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Verlag: Phillips Collection, Washington DC, 1964
Anbieter: Bolerium Books Inc., San Francisco, CA, USA
Staplebound. 7p., staplebound exhibition booklet, black and white photos. Minor handling wear.
Verlag: Marlborough Gerson Gallery Inc, New York, 1968
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Softcover. Exhibition catalog for a show that ran March through April 1968. Features text by Alfred Werner. Includes 65 black and white illustrations, a chronology and a checklist. A near fine copy in wrappers and with laid in errata slip.
Verlag: New York, 1968
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
(78)pp. Prof. illus. Sm. sq. 4to. Wraps.
Verlag: New York: Marlborough-Gerson Gallery, 1968
Anbieter: ANARTIST, New York, NY, USA
Softcover with 65 illustrations, very good condition, no internal marks. Foreign shipping may be extra.
Verlag: Washington, D. C.: H. K. Press 1964, 1964
The exhibition catalogue contains 5 photos (including the photo on the cover). /// Paperback, [10] pp., 8° (18.5 x 21.5 cm), cover slightly worn, text block slightly bumped, condition: very good Book Language/s: English.
Softcover. Zustand: VG/VG. White stapled wraps with b/w illustration. 10 pp. 5 b/w plates including cover. Published for an exhibition, with a 2-page biography, a catalogue of 17 pieces, and images of five.
Verlag: Marlborough Gallery, 1987
ISBN 10: 0897970411ISBN 13: 9780897970419
Anbieter: Southampton Books, Southampton, NY, USA
Buch Erstausgabe
Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Marlborough Gallery, 1987. Quarto. Pictorial wraps. Book is like new. Sharp corners and spine straight. Binding tight and pages crisp. Covers have very light shelf wear. Previous owner inscription on flyleaf. 95 pages. ISBN: 0897970411. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.
Verlag: Marlborough Gallery, New York, 1987
ISBN 10: 0897970411ISBN 13: 9780897970419
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Buch Erstausgabe
First edition. Softcover. 95 pages. Exhibition catalog for a show that ran October 15 through November 14, 1987. Features an introduction by Alan G. Wilkinson. Includes numerous color images of sculptures by Lipchitz. A clean near fine copy in wrappers.
Verlag: -Marlborough Fine Art -, 1978
Anbieter: Paul Brown, Ramsgate, Vereinigtes Königreich
Exhibition catalogue. First edition 1978. 28 pages. Illustrated in 1 colour and all others black and white. This catalogue solely the sculpture. Paperback. Very good indeed. We are specialists in Artists Monographs & Catalogues with a picture of the cover available on request. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 35 years experience, you may order with confidence.
Verlag: Marlborough Gallery, 1987
ISBN 10: 0897970411ISBN 13: 9780897970419
Anbieter: Michael Patrick McCarty, Bookseller, New Castle, CO, USA
Buch Erstausgabe
Wraps. Zustand: Very Good. First edition. An exhibition catalog; 95 pages. Color reproductions throughout. Held October 15 - November 14, 1987. Scarce in any condition. Jacob Lipchitz, (born August 10, 1891, died May 26, 1973), was a Russian-born French sculptor whose style was based on the principles of Cubism; he was a pioneer of nonrepresentational sculpture. After a brief term of service (1912 - 13) in the imperial Russian army, Lipchitz returned to Paris. There the Mexican muralist Diego Rivera introduced him to Pablo Picasso, the painter who (with Georges Braque) had created the Cubist style about 1907. Lipchitz soon began to translate the pictorial experiments of Cubist painters into three-dimensional sculpture, as in Man with Guitar (1916). Lipchitz worked exclusively in solid blocks of material or in low-relief still life's to simulate the polychromatic prisms of Cubist paintings. By 1941, when he moved to New York City, Lipchitz had established an international reputation.