Narrative figuration (120 Ergebnisse)

Soft Cover / Couverture Souple. Zustand: Near Fine/Excellente Condition. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Very Good. CONDITION NOTES: SYNOPSIS: This revelatory book focuses on a remarkable series of encounters between the most prominent French philosophers of the 1960s and 1970sâ"Sartre, Deleuze, Bourdieu, and Foucault among themâ"and the artists of their times, most particularly the protagonists of the Narrative Figuration movement. Each encounter involved either a mutual engagement or the writing of critical texts or catalogue prefacesâ"texts that illuminate not only the work of the artists but also the production of the philosopher-writer concerned. Although the protagonists of âFrench theoryâ are universally known and studied, their thought is presented without a sense of contiguity, chronology, or context in translation, while the artists with whom they engaged are virtually unknown outside the French-speaking world. This account restores the lived context of artistic production. What Bourdieu called âcultural competenceâ is seen to be essential for these particular philosophers, and Sarah Wilson shows that it is through them that the figurative art of 1970s France can be introduced to the audience it deserves.…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft Cover / Couverture Souple. Zustand: Near Fine/Excellente Condition. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 8vo / in-8o. Book.

hardcover. Zustand: Fine.

Hardcover. Zustand: New. Similar to Pop art in its criticism of consumer society and rejection of abstraction, Narrative Figuration emerged in Europe and the United States in the 1960s. This catalogue of an exhibition held in Paris in 2008 contains introductory essays assessing the movement, and hundreds of images by artists such as Jacques Monory, Peter Klasen, Jan Voos and Eduardo Arroyo, accompanied by concise notes on their work.…

Softcover. Zustand: As New.

Zustand: Good. Paperback, illustrations in colour, unpaged, small 4to.

Gebunden. Zustand: Neu. Neu -In den 1960er Jahren entstand in Europa und den Vereinigten Staaten eine neue Art der figurativen Kunst. Während in New York die Pop Art eine neue Perspektive auf ein Amerika bot, das sich in einem rasanten Wandel befand, begannen in Paris französische Maler und andere aus Italien, Spanien, Portugal, Deutschland und Island ebenfalls, Bilder zu nutzen, die aus der Werbung, dem Kino und der Boulevardpresse stammten. Unter dem Oberbegriff »Narrative Figuration« wurden sie bald zu kompromisslosen Kritikern der so genannten Konsumgesellschaft. Sie waren größtenteils politisch engagierte Künstler und viele von ihnen waren aktiv an der politischen Agitation beteiligt, die zu den Ereignissen des Mai 1968 in Frankreich führte. Die Künstler der »Narrativen Figuration«, die einst zu den Vorreitern gehörten, werden heute von den Museen wiederentdeckt, die, wie das Centre Pompidou, ihrem Werk immer mehr Ausstellungen widmen. Die Sammlung der Fondation Gandur pour l'Art in Genf verfügt dank des Erwerbs bedeutender Werke über eine der umfangreichsten Sammlungen mit Werken von Adami, Aillaud, Arroyo, Erró, Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, Stämpfli, Télémaque und Voss, um nur einige zu nennen. Der von Jean-Paul Ameline, dem Kurator der Ausstellung »Figuration narrative, Paris, 1960-1972«, die 2008 im Grand Palais stattfand, herausgegebene Katalog enthält alle Schlüsselwerke mit Kommentaren und Analysen von Kuratoren und Kunsthistorikern, die auf diese Bewegung spezialisiert sind, die das Europa der 1960er Jahre dauerhaft geprägt hat. (Text engl.) 288 pp. Englisch.…

Soft cover. Zustand: Fine. No marks. Signed by Taittinger.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Zustand: Fine. 1st. Pictorial boards, 335 pages, colour illustrations; 28 cm. English Edition. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. Lots of Political Pop in this great catalogue. *** "A new kind of figurative art appeared during the 1960s in Europe and the United States. While in New York Pop Art offered a fresh perspective on an America in the throes of frenzied change, in Paris French painters and others from Italy, Spain, Portugal, Germany and Iceland also began exploiting images that had their origins in advertising, cinema and the popular press. Grouped under the umbrella term Narrative Figuration, they soon became the uncompromising critics of what was dubbed the consumer society. They were for the most part politically committed artists and many of them were actively involved in the political agitation that led up to the events of May 1968 in France. Once standard bearers, the Narrative Figuration artists have now been rediscovered by museums, which, like the Centre Pompidou, are dedicating increasing numbers of exhibitions to their work. Thanks to the acquisition of major works, the collection of the Fondation Gandur pour l'Art in Geneva now provides what is without doubt one of the most exhaustive selections of works by Adami, Aillaud, Arroyo, Err , Fromanger, Jacquet, Klasen, Monory, Rancillac, Schlosser, St mpfli, T l maque and Voss, to name a few. Edited by Jean-Paul Ameline, who curated the Figuration narrative, Paris, 1960-1972 exhibition, held at the Grand Palais in 2008, this catalogue includes all its key works, with commentary and analysis by curators and art historians specializing in a movement that left an indelible mark on 1960s Europe." - Publisher. Size: 4to. Collectible.…

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Couverture rigide. Zustand: Comme neuf.

Zustand: Sehr gut. Unpaginiert, illustriert,28 x 22 cm, Broschur. Geringfügige Gebrauchsspuren, sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 450.

Couverture souple. Zustand: Bon. Catalogue de l'exposition. Galeries nationales du Grand Palais Paris 16 avril au 13 juillet 2008. Reproductions en couleurs. 21,5x26,5 cm. 46 p. Broché. Bon état. Intérieur en bon état. in-4°.

Hardcover. Zustand: As New. A superb unread hardback copy, still sealed in the publisher's shrink wrap.

Somogy, 2005. In-4 carré broché de 159 pages. Nombreuses reproductions. Bon état.

Paperback. Zustand: Brand New. 236 pages. French language. 8.43x5.35x0.79 inches. In Stock.

soft cover. Zustand: as new. first edition. In-4 carré broché de 159 pages. Nombreuses reproductions.

AUTOGRAMMKARTE (blanko, postkartenformat) mit Jahr, Unterschrift signiert 1996.

Zustand: NEW.

hardcover. Zustand: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Wrappers. Zustand: Very Good. 215 pages. Paperback exhibition catalogue. Texts in French. [SIGNED] Inscribed by the author to the previous owner on the half title. Vertical creasing to the spine, slight cocking to the binding, and light rubbing to the covers and edges. There are no other internal markings, and the binding is tight and solid. Bound in stiff illustrated paper covers and published on the occasion of the exhibition held La Seyne-sur Mer, Bergen, and Reykjavik from 2000-2001. Inscribed by the Author.…

Rilegato. Zustand: new. Edited by Ameline J. and Schubert J. Translation by Lee J. English Text. Milano, 2017; bound, pp. 336, col. ill., col. plates, cm 25,5x28. Nel corso degli anni Sessanta, nasce negli Stati Uniti e in Europa un nuovo genere di figurazione. Mentre a New York la pop art offre uno sguardo nuovo su un'America in pieno tumulto, a Parigi i pittori francesi, italiani, spagnoli, portoghesi, tedeschi e islandesi cominciano a ispirarsi alle immagini della pubblicità , del cinema e della stampa. Riuniti nel movimento di figurazione narrativa, questi artisti muovono una critica severa alla nuova societàgovernata dal consumo. Testimoni impegnati, molti di loro prenderanno parte alla contestazione politica sfociata nel Maggio '68 in Francia. Diventati figure di riferimento, oggi sono stati riscoperti da musei come il Centre Pompidou che hanno dedicato loro sempre più mostre. Grazie alle acquisizioni di grandi opere, la collezione della Fondation Gandur pour l'Art di Ginevra offre probabilmente uno dei panorami più completi delle opere di Adami, Aillaud, Arroyo, Erró, Fromanger, Jaquet, Klasen, Monory, Rancillas, Schlosser, Stämpfli, Télémaque e Voss. A cura di Jean-Paul Ameline, commissario della mostra «Figuration narrative, Paris, 1960-1972» che si è tenuta nel 2008 al Grand Palais, questo catalogo ne presenta le opere principali, studiate e analizzate dalle schede redatte da conservatori e storici dell'arte esperti di questo movimento che ha segnato gli anni Sessanta in Europa. Libro.…

Hardcover. Zustand: Used - Very Good. Andrew Ladis begins his book with Giorgio Vasari's famous story of Giotto's O, in which the artist drew a perfect circle freehand, baffled Pope Benedict XI's foolish messenger, and demonstrated his artistic brilliance to those qualified to understand. The fundamental premise of Ladis's work is that the Arena Chapel, like Giotto's mythical O (or tondo), must be understood as a complete, unified whole. He tells us, 'the cycle of murals in the Arena Chapel has a depth that underpins the whole, an unpretentious profundity manifested in a formal order, and as in the case of the O, one must have the wherewithal to discern Giotto's achievement beyond the directness and emotional power of the narrative.' Ladis does not write about the program from the more expected standpoints of patronage or audience, or via extensive analysis of archival source material. Instead, without discounting the former approaches, Ladis considers Giotto's conception of the Arena Chapel in terms of biblical exegesis, a central geometry, and what he sees as the program's carefully planned symmetry. He urges the viewer to abandon the temporal narrative and follow 'visual cues that encourage readings that transcend narrative time,' and so he moves through a discussion of Giotto's frescoes, offering new insights about particular passages and continually considering how the meaning of each section resonates with others throughout the chapel. A discussion of the murals by Giotto in the Arena Chapel of Padua, Italy. The artist's work is considered in terms of its relationship to the structure of the poetry of Dante, biblical exegesis, geometry, and symmetry. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.…

Zustand: D'occasion - Très bon état.