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Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2025
ISBN 10: 1032914483 ISBN 13: 9781032914480
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In den WarenkorbPaperback. Zustand: New. Moore, Burridge, and the contributors explore the multifaceted role of improvisation, from rehearsal to performance and teaching to learning within the Southeast Asian performing arts scene. They feature a vital overview of how contemporary Southeast Asian artists use improvisation in their practice through diverse theoretical perspectives, innovative methods, and idiosyncratic strategies.The book highlights the strength of improvisation as a connective tissue facilitating collaboration and interdisciplinarity across the performing arts. It shows how artists and practitioners navigate the dynamic landscape of Southeast Asian arts, blurring taxonomical boundaries to embrace change and innovation. From interrogative full-length chapters to insightful personal case narratives, each contribution showcases the practical application of improvisation in real-world projects. The chapters affirm improvisation as both a creative process and a performance strategy, unlocking new possibilities in performing arts and providing an inspired snapshot of contemporary Southeast Asian creative practice.With discourse extending beyond conventional disciplinary confines, this book is a valuable read for graduate and postgraduate students, educators, and researchers in diverse fields encompassing dance, music, theatre studies, performance studies, aesthetics, and interdisciplinary arts. It is also a viable resource for professionals in the performing arts industry as it provides invaluable insights into the transformative power of improvisation.
Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2025
ISBN 10: 1032914483 ISBN 13: 9781032914480
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Paperback. Zustand: New. Moore, Burridge, and the contributors explore the multifaceted role of improvisation, from rehearsal to performance and teaching to learning within the Southeast Asian performing arts scene. They feature a vital overview of how contemporary Southeast Asian artists use improvisation in their practice through diverse theoretical perspectives, innovative methods, and idiosyncratic strategies.The book highlights the strength of improvisation as a connective tissue facilitating collaboration and interdisciplinarity across the performing arts. It shows how artists and practitioners navigate the dynamic landscape of Southeast Asian arts, blurring taxonomical boundaries to embrace change and innovation. From interrogative full-length chapters to insightful personal case narratives, each contribution showcases the practical application of improvisation in real-world projects. The chapters affirm improvisation as both a creative process and a performance strategy, unlocking new possibilities in performing arts and providing an inspired snapshot of contemporary Southeast Asian creative practice.With discourse extending beyond conventional disciplinary confines, this book is a valuable read for graduate and postgraduate students, educators, and researchers in diverse fields encompassing dance, music, theatre studies, performance studies, aesthetics, and interdisciplinary arts. It is also a viable resource for professionals in the performing arts industry as it provides invaluable insights into the transformative power of improvisation.
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ISBN 10: 1032914483 ISBN 13: 9781032914480
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In den WarenkorbPaperback. Zustand: new. Paperback. Moore, Burridge, and the contributors explore the multifaceted role of improvisation, from rehearsal to performance and teaching to learning within the Southeast Asian performing arts scene. They feature a vital overview of how contemporary Southeast Asian artists use improvisation in their practice through diverse theoretical perspectives, innovative methods, and idiosyncratic strategies.The book highlights the strength of improvisation as a connective tissue facilitating collaboration and interdisciplinarity across the performing arts. It shows how artists and practitioners navigate the dynamic landscape of Southeast Asian arts, blurring taxonomical boundaries to embrace change and innovation. From interrogative full-length chapters to insightful personal case narratives, each contribution showcases the practical application of improvisation in real-world projects. The chapters affirm improvisation as both a creative process and a performance strategy, unlocking new possibilities in performing arts and providing an inspired snapshot of contemporary Southeast Asian creative practice.With discourse extending beyond conventional disciplinary confines, this book is a valuable read for graduate and postgraduate students, educators, and researchers in diverse fields encompassing dance, music, theatre studies, performance studies, aesthetics, and interdisciplinary arts. It is also a viable resource for professionals in the performing arts industry as it provides invaluable insights into the transformative power of improvisation. This collection explores the multifaceted role of improvisation, from rehearsal to performance, teaching to learning within the Southeast Asian performing arts scene. It demonstrates how improvisation can be used in practice through diverse theoretical perspectives, innovative methods and idiosyncratic strategies. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2025
ISBN 10: 1032914483 ISBN 13: 9781032914480
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Paperback. Zustand: New. Moore, Burridge, and the contributors explore the multifaceted role of improvisation, from rehearsal to performance and teaching to learning within the Southeast Asian performing arts scene. They feature a vital overview of how contemporary Southeast Asian artists use improvisation in their practice through diverse theoretical perspectives, innovative methods, and idiosyncratic strategies.The book highlights the strength of improvisation as a connective tissue facilitating collaboration and interdisciplinarity across the performing arts. It shows how artists and practitioners navigate the dynamic landscape of Southeast Asian arts, blurring taxonomical boundaries to embrace change and innovation. From interrogative full-length chapters to insightful personal case narratives, each contribution showcases the practical application of improvisation in real-world projects. The chapters affirm improvisation as both a creative process and a performance strategy, unlocking new possibilities in performing arts and providing an inspired snapshot of contemporary Southeast Asian creative practice.With discourse extending beyond conventional disciplinary confines, this book is a valuable read for graduate and postgraduate students, educators, and researchers in diverse fields encompassing dance, music, theatre studies, performance studies, aesthetics, and interdisciplinary arts. It is also a viable resource for professionals in the performing arts industry as it provides invaluable insights into the transformative power of improvisation.
Zustand: New. Darren Moore (DMA) is a senior lecturer at LASALLE College of the Arts, University of the Arts Singapore. He is an internationally recognised drummer whose practice aims to generate new ideas concerning improvisation, multidisciplinary collaborati.
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Taschenbuch. Zustand: Neu. Improvisation Methods and Practices in Southeast Asia | Music, Dance and Theatre | Darren Moore (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | Routledge | EAN 9781032914480 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.
Sprache: Englisch
Verlag: Taylor and Francis Ltd, GB, 2025
ISBN 10: 1032914483 ISBN 13: 9781032914480
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In den WarenkorbPaperback. Zustand: New. Moore, Burridge, and the contributors explore the multifaceted role of improvisation, from rehearsal to performance and teaching to learning within the Southeast Asian performing arts scene. They feature a vital overview of how contemporary Southeast Asian artists use improvisation in their practice through diverse theoretical perspectives, innovative methods, and idiosyncratic strategies.The book highlights the strength of improvisation as a connective tissue facilitating collaboration and interdisciplinarity across the performing arts. It shows how artists and practitioners navigate the dynamic landscape of Southeast Asian arts, blurring taxonomical boundaries to embrace change and innovation. From interrogative full-length chapters to insightful personal case narratives, each contribution showcases the practical application of improvisation in real-world projects. The chapters affirm improvisation as both a creative process and a performance strategy, unlocking new possibilities in performing arts and providing an inspired snapshot of contemporary Southeast Asian creative practice.With discourse extending beyond conventional disciplinary confines, this book is a valuable read for graduate and postgraduate students, educators, and researchers in diverse fields encompassing dance, music, theatre studies, performance studies, aesthetics, and interdisciplinary arts. It is also a viable resource for professionals in the performing arts industry as it provides invaluable insights into the transformative power of improvisation.
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