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Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Buch
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.25.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Buch
Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Irish Booksellers, Portland, ME, USA
Buch
Zustand: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Buch
Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Very Good. 2005. Hardcover. Cloth, no d.j. Some shelf-wear. Else clean copy. Very Good.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: Lucky's Textbooks, Dallas, TX, USA
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Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: GreatBookPrices, Columbia, MD, USA
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Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
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Zustand: New.
Verlag: MR - University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
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PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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Zustand: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Verlag: University of Notre Dame Press 2005-11, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
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PF. Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
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Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Buch Print-on-Demand
Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Verlag: MR - University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
Buch Print-on-Demand
PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Verlag: University Of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch Print-on-Demand
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the mid-nineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as 'the Land of Song.' Through her considerations of Irish music collections by the Neals, Edward Bunting, and George Petrie; antiquarian tracts and translations by Joseph Cooper Walker, Charlotte Brooke, and James Hardiman; and lyrics and literary works by Sidney Owenson, Thomas Moore, Samuel Lover, and Dion Boucicault, Davis suggests that music served as an ideal means through which to address the ambiguous and ever-changing terms of the colonial relationship between Ireland and England.Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad. She argues that the emergence of a mass market for culture reconfigured the gendered ambiguities already inherent in the discourses on Irish music and identity.Davis's book will appeal to scholars within Irish studies, postcolonial studies, gender studies, print culture, new British history, eighteenth- and nineteenth-century studies, and ethnomusicology.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
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Zustand: As New. Unread book in perfect condition.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: Mispah books, Redhill, SURRE, Vereinigtes Königreich
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Paperback. Zustand: Like New. Like New. book.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: GreatBookPrices, Columbia, MD, USA
Buch
Zustand: As New. Unread book in perfect condition.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
Buch Print-on-Demand
Zustand: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
Buch
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: GreatBookPrices, Columbia, MD, USA
Buch
Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: GreatBookPricesUK, Castle Donington, DERBY, Vereinigtes Königreich
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Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Lucky's Textbooks, Dallas, TX, USA
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Zustand: New.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Buch
Hardback. Zustand: New. New copy - Usually dispatched within 4 working days. Studying the construction of Irish national identity from the early eighteenth until the mid-nineteenth centuries, this book focuses on how texts concerning Irish music, and the social settings within which those texts emerged, contributed to the imagining of Ireland as "the Land of Song.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025789ISBN 13: 9780268025786
Anbieter: Iridium_Books, DH, SE, Spanien
Buch
PAPERBACK. Zustand: Good. 0268025789.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: booksXpress, Bayonne, NJ, USA
Buch Print-on-Demand
Hardcover. Zustand: new. This item is printed on demand.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Buch Print-on-Demand
Hardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Verlag: University of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Buch Erstausgabe
Zustand: New. Studying the construction of Irish national identity from the early eighteenth until the mid-nineteenth centuries, this book focuses on how texts concerning Irish music, and the social settings within which those texts emerged, contributed to the imagining of Ireland as "the Land of Song." Num Pages: 328 pages, 10 halftones. BIC Classification: 1DBR; 3JF; 3JH; AVGH; GTB. Category: (P) Professional & Vocational. Dimension: 234 x 157 x 27. Weight in Grams: 668. . 2005. 1st Edition. Hardcover. . . . .
Verlag: Univ of Notre Dame Pr, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Buch
Hardcover. Zustand: Brand New. annotated edition. 323 pages. 9.00x6.25x1.00 inches. In Stock.
Verlag: University Of Notre Dame Press, 2005
ISBN 10: 0268025770ISBN 13: 9780268025779
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch Print-on-Demand
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the mid-nineteenth centuries, focusing in particular on how texts concerning Irish music, as well as the social settings within which those texts emerged, contributed to the imagining of Ireland as 'the Land of Song.' Through her considerations of Irish music collections by the Neals, Edward Bunting, and George Petrie; antiquarian tracts and translations by Joseph Cooper Walker, Charlotte Brooke, and James Hardiman; and lyrics and literary works by Sidney Owenson, Thomas Moore, Samuel Lover, and Dion Boucicault, Davis suggests that music served as an ideal means through which to address the ambiguous and ever-changing terms of the colonial relationship between Ireland and England.Davis also explores the gender issues so closely related to the discourses on both music and national identity during the time, and the influence of print culture and consumer capitalism on the representation of Irish music at home and abroad. She argues that the emergence of a mass market for culture reconfigured the gendered ambiguities already inherent in the discourses on Irish music and identity.Davis's book will appeal to scholars within Irish studies, postcolonial studies, gender studies, print culture, new British history, eighteenth- and nineteenth-century studies, and ethnomusicology.