lart arabe daprès monuments von prisse davennes (24 Ergebnisse)

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: New.

Zustand: New. In.

Hardcover. Zustand: Good. 260 pages of text plus 200 pages of plates.

Zustand: Très bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

broché. 330x230mm, 233pages, planches en couleurs, Exemplaire à l'état de neuf. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

in-8, souple, 320p, nbx plans et illustrations, bé res.

Rilegato. Zustand: nuovo. prima edizione. Facsimile of the Original Edition Published in 1877. 3 Very large format volumes plus a smaller 4th volume of text. Vol. 1-2-3 Plates cm 49x63 Vol. 4 Text. cm 22x31 Note alle condizioni del volume Nessuna. (T-Marc) Autore/i Prisse d'Avennes Editore Springer-Verlag KG Luogo Heidelberg Anno 1973 Pagine 304 Dimensioni 49x36 - 22x31 (cm) Illustrazioni 200 tavv. a colori e b/n n.t. - colors and b/w plates Legatura Pelle ed. fregi in oro - Hardcover Conservazione Nuovo - New Lingua Francese - French text Peso 25000 (gr) ISBN 9027790051 EAN-13 9789027790057.

Hardcover. Zustand: As New. Reprint. 199 plates of which some in colour, captions of the plates in French & Arabic, half-titles, colour vignettes on half-title pages, titles in red and balck, original gilt decorated half leather, set in mint condition, facsimile reprint of the first edition of 1877, bound in Italy by Legatoria Pegaso, reprinted by Eastern Art, Khayat Book & Publishing Company, S. A. L. Beirut, [ca. 1977]. Prisse d'Avennes was, in many ways, a paradox. An artist of consummate skill, he was also a writer, scientist, scholar, engineer and linguist, a genius who spent much of his life among the illiterate. French to the bone, he was of British blood; a European, he embraced Islam and took the name Edris-Effendi. By nature contentious, he alienated colleagues, yet succoured the sick and the poor. Of the hundreds of 19th century Western artists, scholars and writers who gravitated to the Islamic world following Napoleon's invasion of Egypt in 1798, few possessed so prodigious an intellect, such a trove of talents, so insatiable a curiosity or so passionate a commitment to record the historical and artistic patrimony of ancient Egypt and medieval Islam. He succeeded brilliantly, yet he failed to achieve the stature to which his successes entitled him, both during his lifetime and in the 111 years since his death. He remains, as arts writer Briony Llewellyn calls him, "a shadowy figure in the history both of Egyptology and of European response to Islamic art." Prisse d'Avennes was a fine artist and an outstandingly brilliant observer who recorded much that has since disappeared. In this monumental work he recorded Arab Art in Cairo through splendid plates of architectural studies, mosaics, ornaments, interior designs, textiles, carpets, civil and religious furniture, Islamic book binding, miniatures, and different types of Qur'anic script. [Reference: For the first edition see Creswell, 81]. Prisse wrote for scientific journals, published treatises and kept active in learned societies, while working on L'Histoire de L'Art Egyptien" and L'Art Arabe. He made excursions to Egypt, worked on the Egyptian exhibit for the World Exposition of 1867 and was director and chief hydrographics engineer for the French company charged by Isma'il Pasha to produce a plan for the exploitation of the lakes of northern Egypt. When the pasha cancelled the project at the last moment, Prisse resigned the post and, for the next 10 years, devoted himself exclusively to his masterworks, the astounding energies of his youth clearly intact. Apart from the literary demands, Prisse trained teams of artists especially to prepare the plates for his book, monitoring their work relentlessly, until each plate precisely replicated the original drawing. L'Histoire de I'Art Egyptien, published in its entirety in 1877 by the Librairie Scientifique of Paris, consisted of two volumes containing 160 plates and a separate volume of text written by P. Marchandon de la Faye on the basis of notes by Prisse, who was forced by circumstances to accept this arrangement. Illustrated sections on architecture, sculpture, paintings and industrial arts underscored the close correlation between the arts and the history of ancient Egypt, Prisse noted, revealed the course and progress of Egypt's civilisation, its surprising customs and its religious thought. Shown "with excellent splendour" at the World Exposition of 1878, L'Histoire de l'Art Egyptien became an important part of the body of Egyptology and, in that sense, Prisse's hopes were fulfilled. But for L'Art Arabe, he wanted more. He wanted to inspire the artists and architects of his time with fresh ideas to counter "the poverty of invention that so justly inflames those who profess to worship beauty." Above all, he wanted to stir the public to understand and appreciate the epoch whose art had graced a millennium and inspired the Renaissance. #18829.

First Edition. Very good copy in the original gilt-blocked decorated cloth. Panel edges somewhat dulled and dust-toned as with age. Spine bands worn. Corners sharp with an overall tight, bright and clean impression. Physical description; 259, [201] p. : il., estampas ; 34 cm. Subjects; Arquitectura islâmica -- Egipto -- Séc. 7-18. Cairo. 4 Kg.

First Edition. Very good copy in the original gilt-blocked decorated cloth. Panel edges somewhat dulled and dust-toned as with age. Spine bands worn. Corners sharp with an overall tight, bright and clean impression. Physical description; 259, [201] p. : il., estampas ; 34 cm. Subjects; Arquitectura islâmica -- Egipto -- Séc. 7-18. Cairo. 4 Kg.

Couverture rigide. Zustand: bon. RO30326608: 1982. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 500 pages illustrées en couleurs et en noir et blanc, dans et hors texte. Couverture décorée, titre et auteur en doré. . . . Classification Dewey : 700-LES ARTS.

4 volumes (3 folio atlas volumes [21 3/4 x 16 inches], quarto text volume [12 1/2 x 9 3/8 inches]). Half-titles in each volume, titles printed in red and black. Text with 34 engraved plates and illustrations in text, atlases with 200 lithographed or engraved plates, approximately 130 printed in colours and 48 tinted. Contemporary red morocco-backed marbled boards, spines with raised bands, lettered gilt, marbled endpapers First edition of the most important work of the nineteenth century devoted to Islamic art, with an exhaustive description of the applied arts. The author spent over thirty years in Egypt, as an engineer in the service of Mehmet Ali and later travelling disguised as an Arab under the name Edris Effendi. In 1860, he returned to France and produced this monumental work based on his drawings and notes. The result is that his book offers invaluable glimpses of aspects of Arab life as they were viewed by a sympathetic West European. Richly illustrated, the fine plates in the work are both architectural, showing exteriors and interiors, with details of their ornamentation (e.g. doors, knockers, torches), as well as furniture, textiles, ceramics and glass, woodwork, tiling, arms and armour, glass and enamels, carpets, manuscripts and Korans. The work also includes lithographed views after images by the photographer Giraud de Prangey, one of the first French travellers to take photographs in Cairo and Jerusalem. Cresswell I, 81; cf. J.Gay, Bibliographie des ouvrages relatifs a l'Afrique et a l'Arabie no.1897; Ibrahim-Hilmy II, 138-140. Not in Blackmer or Atabey.

Couverture rigide. Zustand: Bon état. 3 volumes in-folio 573 x 400 mm, demi-basane cerise, dos à nerfs, faux-titre, titre & table à chaque volume, 200 planches lithographiées ou gravées, certaines d'après Giraud de Prangey, la plupart teintées. Rares rousseurs. Petits effrangements et légère humidité ou ternisseurs marginales pour une dizaine de planches, néanmoins très bon exemplaire. Les trois atlas seuls (sans le volume de texte de format in-4) du plus important ouvrage du XIXe siècle entièrement consacré à l'art arabe. Très richement illustré, il contient des vues lithographiées d'après le grand photographe Giraud de Prangey, l'un des premiers voyageurs français à prendre des photographies au Caire et à Jérusalem. Les belles planches représentent des vues de vestiges (extérieur et intérieur) et des détails d'ornementations (portes, heurtoirs, flambeaux, plats, etc.). in-folio.

1 volume of text (4to) and 3 vols. of plates (large folio). Text: 1 bl. f., title leaf, viii, 296 pp., 1 bl. f. With 34 lithogr. plates (all with tissue guards) and 73 text illustrations. Half morocco with giltstamped title to gilt spine. Spine rebacked. Plate volumes all with half title, title, list of contents and a total of 200 engraved plates (130 of which are chromolithographs and 48 tinted lithographs). Plate volumes bound uniformly with text volume in giltstamped half morocco with cloth covers. Very scarce first edition of this splendid, unsurpassed standard work on Islamic art. Prisse d'Avennes spent many years in Egypt after 1826, first as an engineer in the service of Mehmet Ali. After 1836 he explored Egypt disguised as an Arab and using the name Edris Effendi; during this period he carried out archaeological excavations in the valley of the Nile. In 1860, Prisse d'Avennes returned to France with a wealth of documentation and drawings, which he subsequently had reproduced by specially trained draughtsmen and published in this monumental set. "'Arab Art', however, is more than a monument to the author's tenacity, skill, and devotion. For the historian of architecture, it is a precise source, a unique documentary record [.] On an entirely different level, Prisse d'Avennes has provided today's architects, designers, artists, and illustrators with some of the finest examples of measured drawings, pattern details, and illustrations of selected aspects of the built environment of a medieval Islamic city. But 'Arab Art' is not merely an exercise in architectural description. Prisse d'Avennes writes about and records in the plates art forms ranging from elaborately decorated tiles to carpets and fabrics, to Korans and illuminated manuscripts. His text examines how these objects were made and the way they were used, and describes the value placed on them by contemporary society. The result is that his book offers invaluable glimpses of aspects of Arab life as they were viewed by a sympathetic West European" (preface to the 1963 London edition). - Beautiful, complete set (the last copy sold at auction was incomplete). Text and plates uncommonly clean and in an excellent state of preservation throughout, in contrast to the known copies in libraries and in institutional possession. - Ibrahim-Hilmy II, 138-140.

Hardcover. Zustand: Very Good. Facsimile of an 1877 edition. 3 volume set. 200 leaves of plates. Elephant folio. 60.96 cm x 48.26 cm. Bound in two colored faux leather. Spines are milk chocolate brown with ornate gilt. Gilt lettering to spine. Covers are mustard colored with gilt illustrations. Edges slightly bumped. Otherwise, interior is clean, unmarked, and in fine condition. All volumes filled with 200 plates in color and black and white. Depicts Arab art flourishing in Cairo from the 7th Century to the end of the 18th century. Mostly created by Prisse d'Avennes, a scholar the documented the artwork throughout his middle eastern travels. Plates are of interior architectural ornaments, fabrics, glass panes, armor, carpets, and decorations adorning the Koran. Please feel free to view our pictures of this lovely set. This is an oversized or heavy book that requires additional postage for international delivery outside of the US.

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 392. A perfect gift for your loved ones. Reprinted from 1877 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume text Language: French Pages: 392 Volume text.

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 390. A perfect gift for your loved ones. Reprinted from 1877 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume (text) Language: French Pages: 390 Volume (text).

Paris, Morel, 1877 [reprint by: Eastern Art, n.pl., distributed by Khayat Book & Publ. Comp., Beirut, [2004]. 3 vols. [6] pages list of plates. 200 full pages col. / tinded plates. Uniform raised h.leather bindings, spines gilt. Large folio. - Spine & edges (sl.) rubbed; cover of vol. 2 sl. dam.Facsimile edition.

Pas de couverture. Zustand: Bon. Edition originale. Paris, Morel, 1877, 3 volumes d'atlas in-folio en feuilles, sous emboîtages. Atlas seuls, comprenant pages de titre et tables des planches, complets des 199 planches (22 gravées et 177 lithographiées dont 39 vues teintées et 130 chromolithographies, plusieurs rehaussées d'or), lithographiées ou gravées, parfois en couleurs et certaines d'après Girault de Prangey, l'un des tout premiers voyageurs français à photographier Le Caire et Jérusalem. Les planches représentent des vues de vestiges, de nombreux détails d'ornementations (portes, heurtoirs, flambeaux, plats, etc.) ainsi que des meubles, des textiles, des céramiques, des boiseries, des carrelages, des armes et des armures, des verres et des émaux, des tapis, des manuscrits et des corans, une déchirée sans manque. Édition originale de l'ouvrage le plus important du XIXe siècle entièrement consacré à l'art arabe , Éminent archéologue et égyptologue de renom, Prisse d Avennes (1807-1879) passa près de trente ans en Égypte, comme ingénieur au service de Mehmet Ali, puis voyagea déguisé en Arabe sous le nom d'Edris Effendi. Il explora les monuments anciens le long du Nil jusqu'en Nubie. De retour en France en 1860, il s attela à cet ouvrage monumental à partir de ses dessins et notes. Il fut l'un des premiers archéologues à utiliser la photographie pour ses relevés monumentaux. 3 Plates vol. only (lacking 4to text volume), 199 plates (22 engraved and 177 lithographed of which 39 tinted views and 130 chromolithographs, many heightened with gold), Magnificent work on Islamic art with sumptuous chromolithographed plates of interiors, ceramics, textiles, metalwork, bookbindings, manuscripts etc., and many fine tinted plates of mosques and other buildings.

Paris, A. Morel, 1877. Réédition, Beirut Eastern Art, distribuée par Khayat Book, s.d. [1974]. Complet de 4 volumes. Demi-veau. Texte: viii-296 pp. 32.5 cm. Avec 73 figures et 34 planches hors texte. 3 volumes Atlas de 200 planches en fac-similé sur papier teint et fort. Fac-similé de qualité superbe. Mésures de l'Atlas: 63.5 x 50 cm. Reliure uniforme, avec des caissons et tomaisons dorés au dos. Petit accroc á la tête du tome 1 d'atlas et reste de col à la première page de garde du tome 1 d'atlas.Sinon en bel état. Poids total/ total weight: 25 kilos. Photos sur demande. La réédition ne parvient pas une année de publication, on trouve dans les catalogues 1973 de même que 2004 de cette publication. Cet exemplaire a été imprimé avec au verso du faux-titre "distribution pour les Pays-Bas, le Royaume Uni et les États Unis uniquement par D. Reidel, éditeurs Dordrecht". Reidel n'existe plus à Dordrecht en 2004. On y joint: le prospectus du distributeur Reidel, 8 pages en couleurs avec l'année de cette réédition 1974.

Paris, 1877. [Reprint 1974]. 4 vols. VIII,296 pp. 71 figs & 200 (mainly coloured) plts. H.immit. leather. Text in 4to, plate-volumes in elephant-folio. Monumental reprint with fine coloured plates showing all aspects of Islamitic art.

Leather Bound. Zustand: New. Language: fre. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1877. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - fre, Vol:- Volume text, Pages:- 392, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume text 392.

LeatheBound. Zustand: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1877 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 468 Language: French Volume Text Pages: 468 Volume Text.