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Verlag: Oxford University Press, Incorporated, 1980
ISBN 10: 0192812734ISBN 13: 9780192812735
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Oxford University Press, Oxford, UK, 1979
Anbieter: Ray Boas, Bookseller - Established 1980, Walpole, NH, USA
PB. Zustand: very good+, wraps (softcover). B&W illustrations (illustrator). 192pp ISBN 0192812734.
Verlag: OUP
Anbieter: Book Cupboard, PLYMOUTH, DEVON, Vereinigtes Königreich
1979 RPT FINE PB INSCRIPT.
Verlag: Oxford, 0, 1979
Anbieter: Book Express (NZ), Wellington, Neuseeland
Buch
Paperback. Zustand: Good. 192 pages.
Verlag: O.U.P., 1979., 1979
Anbieter: Hay Cinema Bookshop Limited, Hay on Wye, Vereinigtes Königreich
Reprint of 1938 edition. 8vo. [xiv] + 192pp. B/w. illustrations by L. Moholy-Nagy, Osbert Lancaster, the Rev. Edward Bradley et al. Pages lightly browned. Rebound in purple boards with gilt lettering to spine. ISBN 019812734 US$11.
Verlag: Oxford University Press, 1979
Anbieter: Codex Books, York, Vereinigtes Königreich
Buch
Soft cover. Zustand: Good. An Oxford University Chest by John Betjeman, 1979, Published by Oxford University Press, Printed in Great Britain by Hazell,Watson and Viney Ltd, Paperback,has some fading and yellowing to covers and spine, All pages appear present, Pages are yellowing, All illustrations appear present as listed,with yellowing to illustrations,
Verlag: S.R. Publishers, 1971
ISBN 10: 0854096477ISBN 13: 9780854096473
Anbieter: High Street Books, New Mills, Vereinigtes Königreich
Buch
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Worn dust jacket has short tears to the edges and is now in a protective sleeve, school library stamps. Orders received by 3pm Sent from the UK that weekday.
Verlag: John Miles, London, 1938
Anbieter: Compass Rose Books, ABAA-ILAB, Kensington, CA, USA
Erstausgabe
Hardcover. Zustand: Good. First Edition. First Impression. A copy in Good condition, bound in dark brown buckram over red/brown paper covered boards, lacking the dustwrapper. Wear to edges of board, but endpapers clean and unmarked. Spine gilt and top edge gilt bright. 192pp. with Index. A reading copy. Q19232.
Erscheinungsdatum: 1938
Anbieter: Addyman Books, Hay-on-Wye, Vereinigtes Königreich
Erstausgabe
First edition. John Miles, London. 1938. Marbled paper-covered boards with black cloth backstrip, gilt type and Maltese crosses to spine. 192 pages. B/w photograph plates + many other ills. Boards rubbed esp. extremities. Stamp of The Carnegie Library, Ottawa in blind to title-page, damage to rear end-papers. Still a desirable first of this much-loved poet's first prose work.
Verlag: Published by S. R. Publishers Ltd., East Ardsley, Wakefield, Yorkshire . Yorkshire 1970., 1970
Anbieter: Little Stour Books PBFA Member, Canterbury, Vereinigtes Königreich
Verbandsmitglied: PBFA
Facsimile reissue hard back binding in publisher's original crimson paper covered boards, gilt title and author lettering to the spine. Quarto 10'' x 8''. Contains 192 printed pages of text with monochrome photographs throughout. Light foxing to the closed page edges, one mark to the top edge, minimal foxing to the end papers and in near Fine condition, no dust wrapper. Member of the P.B.F.A. OXFORDSHIRE (Oxonium).
Verlag: John Miles, London, 1938
Anbieter: Bookcase, Carlisle, Vereinigtes Königreich
Erstausgabe
Quarter Cloth. Zustand: Very Good. No Jacket. Moholy-Nagy, L. (illustrator). First Edition. Spine has chipping to ends. Marbled board corners bumped. Some gutters cracked. Content clean and tidy. Size: 4to.
Verlag: John Miles, 1938
Anbieter: Tindley and Everett, ABA, London, Vereinigtes Königreich
Erstausgabe
Hardcover. Zustand: Very Good. No Jacket. 1st Edition. Illustrated in line and half-tone by L.Moholy-Nagy, Osbert Lancaster and others. Marbled boards, black cloth spine. Corners slightly rubbed. Nice copy.
Verlag: John Miles,, 1938
Anbieter: Bertram Rota Ltd, Kintbury, Vereinigtes Königreich
Erstausgabe
First Edition. Illustrations, including many photographs by L. Moholy-Nagy and 16 drawings by Osbert Lancaster 4to Fine copy One of a few copies issued before the insertion of an errata slip. Cloth-backed marbled boards, top edge gilt.
Verlag: John Miles 1938, London, 1938
Anbieter: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Vereinigtes Königreich
Erstausgabe
Marbled Boards. Zustand: Near Fine. Zustand des Schutzumschlags: Fair. Moholy-Nagy, L. ; Lancaster, Osbert ; Bradley, Edward (illustrator). First Edition. First Edition. xvi, 192 pp. Marbled boards under cloth spine which has gilt devices, bands and lettering within a colour illustrated jacket, not price clipped; top edge gilt. Jacket worn, torn and marked, with several instances of repair with tape. Minor rubs to corners and top of spine; otherwise in near fine condition, clean inside and out. John Betjeman's first published work of prose: a full and whimsical description of Oxford in 1938, comprehensibly photographed throughout by L. Moholy-Nagy, as well as with in text illustrations by Rev. Edward Bradley and Osbert Lancaster. A charming copy, scarce in the jacket. Large 8vo. Illustrated.
Verlag: John Miles, 1938
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
FIRST EDITION, illustrations (including 59 photogravures on 53 plates), pp. xvi, 192, 4to, original quarter navy buckram with marbled boards, backstrip lettered and with decorations in gilt, slight lean to spine and board-edges a little rubbed, t.e.g., fore-edge spotted, a few faint spots to endpapers, the scarce dustjacket with a design by Moholy-Nagy, a little frayed with some sections of loss, good. (Peterson A6a).
Verlag: John Miles, 1938
Anbieter: Tim Arlott Books, Newbury, BERKS, Vereinigtes Königreich
Buch Erstausgabe Signiert
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. 1938 1st Edition signed 'For John Arlott. John Betjeman 1960.' The later poet laureate John Betjeman and English broadcaster and writer John Arlott were good friends.There are some tears to the dust jacket (see photos) and some foxing on front pages but title page (also signed) and text clean and good. Signed by Author(s).
Erscheinungsdatum: 1938
Anbieter: Henry Sotheran Ltd, London, Vereinigtes Königreich
Erstausgabe Signiert
John Miles, 1938. 4to. Original blue cloth back paper-covered boards; with photographs by Moholy-Nagy; with supplied scarce dustwrapper which is a little chipped and creased with a few closed tears. First edition, author's presentation copy inscribed on the front free endpaper to Greta Wyndham, the wife of his friend, the artist Richard Wyndham: "Beautiful Nà rge / Grëta Wyndham / John Betjemanstrà m 1938 / Some of the major misprints have been corrected." Betjeman has made the following holograph corrections: "John" to "James Gibbs" in the caption on p.18; "Trinity College Chapel" for "Christchurch Cathedral" on p.118 and "Christine" for "Christian Longford" on p.186. Richard Wyndham and Betjeman moved in the same social circles notably both appearing in the amateur film The Sailor's Return filmed at Cecil Beaton's home Ashcombe. The news of this film, with Lady Caroline Paget starring as Tulip, also provided Betjeman with one of his few front-page scoops as a journalist on the Standard. Wyndham also provided artwork for Shell when Betjeman was working there under Jack Beddington. Caroline Dakers in Clouds: The Biography of a Country House comments "From 1929 onwards a regular visitor to Tickerage was Greta Wulfsberg, a Norwegian of 'piquant charm', one of Dick's [Richard Wyndham's] models. When she became pregnant in 1930, Dick agreed to marry her; his second daughter Ingrid was born the following year.He gave Ingrid a lavish christening party at Clouds but otherwise spent little time with his baby daughter. She lived for much of her childhood with her grandfather Guy and Violet Wyndham at Parliament Piece. Meanwhile Dick and Greta agreed to remain on friendly terms, often visiting country houses together, hosting parties in London, but only occasionally cohabiting as husband and wife. With the freedom to pursue their own interests, they remained on affectionate terms." Betjeman's warm inscription to Wyndham's wife Greta may provide the solution to one of the unanswered Betjemanian literary puzzles, the identity of the "golden haired Swedish beauty" in the poem The Irish Unionist's Farewell to Greta Hellstrà m in 1922. In his biography Bevis Hillier spends some time considering the case (New Fame, New Love pp.328- 333), finally proposing Emily Villiers-Stuart as the unidentified lover of the poem, but concluding "Like the "Mr WH" conundrum, the matter is likely to remain a tantalizing mystery - unless, some day, a cache of hitherto unknown love-letters should come to light, with indisputable revelations." Although not a "cache of love-letters", the inscription in this book however would seem to cast Greta Wyndham in the role. Betjeman has changed her nationality from Norwegian to Swedish, possibly to disguise her identity, or for ease of scansion, or even perhaps to create a resonance with the best-known Greta in the 1930s - the Swedish Greta Garbo, who would have been specially well-known to JB as film critic of the Evening Standard in 1934-35. From a photograph of her taken with Dick at Tickerage it would also seem that Greta was in fact a brunette rather than 'golden haired', but certainly a beauty. The Irish Unionist's Farewell to Greta Hellstrà m in 1922 was first published in the December 1945 issue of the Cornhill Magazine and then collected in New Bats in Old Belfries. By this stage Greta had divorced Richard Wyndham and Betjeman may have felt therefore more confident in alluding to an earlier amorous tryst. With loosely inserted a first proof (ink stamp dated 16 Nov 1945) of pp.479/480 from the December 1945 Cornhill Magazine printing the poem for the first time. It would seem highly improbable that Betjeman would send Greta Wyndham the proof if she were not the woman apostrophized in his poem.