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Verlag: in aedibus Aldi Manutii (Aldus Manutius) for Leonardus Crassus, Venetiis (Venice), 1499
Anbieter: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, USA
Erstausgabe
Aldine Press (illustrator). folio (308 x 212 mm). early limp vellum, yap edges, paper spine label with title and date. a-y8, z10, A-E8, F3. First edition of one of the most celebrated incunables, considered by many to be the most beautiful of all printed Venetian books of the Renaissance. The presumed author, Francesco Colonna, was a Dominican monk of the Zattere at Venice (the author's identity did not become evident until the 18th century when it was noticed that the 38 initials of the individual sections form the famous acrostic: "Poliam Frater Franciscus Columna Peramavit" - Brother Franciscus Columna loved Polia very much). The Hypnertomachia Poliphili was printed in Venice by Aldus Manutius in his re-cut Bembo type, which was cast by Francesco Griffo of Bologna. The book has become extremely rare in recent years and is a highly desired "masterpiece of integrated text and design, and influences designers to this day." -G. Scott Clemens. This copy is in the original setting as called for by Neil Harris (Gutenberg Jarbuch, 2006), except the last few leaves which were substituted for the 2nd edition (E1-F3). Hand-corrected letters "AM" in the second title (a1r). (Saneque en Sanequam). The phallic woodcuts 'Sacrifice to Priapus' on m6r and the woodcut on x8v, are not mutilated in this folio, unlike the majority of copies. Vellum binding lightly age-darkened, with minor spotting to the rear cover. Natural creasing to the vellum covers. The textblock has separated along the front hinge but is still attached along the spine. Rear hinge cracked between the rear cover and F3. Paper spine label chipped with some loss. Lacking the front pastedown. Title page (A1) has become separated from the textblock, but is present in this copy. The last eleven (11) leaves in this copy are from the 2nd edition (1545, France), substituted most likely during the 16th century. There are 34 (of 39) woodcut initials present, as the last five were in the last eleven leaves of the first edition. Lacking the last leaf (errata and colophon). Very minor spotting / foxing to preliminary pages. Spotting / minor dampstaining to the very top edge of q8v-r4r. Dampstaining only affecting leaves C8-D8. A small ink-spot affecting the edges of the pages around r4-r6. The preserved state of the textblock, which contains the revolutionary typography and visually-stunning wood engravings, is remarkable. Considered the "masterpiece of the classic style in Venetian illustration" (Albert Ilg, Ueber den Kunsthistorischen Werth der H. P., 1872), the tome was printed with 172 remarkable woodcuts commonly attributed to the Paduan miniature painter Benedetto Berdone (c.1455/6 - 1530). Regardless of the anonymity of the illustrator, the beauty of the engravings transport the reader into a world where Polipho's dream becomes a reality. George D. Painter, Keeper in charge of Incunabula of the British Museum, stated in the foreword of his Hypnerotomachia Poliphili of 1499 (Eugrammia Press, 1963) that "Gutenberg's Forty-Two-Line Bible of 1455 and the Hypnerotomachia of 1499 confront one another from opposite ends of the incunable period with equal and contrasting pre-eminence. The Gutenberg Bible is sombrely and sternly German, Gothic, Christian and mediaeval; the Hypnerotomachia is radiantly and graciously Italian, classic, pagan, and renascent. These are the two supreme masterpieces of the art of printing, and stand at the two poles of human endeavour and desire." The book is written in a Latinized version of Italian, offering a unique challenge to readers, as one must be near fluent in both Latin and Italian. Also contained in the text are various examples of Greek, which Manutius was very fond of, as well as early examples of Hebrew. One of the earliest documented cases of COMPLETE words in Arabic published in the entire world which can be found on the illustrated wood engraving of the three doors of the realm of Queen Telosia (h8r), perhaps one of the most important aspects about the Hypnerotomachia. This precedes the first book printed entirely in Arabic, which is The Kitab Salat al i (1514, Fano, Italy). The book contains two main stories in the text: one from our hero, Poliphilo, which was written around 1490, and one from his lover, Polia, which was written c.1467. There are numerous passages in Hebrew, Arabic, Greek, and Egyptian hieroglyphics, as well as mathematical notes, geometric and architectural construction plans, and more, perhaps inspired by Colonna's teachings of rhetoric at Treviso and Padua. A second edition published in France appeared in 1545. Kallendorf 29; Goff C-767; HC * 5501; GW 7223; ISTC ic00767000; BMC V, 561 (IB 24500); IGI 3062; Essling 1198; BSB C-471. early limp vellum, yap edges, paper spine label with title and date.
Verlag: Venice, [heirs of Aldus], 1545., 1545
Anbieter: Bernard Quaritch Ltd ABA ILAB, London, Vereinigtes Königreich
Signiert
Folio (c.303 x 201mm), ff.[230 (of 234)]; a y8, z10, A E8, F4; 170 woodcuts in text, of which 9 full-page (the Priapic woodcut uncensored); woodcut Aldine device to verso of last leaf; n1v and n8r transposed (as in the first edition); bound without preliminary section [*]1 4; f.a1 very lightly foxed, but a very good, broad-margined copy, very lightly washed, bound in nineteenth-century polished calf, boards panelled in gilt, spine gilt-ruled in compartments, one lettered directly in gilt; a few scuffs; copper-engraved armorial bookplate (by Agry) of the family Nuñez del Castillo, marquesses de San Felipe y Santiago, to upper pastedown; twentieth-century bookseller's ticket of Arthur Lauria to front free endpaper.Second edition, scarcer than the first (also an Aldine, published in 1499), of the most beautiful illustrated books printed in Italy in the fifteenth century. Known for its fine woodcut illustrations, mysterious meanings, and the cryptic inclusion of Colonna's name, the Hypnerotomachia has been celebrated as the finest example of early Venetian printing.'It is not easy to sum up in a few words the artistic and literary interest of the book. The woodcuts, one of which is signed "b" have been ascribed, as Pollard says, with no good reason to a dozen artists including Bellini. What is clear is that the artist who designed them was influenced by the work of Bellini, Carpaccio and perhaps Botticelli. They have a unique perfection and all that can be said with certainty is that the same hand may be traced in some other contemporary woodcuts. Why Aldus published this book is a mystery since he was mainly interested in producing editions of the Greek and Latin classics. In any case it was an expensive failure, for in 1508 he complains that nearly the whole edition was unsold and it was left to later generations of book collectors to appreciate it. Nevertheless, it was re-printed in 1545, published three times in French and translated into English in a botched version in 1592 under the title Hypnerotomachia or the Strife of Love in a Dream. It is a curious work written in a language which is a mixture of Latin and Italian [interspersed with Greek and Hebrew words], and briefly can be described as a Renaissance monk's dream of the ancient world. "Poliphilo, the hero and lover of Polia, falls asleep and in his dream and pursuit of Polia sees many antiquities worthy of remembrance and describes them in appropriate terms with elegant style" to quote the words of the preface' (J.Irving Davis). Nowadays the woodcuts are widely considered to be the work of Benedetto Bordone (1460 1531), a successful miniaturist active in Venice, turned cartographer and prolific designer of woodcuts later in life.'The illustration follows two themes, cuts relating to the story content of the dream and representations of ancient architecture, inscriptions, and triumphal processions observed by the dreamer and described in detail in the text' (Ruth Mortimer, Italian 16th-century books, no.131). The woodcuts of this edition are from the original blocks of the first edition, except for the six blocks on leaves b4v, b5r (two), e2v, e5r and x2r which were recut according to Ruth Mortimer. In fact, with the further exception of the first title being different, and the errata leaf at end not existing (the errors having been corrected) but its place taken by the register and colophon instead, it is a page-for-page reprint of the 1499 edition. The removal from the present copy of the title was perhaps a somewhat naive attempt to disguise this second edition as the first. 'The author, Francesco Colonna (Latinized, Franciscus Columna) was a Dominican monk in the monastery of S.S.Giovanni e Paolo, who died in Venice, where he had lived the greater part of his life, in 1525 (or 1527) at a very advanced age. The last leaf in the book before the errata leaf [in the second edition, before the colophon], purposely hides the real author under the name "Poliphilus" but tells us the fact that the writing of the book was completed by said "wretched" ("misellus") lover, at Treviso in May, 1467. It is on taking the first letter of each of the 38 chapters in succession, a device often resorted to in the fifteenth and sixteenth centuries, that we discover his identity in the phrase, "Poliam Frater Franciscus Columna Peramavit." The identity of Polia, if she ever lived in real life, has never been established' (Hofer, Variant copies of the 1499 Poliphilus, New York, NYPL, 1932, pp.3 4). Adams C2414; J.Irving Davis 85; EDIT16 12823; Essling 1199; Mortimer 131; Renouard 1545 14 (pp.133 134); Sander 2057. Language: Italian.
Verlag: Paris Isidore Liseux 1883, 1883
Anbieter: Buddenbrooks, Inc., Newburyport, MA, USA
Erstausgabe
2 volumes. FIRST PRINTING OF THIS IMPORTANT LIMITED EDITION, one of only 400 copies on Hollande paper of a total edition of only 410. With a great profusion of illustrations throughout the text being woodcuts after those first issued in the original first edition of 1499 now re-engraved by A. Prunaire. Large 8vo, very handsomely bound in contemporary three-quarter brown morocco over marbled boards, the spines with wide raised bands ruled in blind, two compartments with gilt lettering, marbled endpapers. ccxxxvii, 379; 458 pp. A very handsome set, the bindings very attractive and in fine shape with just a little rubbing at the extremities, the text all fine but for the lightest of spotting to which the Hollande paper is prone, in this case it is very minor. A VERY SCARCE AND BEAUTIFUL EDITION OF COLONNA'S GREAT ROMANCE, THE DREAM OF POLIPHILI, THE MOST MAGNIFICENT AND SERENELY BEAUTIFUL ILLUSTRATED BOOK OF THE ITALIAN RENAISSANCE. With scholarly notes and a long and very fine introduction and translation Claude Popelin. One of the great works of the early Renaissance, Hypnerotomachia Poliphili presents a mysterious arcane allegory in which the main protagonist, Poliphilo pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the "Fountain of Venus". The original edition, published in 1499, has long been sought after as one of the most beautiful incunabula printed. Here we see that tradition of the printer's craftsmanship brought to the modern period with woodcuts skillfully copied from French editions dating back to 1546. The illustrations were so striking for their time that the HYPNEROTOMACHIA served as a sort of pattern-book, influencing book illustration styles all over Europe. For some time, attribution of the illustrations was made to Giovanni Bellini (ca. 1430-1516) or to Raffaello Sanzio (1483-1520) but it is a fact of course, that present scholarship can only conjecture as to the true artist. "[A]rtists.craftsmen.decorators got hold of this incomparable album of compositins in the antique taste. In the countries beyond the Alps its repercussions are even more clearly traceable than in Italy itself, where a greater variety of other sources for the study of clasical forms were to be found. In the north an astonishing proportion of all Renaissance ornament and accessory design can clearly be proved to derive from Colonna s POLIPHILO" (E.P. Goldschmidt, The Printed Bookof the Renaissance, 1950, 52). The text, attributed to "Franciscus Columna" is based on the fact that the woodcut initials form an acrostic of his name, is a blending of the courtly romance of the Middle Ages with the revival of classical culture. It has recently been argued that the hidden autor was not the traditional candidate but rather the Servite friar Eliseo da Treviso (fl. 145-1506): see two articles by Piero Scapecchi in "Accademie e bibloteche d Italia, 1983: 286sqq. and 1985: 68 sqq. This revised opinion is not strongly grounded however. Collona s authorship is implied by several contemporary evidences. The aforementioned acrostic (POLIAM FRATER FRANCISVS COLCMNA PERAMAVIT), the unique setting of the first sheet ( l.4) of HYPNEROTOMACHIA preserved in a Berlin copy (presumably a rare cancellandum) contains Italian verse by on Matteo Visconti of Brescia refering more openly to ".Francisco alta columna l Per cui phama imortal de voi [scil. Polia, and Visconti s own loved one Laurea] rissona." Finally, an act of the Dominican order; of 5 June 1501,instructed that Francesco Colonna should be compelled to repay expenses which the Provincial of the Order had incurred "on account of the printed book." George Painter, in his fascinating essay, gives an appropriate context to the book: "Gutenberg's Forty-two-Line Bible of 1455 and the HYPNEROTOMACHIA of 1499 confront one another from opposite ends of the incunable period with equal and contrasting pre-eminence. The Gutenberg Bible is somberly and sternly German, gothic, Christian, and medieval; the HYPNEROTOMACHIA is radiantly and graciously Italian, classic, pagan, and renascent. These are the two supreme masterpieces of the art of printing, and stand at the two poles of human endeavour and desire." The text, attributed to "Franciscus Colonna", is a blending of the courtly romance of the Middle Ages with the revival of classical culture. In search of his lost love, Polia, Polifilo is carried through a dream-world of pyramids and obelisks, ruined temples, bacchanalian festivals, and other classical scenes before finding her and attaining enlightenment at the temple of Venus. It "teaches that all human existence is no more than a dream, and along the way records many things most worthy of knowledge.".
Verlag: London: Eugrammia Press, 1963
Anbieter: Wissenschaftliches Antiquariat Zorn, Marburg, Deutschland
Buch Erstausgabe
Unpaginiert (ohne Seitenzählung) ca. 472 Seiten mit 172 s/w Abbildungen. Gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. Dieses Exemplar ist ein Nachdruck der Originalausgabe von 1499, die in Venedig veröffentlicht wurde. Es enthält zwei beiliegende Werbeblätter zur Ausgabe in deutscher und englischer Sprache (Der Traum des Poliphilus geschrieben von dem Dominikaner Francesco Colonna, gedruckt in Venedig 1499 bei Aldus Manutius, mit 172 Holzschnitten und vielen schönen Initialen). Dieses Exemplar wurde in einer limitierten Auflage von 315 Stück gedruckt. Dieses Exemplar stammt aus der Bibliothek von Peter Amelung (Württembergische Landesbibliothek Stuttgart). // Original hardcover. Clean book in good condition. Book from a non smoking environment. This copy is a reprint of the original edition published in Venice in 1499. It includes two accompanying promotional leaflets in German and English (The allegorical and architectural romance by the Dominican Friar, Francesco Colonna, printed in Venice in 1499 by Aldus Manutius, containing 172 woodcuts and numerous fine floriated initials). This copy was printed in a limited edition of 315 pieces. Book with 172 b/w illustrations. This copy originates from the library of Peter Amelung (Württemberg State Library Stuttgart). Sprache: Italienisch Großformat, Original-Leinenband mit Kopfgoldschnitt.
Verlag: Padova: Antenore, 1964
Anbieter: Libreria Emiliana snc, Venezia, VE, Italien
Legatura editoriale. 20mo secolo.
Verlag: London Methuen & Co, 1904
Anbieter: Versandantiquariat Christine Laist, Seeheim-Jugenheim, Deutschland
O-Interims-Pappband mit Leinenrücken und montiertem Titelschild, Einband und Rücken mit Gebrauchsspuren, 1. und 2. Blatt etwas gebräunt, restliche Seiten sauber, 234 unpaginierte unbeschnittene Büttenpapierblätter mit Text und 170 Holzschnitten. Zwei heraustrennbare Blätter mit dem Druck von zwei, für das Jahr 1904, anstößigen Darstellungen. Miteingebunden ist ein zweites Titelrückenschild, 4°. Gewicht: 2,8 kg. - - - Eine heutige Ansicht geht davon aus, dass es sich bei der Hypnerotomachia Poliphili um eine codierte Botschaft handelt und der Drucker des Werkes auch gleichzeitig der Autor gewesen ist. - - - Das Originalwerk wurde von Aldus Manutius im Dezember 1499 in Venedig gedruckt.
Zustand: usado- bueno.
Anbieter: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Niederlande
Padova, 1963. 2 vols. CV,458,344 pp. Ills. Orig. hardcovers. In slipcase. (Itinera Erudiat I). - Fine set.* Numbered edition of 1300 copies, this is number 808.
Verlag: Eugrammia Press, London, 1963
Anbieter: Leopolis, Kraków, Polen
Buch
Hardcover. Zustand: Fine. 4to (31.5 cm), facsimile of the Hypnerotomachia Poliphili bound by Zaehnsdorf in full morocco, a woodcut from the book stamped in gilt on the upper cover, spine gilt; accompanied by a 24-page essay in printed wrappers, all housed in a black cloth slipcase. This edition is limited to 315 copies, printed on paper specially made by W. & R. Balston, this copy is numbered 248. A beautifully produced facsimile of the most celebrated book ever printed.
Verlag: Padova: Antenore, 1964
Anbieter: Wissenschaftliches Antiquariat Zorn, Marburg, Deutschland
Buch Erstausgabe
XV, 468; 343 Seiten mit zahlreichen s/w Abbildungen. Kopfschnitte vergoldet. Schmuckschuber und Einbände leicht berieben, sonst handelt es sich um ein gutes Exemplar mit nur leichten Gebrauchsspuren. Textsauber und aus einem Nichtraucherhaushalt. Sprachen Lateinisch und Italienisch. Nummerierte Ausgabe: Dieses Exemplar trägt die Nummer 1286. Dieses Exemplar stammt aus der Bibliothek von Peter Amelung (Württembergische Landesbibliothek Stuttgart). // Original hardcovers with gold-plated head edges. Decorative slipcase and bindings are slightly rubbed, otherwise these are clean books in good condition. Books from a non smoking environment. Languages Latin and Italian. la Großformat, Orig.-Leinenbände in einem Schmuckschuber.
Verlag: Mardersteig (per Antenore),, Verona,, 1964
Anbieter: Studio Bibliografico Benacense, Riva del garda, Italien
Due volumi di cm. 33, pp. xv (1) 468 (4); (12) 343. Con molte figure nel testo. Solida legatura edit. in piena tela con titoli in oro su tasselli. Tagli di testa dorati. Entro cofanetto orig. in cart. rigido. Perfetta conservazione. Pregiata edizione stampata su carta distinta in 1300 esemplari numerati di cui 600 fuori commercio (ns. n. 559) dalla stamperia Valdonega sotto le cure di Giovanni Mardersteig. Il primo volume riproduce interamente il testo originale del 1499, mentre il secondo presenta il vasto commento.
Anbieter: Libreria antiquaria Britannico, Sarezzo, BS, Italien
Buch
Brossura. Zustand: ottimo. Hypnerotomachia Poliphili di Francesco Colonna coll. Medioevo e umanesimo a cura di G. Pozzi, L. A. Ciapponi ristampa del capolavoro letterario del Colonna nell'edizione aldina del 1499, con il commento di Giovanni Pozzi e Lucia A. Ciapponi. Padova, Ed.Antenore-Stamperia Valdonega di Giovanni Mardesteig 1980, 2 voll. cm.22,5x33, pag. (XV),468, 343, oltre 225 ripr. in b/n pagine ancora da aprire, complessivamente buone ottime condizioni generali minimi segni alle copertine vedesi immagini. Sono trascorsi cinquecento anni da quando il veneziano Aldo Manuzio, primo e inarrivato fra gli editori di letteratura, pubblicò l Hypnerotomachia Poliphili, e questo abnorme romanzo misteriosofico, ritenuto grazie anche alle mirabili xilografie che lo illustrano il più bel libro della storia della stampa, conserva miracolosamente intatto il suo fosco fascino. E non cessa di suscitare stupore, interrogativi e acri polemiche. Risolta la questione del suo autore, che Giovanni Pozzi ha identificato in un Francesco Colonna frate indocile e libertino, resta il mistero del linguaggio, spericolato e intrepido esperimento in cui «l orditura italiana di un periodare boccaccesco è . saturata dai più affollati e squisiti latinismi di estrazione argentea» (Contini). Un unicum manieristico che per la sua oltranza espressiva può essere paragonato solo all ultimo Joyce. E resta il mistero di una narrazione che pare sottrarsi a ogni tentativo di classificarla. Polifilo ritrova in sogno l amata Polia superando una serie di prove iniziatiche: un viaggio dell anima, intrapreso in lotta con Amore per raggiungere la vera Sapienza, un pellegrinaggio onirico fatto di trabocchetti e prodigi, meraviglie e incubi, rovine classiche e giardini di delizie, fantastiche e iperboliche architetture, inquietanti e fascinose personificazioni allegoriche, ma anche un eruditissima enciclopedia di miti, iscrizioni, emblemi, dotte ossessioni filologiche, mirabili lapidari, erbari e bestiari.
Verlag: ORBIGO, 2017
ISBN 10: 8491414045ISBN 13: 9788491414049
Anbieter: Zilis Select Books, Madrid, M, Spanien
Buch
Cartoné. Zustand: Very Good. 01/10/2017.
Verlag: Antenore, Padova., 1964
Anbieter: Studio Bibliografico Adige, Trento, Italien
IL PREZZO SI RIFERISCE AI DUE VOLUMI INSIEME (opera completa). Stampato dalla Stamperia Valdonega di Giovanni Mardesteig a Verona. Edizione di 1300 esemplari numerati (648). Formato: 2 v. (XV, 468 p.; 343 p.), 33 cm, tela editoriale con tassello in pelle coi titoli oro al dorso, cof.
Verlag: London: Eugrammia Press, 1963
Anbieter: Bow Windows Bookshop (ABA, ILAB), Lewes, Vereinigtes Königreich
Limited edition, no. 173 of 315 copies. 4to. Fine red full morocco by Zaehnsdorf, gilt to the spine and both boards, top edge gilt, black slipcase with a printed illustration mounted to both sides, supplied with a 24 page commentary by George D. Painter, this in black wrappers with gold decoration matching the binding. Reproductions of the original text and illustrations throughout. Some wear to the extremities of the slipcase though it remains sound, a little light wear to the booklet wrappers, the book itself in lovely condition. A fine "collotype" facsimile of this famous work first published in 1499 by Aldus Manutius, considered by many to be one of the finest examples of incunable printing.
Verlag: London Methuen 1905, 1905
Anbieter: Chichester Gallery, Chichester, Vereinigtes Königreich
Buch
Folio. Title leaf and 234 pages. Italian text. Facsimile reproduction of Francesco Colonna's 'Hypnerotomachia Poliphili'. First published in Venice in 1499 by Aldus Manutius Hypnerotomachia Poliphili. Original boards in very good condition, uncut and partly opened.
Verlag: Ediciones del Po?rtico, 1981
ISBN 10: 8485264371ISBN 13: 9788485264377
Anbieter: Iridium_Books, DH, SE, Spanien
Buch
Paperback. Zustand: Used - Good.
Verlag: Padova, Editrice anteriore, Padova, 1964
Anbieter: libreria minerva, PADOVA, PD, Italien
Zustand: Molto buono (Very Good). Il primo volume riproduce il testo originale, il secondo volume contiene il commento a cura di Giovanni Pozzi e Lucia A. Ciapponi. Presenta cofanetto.Capilettera illustrati; ill. in bianco e nero in quarto in 4 leg. cart con taglio superiore dorato 2 voll. Molto buono (Very Good) Es. molto buono. rilegato leg. cart con taglio superiore dorato. Book.
Verlag: Adelphi, Milano, 1998
ISBN 10: 8845914240ISBN 13: 9788845914249
Anbieter: Luigi De Bei, PREGANZIOL, TV, Italien
Buch Erstausgabe
Couverture rigide. Zustand: Comme neuf. Zustand des Schutzumschlags: Comme neuf. Edition originale. Titolo Hypnerotomachia Poliphili (rist. anast. 1499) Autore Colonna Francesco Prezzo Euro 350,00 Prezzi in altre valute Dati 1998, 2 voll., CXVI-1673 p. Curatore Ariani M.; Gabriele M. Editore Adelphi (collana Classici) xx Livello bibliografico Monografia Tipo di documento Testo a stampa Autore Colonna, Francesco Titolo Hypnerotomachia Poliphili / Francesco Colonna ; a cura di Marco Ariani e Mino Gabriele Pubblicazione Milano : Adelphi, \1998! Descrizione fisica 2 v. ; 23 cm Collezione Classici ; 66 Note generali In custodia Numeri ISBN - 88-459-1424-0 Comprende 1 / Francesco Colonna 2 / Francesco Colonna ; traduzione e apparati Nomi Colonna , Francesco Ariani, Marco |scheda di autorità Gabriele, Mino Soggetti COLONNA, FRANCESCO. HYPNEROTOMACHIA POLIPHILI - EDIZIONE CRITICA Classificazione Dewey 853.3 (20.) NARRATIVA ITALIANA. 1492-1542 Paese di pubblicazione ITALIA Lingua di pubblicazione ITALIANO.
Verlag: Thames & Hudson, 1999
ISBN 10: 0500019428ISBN 13: 9780500019429
Anbieter: Save With Sam, North Miami, FL, USA
Buch
Hardcover. Zustand: New. Brand New!.
Verlag: THAMES HUDSON, 1999
ISBN 10: 0500019428ISBN 13: 9780500019429
Anbieter: Wizard Books, Long Beach, CA, USA
Buch
Hardcover. Zustand: new. New.
Verlag: Thames Hudson, 1999
ISBN 10: 0500019428ISBN 13: 9780500019429
Anbieter: Front Cover Books, Denver, CO, USA
Buch
Zustand: new.
Verlag: THAMES HUDSON, 1999
ISBN 10: 0500019428ISBN 13: 9780500019429
Anbieter: GoldBooks, Denver, CO, USA
Buch
Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.
Verlag: THAMES HUDSON, 1999
ISBN 10: 0500019428ISBN 13: 9780500019429
Anbieter: GoldenWavesOfBooks, Fayetteville, TX, USA
Buch
Hardcover. Zustand: new. New. Fast Shipping and good customer service.
Verlag: Edition by Thames & Hudson Ltd, London, 1999
Anbieter: Libreria de Antano (ILAB & ABA Members), Miami, FL, USA
Cloth binding. Zustand: Very good copy. 4to. 474 pp. 1º edición. First published in the United Kingdom.
Usado - Bueno.
Verlag: EDITRICE ANTENORE, PADOVA, 1964
Anbieter: Libreria Rita Vittadello, CAMPOSAMPIERO, PD, Italien
N. PAG. 459 + 343 - RILEGATURA IL PIENA PELLE CON TITOLI IN ORO SU TASSELLO - COFANETTO IN CARTONE - STAMPERIA VALDONEGA - TIRATURA DI 1300 ES ( N. ES. 70 ) - OTTIMI.
Verlag: Adelphi, 1998
ISBN 10: 8845914240ISBN 13: 9788845914249
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Buch
Paperback. Zustand: Brand New. 1206 pages. Italian language. 9.61x6.77x4.09 inches. In Stock.
Verlag: Painomies, 72, 1984
ISBN 10: 9519943641ISBN 13: 9789519943640
Anbieter: Moraine Books, Vantaa, Finnland
Buch
Hardcover. Zustand: Near Fine. 100 numbered copies of this fascimile edition have been published, of which this is number 12. Contains a complete fascimile of Hypnerotomachia Poliphili, a work printed by Aldus Manutius in Venice in 1499 and written by Franciscus Columna. Based on the edition published in 1904 in London. Attached is a four page Finnish introduction by Eeva Mäkelä-Henriksson. 467 pp. Size 32 x 22 cm. **** The illustrator of the book is unknown. The book tells the story of Polifilo, wandering in the mystical landscape of a dream, amid the ruins of ancient architecture in search of love and affection. Illustration is an essential part of a work, as one of the themes of the work is to show the profound similarity between music and the visual arts; the fact that the harmony, rhythm and tone of classical architecture and classical music have a common origin. Bookplate on the inside cover.
Verlag: Department of Science and Art in Photo-Lithography, 1893
Anbieter: Pride and Prejudice-Books, Ballston Lake, NY, USA
Buch
Hard Bound. Zustand: Fair. New Edition. Original cloth. Long tears along the spine edges, cracked and tender inside both covers, rear cover holding only by the cloth, internals nice, Fair.