight tan cloth, cover lettered in red. As usual in this edition, the spine hinges are weak or partly detached. The last four leaves are also detached. Text and plates are fine. Size: 28.3cm. [1,blank]13[blank]p. Bestandsnummer des Verkäufers 003844

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COLONNA,FRANCESCO

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Beschreibung: Unknown. Zustand: Used - U2 - Very Good. 2 volumes in slipcase. Facsimile edition and Italian translation. 1999. Both volumes are fine, in dust jackets. VG slipcase. Ships from our store in California. Overseas shipping will be extra, we will contact with quote. Bestandsnummer des Verkäufers 99652

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Francesco Colonna

Verlag: Gregg Publishing (1969)

ISBN 10: 0576159948ISBN 13: 9780576159944

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Beschreibung: Gregg Publishing, 1969. Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Dust Jacket in fair condition. Reprint from 1499. Bestandsnummer des Verkäufers 6672316

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Colonna, Francesco.

Verlag: London, Thames and Hudson (1999)

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Beschreibung: London, Thames and Hudson, 1999. Printed in the same size and format as the original, including all the woodcuts. With 174 illustrations. 474 pp. Quarto. Cloth-bound, dust jacket. Very good condition. Bestandsnummer des Verkäufers F1247

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Colonna, Francesco

Verlag: Thames & Hudson (1999)

ISBN 10: 0500019428ISBN 13: 9780500019429

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Beschreibung: Thames & Hudson, 1999. Zustand: New. Bestandsnummer des Verkäufers em europe kennedi 30101118

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