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Alighieri Dante

Verlag: Venice, Francesco Rampazetto, 1564 [at the end: Francesco Marcolini for Alessandro Vellutello, 1544] (1564)

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Beschreibung: Venice, Francesco Rampazetto, 1564 [at the end: Francesco Marcolini for Alessandro Vellutello, 1544], 1564. 4° (223x150 mm). Collation: AA-BB8, CC10, A-Z8, AB-AZ8, BC-BH8, BI8. 441 of [442] leaves, lacking only the last blank leaf, BI8. In this copy, fols. F3-F6, and AY3-AY6 are misbound. Roman and italic type. Rampazetto's woodcut device and headpiece on the title-page. Marcolini's colophon, dated 1544, on the recto of fol. BI7. Three full-page and eighty-four smaller woodcuts. Seven-line woodcut animated initial on black-lined background on fol. AA2r; smaller animated initial on the verso. Late seventeenth-century bazzana leather, over pasteboards. Spine with four raised bands, underlined with gilt friezes; each compartment decorated with small floral tools, title in gold on red morocco lettering-piece. Edges speckled red. Corners of both covers restored, later flyleaves; minor losses to the lettering-piece. Front hinge slightly weak. A good copy, title-page rather browned and soiled. Some foxing and spotting; a few fingermarks and ink stains, more significant on fol. AR1. The upper margin of some leaves are slightly trimmed. A tear on fol. AZ8 has been carefully restored.Provenance: a small, old, illegible stamp on the title-page; the Tuscan clergyman Giovanni Ciabattini (nineteenth-century ownership inscription on the title-page). The second known copy of a Rampazetto's re-issue of Marcolini's famous 1544 edition, the illustrated Commedia supplemented with the Vellutello commentary (see no. 102). Francesco Rampazetto somehow came into possession of an unsold, and possibly defective, stock of Marcolini's twenty-year-old edition and replaced some leaves. He reset the Marcolini title-page with his own address, setting the line in a roman capital type of various sizes. He also set the dedication to Paul III in a large italic font (fol. A2r), while the first page of the Letter to the readers (fol. A2v), and a portion of the Descritione de lo Inferno (fols. A7 and A8) were set in a small roman type. The extremely rare Rampazetto re-issue was, until now, known only in a unique and incomplete copy preserved in the library of the University of Notre Dame. In that copy, fols. BB1 and BB8 (both illustrated), as well as the last blank BI8 are lacking, and only fols. AA1-AA2 and AA7-AA8 are reset. On the contrary, this newly discovered copy is complete from a textual point of view, lacking only the last blank leaf. Most importantly, it contains more leaves reset by Rampazetto, as well as leaves misprinted by Marcolini. They are as follows: - fols. AY3-AY6 (Par. xv) were reset by Rampazetto with the text in the same large italic he used for the dedication to Paul III (fol. A2r), while the commentary is cast in the same small roman type used for fols. A2v, A7 and A8. In fact, as he had no small italic type, he used a small roman type in place of the italic. - the four central leaves of quire K were misprinted (K3v on the verso of K5r, K4v on the verso of K6r, and vice versa) by Marcolini himself, as they are in his 1544 type. This further suggests that Marcolini kept some incomplete or bad copies, which were sold to Rampazetto who had to reset the leaves missing in this copy; instead, he did not reset the misprinted leaves. A different matter is the variant at the end of fol. V7r, which is present in this copy as well as in the copy at Notre Dame: a terzina (Purg. II, 64-66) was omitted in the Marcolini edition, and as the 63rd line came at the bottom of the page, Rampazetto could add these lines in hand-printing, with different spacing and in a darker ink, using the letter 'u' for the 'v' found in Marcolini as well as, in the second line, the letter 'e' for the ligature 'et' used by Marcolini (in the present copy the impression of these lines is grey and blurry). This newly discovered copy is therefore of the greatest significance, and gives precious insight into the history of the Venetian press. "In 1564, the printer Francesco Rampazetto had in some way come into possession of unsold stock of the twenty year-old 1544 Marcolini edition [.] N. Bestandsnummer des Verkäufers 0000000008366

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Alighieri Dante

Verlag: Venice Francesco Marcolini June 1544 (1544)

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Beschreibung: Venice Francesco Marcolini June 1544, 1544. 4° (236x153 mm). Collation: AA-BB8, CC10, A-Z8, AB-AZ8, BC-BI8. [442] leaves. Italic and roman type. Three full-page woodcuts at the beginning of each cantica; eighty-four woodcut vignettes in the text. An extra leaf, not present in the volume when it was originally issued, is bound here before the title-page; it bears the woodcut portrait of Dante from the Elogia virorum literis illustrium by Paolo Giovio (Basel 1577), issued here with some variants as a single sheet. Contemporary French calf, covers within gilt fillets, decorated with elaborate strapwork and floral tools on pointillé ground; title lettered at the centre of the upper cover, author's name at the centre of the lower cover. Later smooth spine gilt-tooled with a diaper pattern. Edges gilt and gauffered with a floral design. Covers restored and inlaid. On the verso of the front flyleaf, an early hand – likely that of Fugger himself – has copied the words of Dante's epitaph in Ravenna, restored by Bernardo Bembo in 1483. A very good copy, occasionally browned and stained.Provenance: Marcus Fugger (1529-1597; his autograph signature on the front pastedown); Paul Harth (twentieth century; ex-libris on the front pastedown). The first Commedia to contain the new and important commentary by the Lucchese Alessandro Vellutello (b. 1473), in a copy finely bound for the great bibliophile and member of the celebrated Augsburg banking dynasty, Marcus Fugger, who in 1560 succeeded his father Anton as head of the family firm. This copy is in the first state of the Marcolini edition, in which terzina 64-66 of the Purgatorio's second canto is missing due to a printing oversight (fol. V7r). The book is rightly famous for its illustrations, which were all newly designed for this edition. Each woodcut records one or more scenes from the illustrated cantos and closely relates to Vellutello's glosses. The vignettes were possibly designed by Giovanni Britto, who worked as an engraver for Marcolini, and were likely cut by Marcolini himself. The volume is in a strapwork, gilt-tooled, and now extensively restored binding, produced for Fugger in the Parisian ateliers of Jean Grolier, as suggested by the elaborate interlaced decoration, patterned tools, and dotted background. The binding may have been executed by either Claude de Picques or Gommar Estienne, both of whom produced work for the Bibliothèque Royale. A notable addition in the present copy is an extra leaf which was not included in the volume as originally published; the leaf has been bound here for Fugger as a frontispiece and bears the woodcut portrait of Dante taken from the Elogia virorum literis illustrium by Paolo Giovio (Basel, Perna, 1577). The Elogia woodcuts were designed by the Swiss painter and printmaker Tobias Stimmer (1539-1584), who was sent by Perna to Lake Como in 1569-1570 to produce drawing copies of the famous portrait collection assembled by Giovio. In 1577, Perna published the woodcut portrait of Dante, cut after Stimmer's designs, in the Elogia virorum literis illustrium, together with sixty-seven other portraits of illustrious men of letters, each surrounded by a strapwork frame. In the leaf bound into the present copy, however, Dante's portrait is lacking the border found in the original edition, and the name of the poet is spelt in the variant form 'Dante' instead of the 'Danthes' of the Basel publication; although the font used is identical, the name is perhaps stamped separately letter by letter, rather than printed as a single word. This represents an unrecorded issue of the woodcut portrait and may therefore suggest that the Stimmer series was issued individually as single-sheet prints.Adams D-94; Mortimer Italian 146; Casali Annali, 72; Batines I, pp. 82-84; Mambelli 30; Essling 545; Sander 2328; Philobiblon, One Thousand Years of Bibliophily, no. 102. Bestandsnummer des Verkäufers 0000000006407

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OPERA] CON L'ESPOSITIONI DI CHRISTOFORO LANDINO, et: Dante Alighieri (1265-1321)
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Beschreibung: Venice Appresso Gio. Battista, & Gio. Bernardo Sessa, fratelli 1578, 1578. Second issuance of the first edition with a portrait of Dante. With a fine woodcut title page and 96 woodcut illustrations, including three full-page, 77 large cuts in the text, and numerous head- and tailpieces. Printer's woodcut device on the final leaf. Folio (320 x 218 mm), in a binding of handsome contemporary antique Italian vellum over boards. Original calligraphic titling on the spine panel in Renaissance style. [28 ff.), 163, [4 ff.], 164-393. A copy in a pleasing state of preservation. The text leaves are crisp quite clean, with just a few normal blemishes here and there. Some typical toning to a few of the quires as is normal with the printing of this book. Only the most occasional of the usual spotting of staining. Dante portrait outlined in pen. RARE 1596 EDITION OF THIS HISTORIC PRINTING OF ONE OF THE GREAT BOOKS IN THE MIND OF MAN. This is the highly important edition of Dante edited by Francisco Sansovino, incorporating two commentaries: that of Christoforo Landino, which first appeared in the Florentine edition of 1481, and the noteworthy commentary of Alessandro Velutello, first published at Venice in 1544. The volume includes extensive introductory matter by all three commentators, and a running commentary that virtually overwhelms the poem itself. The woodcuts in this edition are taken from those in Velutello's edition of 1544 and represent a departure, both iconographically and stylistically, from those in the Brescia, 1487 edition--they appear more accomplished and more confident in execution. Francesco Sansovino recovered Vellutello s commentary, never printed in Italy again until this time (except for a Lyonese reprint of 1551). This edition, printed here first in 1564, is very important because it is richly illustrated with many woodcuts taken from the edition of 1544 printed by Marcolini. The portrait of Dante on the title-page, inspired in Vasari s tradition, is very famous and this edition is in fact commonly know as of the big nose . The sources of the portrait have probably to be found in two paintings by Vasari, now at the Oriel College of Oxford and at the Museum of Fine Arts in Cleveland. Bestandsnummer des Verkäufers 23915

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ALIGHIERI, Dante

Verlag: Venice, appresso Giovambattista Marchiò Sessa et fratelli (1578)

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Beschreibung: Venice, appresso Giovambattista Marchiò Sessa et fratelli, 1578. Folio (316 x 213 mm.), [28], 392 leaves. [i.e. 396, four leaves unnumbered between 163and 164], woodcut portrait of Dante within architectural oval frame on title-page andninety six woodcut illustrations in text, woodcut initials and ornaments, Sessa cat andmouse device at end. A few leaves slightly browned and foxed but a very good copy in contemporary Italian limp vellum, with Dante's name on spine.Beautifully-illustrated, much praised second folio impression by the Fratelli Sessa, edited by Francesco Sansovino. Together with the first of 1564 and the third of 1596, it is one of the three Edizioni del Gatto, from the cat used as printer's device, or Edizioni del Gran Naso, from the handsome woodcut portrait of Dante with his trademark nose.The 96 woodcuts portraying scenes from the poem were cut after those designed by Alessandro Vellutello for the Marcolini edition of 1544. Influential for artists as different as Federico Zuccaro and William Blake, the illustrations were inspired by illuminated medieval manuscript of the Commedia (Brunner, Illustrierung, 49). The text, adapted from the 1502 Aldine edition, is framed by an innovative double-column commentary which features, for the first time together, the glosses of Cristoforo Landino, first printed in 1481, and the more recent ones by Vellutello, of 1544. These were theoretically diverse, one following Aristotelianism and the other Neo-Platonism, as well as often in disagreement on the detailed interpretation of the theological narrative?e.g., Vellutello criticised Landino's calculations of the dimensions of Hell.?Dante's fortune in the Cinquecento effectively comes to an end with [?] Sansovino's three editions of the Comedy (1564, 1578, and 1596). These folio volumes [?] come rather unexpectedly after decades of Dantini. One almost has the impression of a nostalgic return to the earliest printed Dantes' (Parker, Commentary, 148).A deluxe edition.COPAC locates 14 copies in the UK; WorldCat locates 12 copies in the US (Michigan, Duke, Bucknell, Delaware, UPenn, Columbia, Pierpont Morgan, Stanford, Huntington, Kansas State, Loyola and Yale).EDIT16 CNCE 1177; Colomb de Batines, Bibliografia dantesca, 97-98; Brunet I, 495: ?assez estimée'. D. Parker, Commentary and Ideology: Dante in the Renaissance (Durham, 1993); M. Brunner, Die Illustrierung von Dantes ?Divina Commedia' (Munich, 1999).  . Bestandsnummer des Verkäufers 0000000000081

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Dante con le espositioni di Christoforo Landino,: ALIGHIERI DANTE

ALIGHIERI DANTE

Verlag: In Venetia, appresso Giovambattista, Marchio Sessa and fratelli (1578)

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Von: Studio Bibliografico Apuleio (Trento, Italien)

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Beschreibung: In Venetia, appresso Giovambattista, Marchio Sessa and fratelli, 1578. Cm. 33, cc. (28) 1-163, (4), 164-392. Grande e celebre xilografia a tre quarti di pagina al frontespizio con ritratto di Dante entro cornice istoriata da angeli, festoni e putti. Novantasei bellissime illustrazioni xilografiche a mezza pagina, marchio tipografico Sessa al colophon, graziosi capilettera e testatine xil. istoriate. Testo dantesco in carattere corsivo circondato dal fittissimo commento in carattere tondo. Bellissima legatura novecentesca di manifattura monastica in piena pelle con iscrizioni impresse finemente al piatto anteriore, borchie metalliche ai piatti, doppia chiusura in pelle e metallo. Sporadiche fioriture/arrossature, qualche rinforzo all'angolo di poche carte, sporadici e marginali aloni. Esemplare nel complesso fresco e ben conservato. Celebre edizione detta "del Nasone" o "del Gran naso" a causa del ritratto dantesco apposto al frontespizio. Oltre allo straordinario apparato iconografico (gli editori usarono i legni dell'edizione Marcolini del 1544) l'edizione si distingue per il rigore della curatela e la ricchezza dei commenti: il curatore Francesco Sansovino ebbe il merito di riunire il commento di Alessandro Vellutello (edito a Venezia nel 1544, poi ristampato a Lione nel 1551, ma non più apparso in Italia) a quello più datato di Cristoforo Landino, edito per la prima volta nel 1481 e non più ristampato dopo il 1536. In seguito alla dedicatoria ritroviamo la "Dichiaratione delle voci difficili che si trovano in questa opera del Sansovino", il Proemio di Cristoforo Landino denominato "Apologia in difesa di Dante, et de Fiorentini", la "Vita di Dante Alighieri" curata sempre da Landino, i "Discorsi del Landino che cosa sia poesia et poeta, et della origine sua divina, et antichissima", un'Epistola di Marsilio Ficino, lo scritto di Landino "Sito, forma, et misura dell'Inferno, et statura de Giganti et di Lucifero" e infine lo scritto di Alessandro Vellutello "Vita, et costumi del Poeta". Cfr. Iccu; Gamba, 390; Brunet, II, 504; Graesse, II, 330. Book. Bestandsnummer des Verkäufers 0000000012171

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Dante con l'espositioni di Christoforo Landino et: DANTE ALIGHIERI

DANTE ALIGHIERI

Verlag: Giovanbattista Marchio Sessa e f.llli,, Venetia, (1578)

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Beschreibung: Giovanbattista Marchio Sessa e f.llli,, Venetia, 1578. In f° (30,5 x 21). Con il ritratto di Dante al frontespizio e 96 belle illustrazioni xilografiche nel testo. Qualche traccia d uso ma buon esemplare marginoso in legatura tardo Settecento mezza pelle, restaurata, piatti in carta decorata. Celebre edizione passata alla storia grazie al ritratto del Poeta comunemente noto come "col gran naso" per via del peculiare profilo. L apparato iconografico è molto ricco e ripropone il corredo delle xilografie adoperate per l edizione del 1544 impressa dal Marcolini, ma con un palese maggiore respiro dell impaginazione. Bestandsnummer des Verkäufers 421

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Dante Alighieri ; edición ilustrada con 48 láminas fuera de texto y cuatro gráficos en colores de M. Gaetani ; 2.250 notas de Biagioli, Bianchi, Boccacio, Colbert, Costa, Fráticelli, Ponta, Grangier, Guinguené, Landino, Villani, Vellutello, Venturi, Benve

Verlag: Iberia-Joaquin Gil, Madrid ; Barcelona ; Valencia

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Beschreibung: Iberia-Joaquin Gil, Madrid ; Barcelona ; Valencia. . 4º.181 p.Infinidad de laminas algunas en color Pergamino lomo. Bestandsnummer des Verkäufers ANT1110

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La Divina Comedia. Notas de Biagioli, Bianchi,: ALIGHIERI, Dante (1263-1321).

Beschreibung: Madrid - Barcelona - Valencia, Iberia, Joaquín Gil Editor, 1933., 1933. Folio; 181 pp., 1 h. Con 48 láminas fuera de texto y cuatro gráficos en color de M. Gaetani. Impresión a doble columna. Encuadernación moderna en media tela. Bestandsnummer des Verkäufers C83-37

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Dante Alighieri

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Beschreibung: Leather Bound. Zustand: New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back (1544). This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: -ita , Pages 900 , Print on Demand. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS.{FOLIO EDITION IS ALSO AVAILABLE.}; Bestandsnummer des Verkäufers LB1111003306935

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Dante Alighieri

Verlag: Pranava Books (2020)

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Beschreibung: Pranava Books, 2020. Leatherbound. Zustand: NEW. Leatherbound edition. Condition: New. Language: ita Leather Binding on Spine and Corners with Golden leaf printing on spine. Reprinted from 1544 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. THERE MIGHT BE DELAY THAN THE ESTIMATED DELIVERY DATE DUE TO COVID-19. Pages: 900 Pages: 900. Bestandsnummer des Verkäufers LB990001940322

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Beschreibung: Leather Bound. Zustand: New. Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine. Reprinted in 2019 with the help of original edition published long back (1564). This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: -ita , Pages 856 , Print on Demand. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS.{FOLIO EDITION IS ALSO AVAILABLE.}; Bestandsnummer des Verkäufers LB1111016758677

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