Imaginary conversations volume (483 Ergebnisse)

Hard Cover. Zustand: Very Good. No Jacket. Light edge wear with corners slightly exposed. Binding tight and square, text clean, bright, and unmarked. 1901 Hard Cover. 432 pp. Volume IV of VI. Gilt titles and decor on spine. Imaginary Conversations is a publication consisting of five volumes of imaginary conversations, mainly between historical people of classical Greece and Rome, composed by the English author Walter Savage Landor. Landor's fame rests on this prose. The work is noted as a specimen of poetic prose full of rich imagery and ornate diction as seen in De Quincey. The Imaginary Conversations were begun when Landor, aged 46, was living with his family in Florence during 1821 where he had rooms in the Medici Palace and later rented the Villa Castigilione. The idea of the compositions began during his childhood as he wrote later: "When I was younger.[a]mong the chief pleasures of my life, and among the commonest of my occupations was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and unfortunate as most interested me . Engaging them in conversations best suited to their characters." The unenthusiastic reception of Landor's play Count Julian demonstrated that Landor, while adept at dialogue, lacked the dramatic capability necessary to convert it to stage performance, and he destroyed another tragedy Ferranti and Giulio in frustration at his publishers. At Florence, Landor was corresponding with Robert Southey, who had planned to write a book of "Colloquies", and they considered collaborating on a project. Landor had finished fifteen dialogues by 9 March 1822, and sent them to Longman's company. Longman would not publish, so by the influence of his friend Julius Hare, he managed to get an agreement with the company of Taylor & Hessey to publish them. Some disputes with the publishers followed in which both Southey and William Wordsworth became involved, not without some embarrassment to Southey as one of the "Conversations" was between Southey and Porson on the merits of Wordsworth's poetry. In 1824, two volumes were published with eighteen conversations in each. The third volume of Imaginary Conversations was published by Henry Colburn in 1828 but Julius Hare was frustrated by Colburn's delays, and the fourth and fifth volumes were finally published by James Duncan in 1829. Over the succeeding years Landor published occasional Imaginary Conversations as individual publications and collated a number of them in 1853.…

Hard Cover. Zustand: Very Good. No Jacket. Light edge wear with corners slightly exposed. Binding tight and square, text clean, bright, and unmarked. 1901 Hard Cover. 431 pp. Volume V of VI. Gilt titles and decor on spine. Imaginary Conversations is a publication consisting of five volumes of imaginary conversations, mainly between historical people of classical Greece and Rome, composed by the English author Walter Savage Landor. Landor's fame rests on this prose. The work is noted as a specimen of poetic prose full of rich imagery and ornate diction as seen in De Quincey. The Imaginary Conversations were begun when Landor, aged 46, was living with his family in Florence during 1821 where he had rooms in the Medici Palace and later rented the Villa Castigilione. The idea of the compositions began during his childhood as he wrote later: "When I was younger.[a]mong the chief pleasures of my life, and among the commonest of my occupations was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and unfortunate as most interested me . Engaging them in conversations best suited to their characters." The unenthusiastic reception of Landor's play Count Julian demonstrated that Landor, while adept at dialogue, lacked the dramatic capability necessary to convert it to stage performance, and he destroyed another tragedy Ferranti and Giulio in frustration at his publishers. At Florence, Landor was corresponding with Robert Southey, who had planned to write a book of "Colloquies", and they considered collaborating on a project. Landor had finished fifteen dialogues by 9 March 1822, and sent them to Longman's company. Longman would not publish, so by the influence of his friend Julius Hare, he managed to get an agreement with the company of Taylor & Hessey to publish them. Some disputes with the publishers followed in which both Southey and William Wordsworth became involved, not without some embarrassment to Southey as one of the "Conversations" was between Southey and Porson on the merits of Wordsworth's poetry. In 1824, two volumes were published with eighteen conversations in each. The third volume of Imaginary Conversations was published by Henry Colburn in 1828 but Julius Hare was frustrated by Colburn's delays, and the fourth and fifth volumes were finally published by James Duncan in 1829. Over the succeeding years Landor published occasional Imaginary Conversations as individual publications and collated a number of them in 1853.…

Hard Cover. Zustand: Very Good. No Jacket. Light edge wear with corners slightly exposed. Binding tight and square, text clean, bright, and unmarked. 1901 Hard Cover. 466 pp. Volume VI of VI. Gilt titles and decor on spine. Imaginary Conversations is a publication consisting of five volumes of imaginary conversations, mainly between historical people of classical Greece and Rome, composed by the English author Walter Savage Landor. Landor's fame rests on this prose. The work is noted as a specimen of poetic prose full of rich imagery and ornate diction as seen in De Quincey. The Imaginary Conversations were begun when Landor, aged 46, was living with his family in Florence during 1821 where he had rooms in the Medici Palace and later rented the Villa Castigilione. The idea of the compositions began during his childhood as he wrote later: "When I was younger.[a]mong the chief pleasures of my life, and among the commonest of my occupations was the bringing before me such heroes and heroines of antiquity, such poets and sages, such of the prosperous and unfortunate as most interested me . Engaging them in conversations best suited to their characters." The unenthusiastic reception of Landor's play Count Julian demonstrated that Landor, while adept at dialogue, lacked the dramatic capability necessary to convert it to stage performance, and he destroyed another tragedy Ferranti and Giulio in frustration at his publishers. At Florence, Landor was corresponding with Robert Southey, who had planned to write a book of "Colloquies", and they considered collaborating on a project. Landor had finished fifteen dialogues by 9 March 1822, and sent them to Longman's company. Longman would not publish, so by the influence of his friend Julius Hare, he managed to get an agreement with the company of Taylor & Hessey to publish them. Some disputes with the publishers followed in which both Southey and William Wordsworth became involved, not without some embarrassment to Southey as one of the "Conversations" was between Southey and Porson on the merits of Wordsworth's poetry. In 1824, two volumes were published with eighteen conversations in each. The third volume of Imaginary Conversations was published by Henry Colburn in 1828 but Julius Hare was frustrated by Colburn's delays, and the fourth and fifth volumes were finally published by James Duncan in 1829. Over the succeeding years Landor published occasional Imaginary Conversations as individual publications and collated a number of them in 1853.…

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Paperback or Softback. Zustand: New. Imaginary Conversations; Volume 1. Book.

Zustand: New. pp. 430.

Zustand: New. pp. 434.

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Paperback or Softback. Zustand: New. Imaginary Conversations; Volume 3. Book.

Zustand: New. pp. 468.

Zustand: As New. Unread book in perfect condition.

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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. 431 pp. Cover and spine show minor signs of shelf wear. Text and decoration on spine used to be gilded but are mostly faded away. Gilded decoration on front cover. Pages contain some foxing and are browning from age but are otherwise unmarked. 1909 Reprint Five 1.

Hardcover. Zustand: Good. 430 pp. Cover and spine show minor signs of shelf wear. Text and decoration on spine used to be gilded but are mostly faded away. Gilded decoration on front cover. Page 167-168 is ripped, but still attached to the book. Pages contain some foxing and are browning from age but are otherwise unmarked. 1909 Reprint Two 1.…

Hardcover. Zustand: Good. 466 pp. Cover and spine show minor signs of shelf wear. Text and decoration on spine used to be gilded but are mostly faded away. Gilded decoration on front cover. Back pastedown is slightly wrinkled. Pages contain some foxing and are browning from age but are otherwise unmarked. 1909 Reprint Six 1.…

Hardcover. Zustand: Good. 432 pp. Cover and spine show minor signs of shelf wear. Text and decoration on spine used to be gilded but are mostly faded away. Gilded decoration on front cover. Covers are slightly wrinkled. Pages contain some foxing and are browning from age but are otherwise unmarked. 1909 Reprint Four 1. …