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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: new. Paperback. In a quest to protect the truth, the activist Marion Stokes recorded television twenty-four hours a day for thirty years on more than seventy thousand tapes. She started in 1979, during the Iran Hostage Crisis now considered the birth of the twenty- four-hour news cycle and ended on the day of her death, as news of the Sandy Hook Massacre first broke. In between she captured revolutions, catastrophes, talk shows, sitcoms, lies, triumphs, and commercials that tell us who we were and how television shaped our world today. Filmmaker Matt Wolf has compiled a sequence of images, culled from over seven hundred hours of Marions tapes, that capture the texture of the past and express the subliminal power of televisual life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: New. In a quest to protect the truth, the activist Marion Stokes recorded television twenty-four hours a day for thirty years on more than seventy thousand tapes. She started in 1979, during the Iran Hostage Crisis - now considered the birth of the twenty- four-hour news cycle - and ended on the day of her death, as news of the Sandy Hook Massacre first broke. In between she captured revolutions, catastrophes, talk shows, sitcoms, lies, triumphs, and commercials that tell us who we were and how television shaped our world today. Filmmaker Matt Wolf has compiled a sequence of images, culled from over seven hundred hours of Marion's tapes, that capture the texture of the past and express the subliminal power of televisual life.

Paperback. Zustand: New. New Book, Direct from Publisher.

Paperback. Zustand: new. Paperback. In a quest to protect the truth, the activist Marion Stokes recorded television twenty-four hours a day for thirty years on more than seventy thousand tapes. She started in 1979, during the Iran Hostage Crisis now considered the birth of the twenty- four-hour news cycle and ended on the day of her death, as news of the Sandy Hook Massacre first broke. In between she captured revolutions, catastrophes, talk shows, sitcoms, lies, triumphs, and commercials that tell us who we were and how television shaped our world today. Filmmaker Matt Wolf has compiled a sequence of images, culled from over seven hundred hours of Marions tapes, that capture the texture of the past and express the subliminal power of televisual life. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Zustand: Neu. Neuware - In a quest to protect the truth, the activist Marion Stokes recorded television twenty-four hours a day for thirty years on more than seventy thousand tapes. She started in 1979, during the Iran Hostage Crisis - now considered the birth of the twenty- four-hour news cycle - and ended on the day of her death, as news of the Sandy Hook Massacre first broke. In between she captured revolutions, catastrophes, talk shows, sitcoms, lies, triumphs, and commercials that tell us who we were and how television shaped our world today. Filmmaker Matt Wolf has compiled a sequence of images, culled from over seven hundred hours of Marion's tapes, that capture the texture of the past and express the subliminal power of televisual life.

Paperback. Zustand: New. In a quest to protect the truth, the activist Marion Stokes recorded television twenty-four hours a day for thirty years on more than seventy thousand tapes. She started in 1979, during the Iran Hostage Crisis - now considered the birth of the twenty- four-hour news cycle - and ended on the day of her death, as news of the Sandy Hook Massacre first broke. In between she captured revolutions, catastrophes, talk shows, sitcoms, lies, triumphs, and commercials that tell us who we were and how television shaped our world today. Filmmaker Matt Wolf has compiled a sequence of images, culled from over seven hundred hours of Marion's tapes, that capture the texture of the past and express the subliminal power of televisual life.