Overacting (19 Ergebnisse)
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Hardcover. Zustand: Near Fine. Hardcover, x + 173 pages, NOT ex-library. Printed in the USA. Clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Minor handling wear. Published without a dust jacket. -- The Great Proletarian Cultural Revolution, which took place in China between 1966 and… 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary presentations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in people's everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to people's eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never fully having become. The fear of failing in the Maoist transformation constituted the inner mechanism that propelled ordinary people's radical revolutionary behavior. In addition, this book examines the audience's reaction to Jiang Qing's court performance in the trial of the Gang of Four as an anarchic liberation from the revolutionary performance of the Cultural Revolution. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, this book reveals how people's performances of their everyday life functioned as mechanisms of social control. -- Contents: 1. Rituals in Action: Revolutionary Rituals and the Shaping of Political Idols and Political Subjects; 2. Deciphering Revolutionary Language: The Charm of the Big Character Poster; 3. Model Theater: Modeling the World; 4. Permanent Liminality: The Performance of Revolutionary Heroic Characters in Everyday Life; 5. Enfranchised Violence: Public Struggle Meetings; 6. The End of the Cultural Revolution: The Trial of the Gang of Four; Epilogue: Once to Every Man and Nation; Glossary; Bibliography; Index.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Overacting (also referred to as hamming or mugging) is the exaggeration of gestures and speech when acting. It may be unintentional, particularly in the case of a bad actor, or be required for the role. For the latter, it is commonly…used in comical situations or to stress the evil characteristics of a villain. Since the perception of acting quality differs between people the extent of overacting can be subjective. Overacting can be excessively dramatic to the point where the performance becomes awkward or unintentionally amusing to the audience. Overacting is sometimes known as 'chewing the scenery'. 164 pp. Englisch.
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - High Quality Content by WIKIPEDIA articles! Voice-over translation is an audiovisual translation technique in which dubbing is recorded over the original audio track which can be heard in the background. This method of translation is most…often used in documentaries and news reports to translate words of foreign-language interviewees. In some countries, most notably in Eastern Europe, it's commonly used to translate all kinds of movies. A typical voice-over translation is usually done by a single male voice artist. It's fast paced, though fully intelligible, usually trailing the original dialogue by a few seconds. The original audio can thus be heard to a large extent, allowing the viewer to grasp the emotions in the actors' voices, as well as hear the actors' musical performances if the film contains singing.
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Hardcover. Zustand: new. Hardcover. The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary present…ations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in peoples everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to peoples eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never fully having become. The fear of failing in the Maoist transformation constituted the inner mechanism that propelled ordinary peoples radical revolutionary behavior. In addition, this book examines the audiences reaction to Jiang Qings court performance in the trial of the Gang of Four as an anarchic liberation from the revolutionary performance of the Cultural Revolution. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, this book reveals how peoples performances of their everyday life functioned as mechanisms of social control. This postmodern study of the Chinese Cultural Revolution examines the inner mechanism of the mass movement. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, it reveals how peoples performances of their everyday lives functioned as mechanisms of social control. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Zustand: new. Hardcover. The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary present…ations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in peoples everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to peoples eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never fully having become. The fear of failing in the Maoist transformation constituted the inner mechanism that propelled ordinary peoples radical revolutionary behavior. In addition, this book examines the audiences reaction to Jiang Qings court performance in the trial of the Gang of Four as an anarchic liberation from the revolutionary performance of the Cultural Revolution. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, this book reveals how peoples performances of their everyday life functioned as mechanisms of social control. This postmodern study of the Chinese Cultural Revolution examines the inner mechanism of the mass movement. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, it reveals how peoples performances of their everyday lives functioned as mechanisms of social control. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This postmodern study of the Chinese Cultural Revolution examines the inner mechanism of the mass movement. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism,… it reveals how people s performances of their e.
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Taschenbuch. Zustand: Neu. Voice- Over Translation | Documentary Film, News Report, Film, Voice Acting, Overacting, Dmitriy Puchkov, Vernacular | Lambert M. Surhone (u. a.) | Taschenbuch | Englisch | 2026 | OmniScriptum | EAN 9786130571122 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078…Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand.
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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This postmodern study of the Chinese Cultural Revolution examines the inner mechanism of the mass movement.Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, it reveals how people's performances…of their everyday lives functioned as mechanisms of social control.
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Taschenbuch. Zustand: Neu. Overacting | Exaggeration, Gesture, Acting, Voice Projection, Emotion | Janeka Ane Madisyn | Taschenbuch | Englisch | 2026 | OmniScriptum | EAN 9786139081929 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Pri…nt on Demand.
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware OmniScriptum SRL, Str. Armeneasca 28/1, office 1, 2012 Chisinau 164 pp. Englisch.
