Verlag: Cambridge University Press, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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Verlag: Cambridge University Press, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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Verlag: Cambridge University Press, Cambridge, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: new. Hardcover. The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Cambridge University Press, Cambridge, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: new. Hardcover. The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Verlag: Cambridge University Press, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 389 pages. 10.25x7.25x1.00 inches. In Stock.
Verlag: Cambridge University Press, Cambridge, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: new. Hardcover. The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. The anti-fascist cantata Il canto sospeso, the string-quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Nielinger-Vakil examines these three major works in the context of related works and the diverging circumstances in Italy and Germany after 1945. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Verlag: Cambridge University Press, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 389 pages. 10.25x7.25x1.00 inches. In Stock. This item is printed on demand.
Verlag: Cambridge University Press, 2016
ISBN 10: 0521845343 ISBN 13: 9780521845342
Sprache: Englisch
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In den WarenkorbHardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 901.