idea concept art theory (23 Ergebnisse)

Zustand: Very Good. 1968. paperback. Good clean copy with minor shelf wear, remains very good. . . . .

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:

Hardcover. Zustand: Good. No Jacket. First Edition. Pages are clean and bright with no markings minus the p.o. name on the first page. Binding is fine. No DJ! Binding is tight and square.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.35.

First Edition (good condition) orig. cloth binding & dustjacket gr.8° xiii, 268 pages S. handschriftlich signierte u. dat. Widmung von Gerda Soergel Panofsky.

Soft cover. Zustand: Very Good. 8vo. Soft cover. 268 pp. B&W illustration in text. Spine sunned, covers slightly curled, light staining to rear cover. A study of the changes in the definition and conception of the term "idea," from Plato to the 17th century, when the modern definition emerged.

Hardcover with Dust Jacket. Zustand: FINE. Zustand des Schutzumschlags: Very Good. xiii, 268 pp. Mustard cloth, gilt spine lettering, purple topstain. Seven b/w illustrations. A bit of edgewear, sharp and clean otherwise. DJ toned, a few small tears, some small splotches to head.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: good. brown cloth, gilt lettering, mylar wrapped dust jacket clipped, 268 pp, owners name to front end paper Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders. Cloth/dust jacket and Mylar wrapped Octavo.

Zustand: Near Fine/VG+. 1st THUS. 8vo. 268pp. Very slight cant to spine, lightly rubbed DJ. Nice copy!

Hardcover. Zustand: Fine+. Later Edition. Original burnished gold cloth in FINE+ condition both externally and internally. Housed in the original dust jacket which is in like condition. Introduction, illus., notes, index, 268p. Originally published in two German editions in the 1920's. AN UNOPENED AND UNREAD COPY.

Hardcover. First Edition. Octavo, vii, ix, xi, xiii, 268 pages. In Very Good minus condition was with a Good dust jacket. Spine beige with red and tan lettering. Dust jacket protected with a mylar covering. Exterior has moderate wear including some soiling marks, slight age toning, few instances of chips to the head/tail edges. Slight age toning inside jacket. Boards have very slight wear including slight rubbing to the head/tail edges, sunning to the spine and splaying to the fore edge. Text block has mild wear including slight age toning to the edges. Previous owner's name to the front end paper. Illustrated. First edition. NOTE: Shelved in Netdesk Column Q, ND-Q. 1394432. FP New Rockville Stock.

Original cloth binding. Includes numerous inset illustrations. (illustrator). First edition. Includes numerous inset illustrations. First edition. Original cloth binding. (6), 145, [1] p. First edition of Panofsky's groundbreaking first major work in art theory. This is one of the earliest, and the first major theoretical work by Erwin Panofsky (18921968), a pivotal figure in art history. In Idea, Panofsky examines the history of Neoplatonic art theory, focusing on the relationship between intellectual concepts and the imitation of the perceptual world. Panofsky was a German art historian renowned for his innovative approach to art history, which emphasized the analysis of symbolism, historical context, and social factors. He studied philosophy and art history at several German universities, earning his Ph.D. in 1914. In 1920, he was appointed chair of the art history department at the University of Hamburg. Forced to emigrate to the United States in 1934 due to the rise of the Nazi regime, Panofsky began teaching at New York University and later became a permanent professor at Princeton. A member of Aby Warburg's intellectual circle, Panofsky collaborated with Fritz Saxl, librarian of the Warburg Institute, to publish a monograph on Dürer's Melencolia I in 1923. The following year, his landmark book Idea was released as part of the Studien der Bibliothek Warburg series, marking the beginning of his significant contributions to art theory. . Bookplate on flyleaf. In fine condition.