Jack going back big von maynard (1 Ergebnisse)
Verlag: Douglas & Johnson St, Victoria, BC R. Maynard Photographic Artist c1880, 1880
- Foto
Anbieter: Aquila Books(Cameron Treleaven) ABAC, Calgary, AB, KanadaAquila Books(Cameron Treleaven) ABAC
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Gut
EUR 95,65
EUR 16,66 VersandVersand von Kanada nach USAAnzahl: 10 verfügbar
Zustand: very good. Two 8 X 8 CM photographs affixed to 8.75 X 17.5 CM yellowish studio card with rounded corners. The sides of the front and the back of the card contain the photographers information. Slight wear to edges and a little soiling to card. Nice image with clear detailing (part of the image is a little out of focus).… Slight fading and only a little soiling. The side edges of the card curl upwards slightly. Pencil notation of title on rear on which some words are illegible (as shown in title) very good From the series 'Views of British Columbia and Vancouver Island for sale'. Richard and Hannah Maynard moved from Cornwall, England to Canada in 1852. Richard had been an apprentice boot maker in England and upon arrival in Bowmanville he again set up a shop to do his trade. In 1858-59 and 1862 Richard left his family to prospect gold. During this time Hannah began studying photography. In 1862 the family moved to Victoria. After the move Richard went up the Stikine Rover placer mining while Hannah and the family remained in Victoria. It is believed that it is during this time that Hannah first opened 'Mrs. R. Maynard's Photographic Gallery'. Richard returned in 1863 to find her successfully entrenched in the business. Hannah taught Richard the photography skills she had learned. As it was somewhat usual for a woman to be a professional photographer during that time there is often confusion as to who actually took some of the photographs (his name often being attributed to her work and vice versa). Richard pursued his photographic interest in the wilderness as well as opening a new boot shop in Victoria (it was common at the time to be a professional photographer on the side of running another business). Hannah's main interest laid in the studio and the experimental possibilities of the camera. As Richard limited his photographs to the outdoors it is easy to tell the studio portraits are Hannah's. Richard took every opportunity to work outdoors; however, sometimes Hannah went on his trips with him and also took photographs. Because of this overlap between the couples photographic subject matter in relation to landscapes it is difficult to ascertain who is responsible for the creation of many of these images.
