practical hints light shade von burnet john (69 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: New. In.

Hardcover. Zustand: Fair. Fifth Edition. Binding is in poor condition, part of backing gone, back hinge loose and front hinge broken completely. Text and eight plates in good condition.

Paper Over Board. Zustand: Good/Fair. No Jacket. Seventh Edition. A complete copy of this scarce work. 45 pages and 8 plates. Some foxing throughout. No inscriptions. Both boards detached, and spine missing.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: No Dust Jacket. Illustrated by Illustrated (illustrator). Reprint. Library stamps/marks/labels, later owner's emboss, light tone, otherwise light wear. Solid oversize hardcover.; "In reprinting Burnet's famous Art Essays, we have done this with the idea of placing the book before students and lovers of Art and marketing it at a price within the reach of those of moderate means. The illustrations have been taken from the original editions published in 1822, 1826 and 1837 and the text re-set from new types. No alterations have been made in Burnet's phraseaology and it is verbatim." - Publisher's Announcement. Cover title: Essays On Art; spine title: Burnet's Art Essays. Reprint of this classic hands-on art instruction in foundational visual principles by Scottish painter and engraver Burnet. ; Ex-Library; 50, 15, 35, 7 l pl pages.

Hardcover. Zustand: Good. Hints on Compositions, Chiaroscuro, and Colouring: 32pp with eight tissue-guarded black and white plates; Practical Hints on Light and shade in Painting: vi, 46pp with six tissue-guarded black and white plates; Practical Hints on Colour Printing: x, 64pp with eight tissue-guarded colour plates. Quarter bound in green cloth over paper boards, gilt titles on spine. three cm of heel of spine cover detached from rear board and torn. Missing head of spine and 1cm tear at both boards. Heavy wear to boards. Cloth on corners, bottom and front side worn through. Silk paste-downs. Free endpapers toned around edges. Internally neat, clean, bright and tight, barring faint, occasional spotting. 8vo.

Zustand: Very Good. Fourth Edition. Hardback. Quarto. 45pp. 8 plates. Contemporary boards with printed paper cover label. Covers with some rubbing, rebacked with recent black cloth with gilt titles, very good.

Hardcover. Zustand: Good. No Jacket. BY EXAMPLES FROM THE ITALIAN, FLEMISH, AND DUTCH SCHOOLS. SIXTH EDITION. (London: James Carpenter, 1849). 45pp., 8 plates. -[bound with]- Burnet, *PRACTICAL HINTS ON COLOUR IN PAINTING. ILLUSTRATED BY EXAMPLES FROM THE WORKS OF THE VENETIAN, FLEMISH, AND DUTCH SCHOOLS. FIFTH EDITION. (London: James Carpenter, 1843). [xii], 64pp., 8 plates, neatly and brilliantly hand colored. The plates are rendered as either engraved or etched prints, and each bears a small, discreet library stamp, some on recto, some on verso. A Good+ copy overall.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Zustand: New. Print on Demand pp. 94.

LeatherBound. Zustand: New. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 98. A perfect gift for your loved ones. Reprinted from 1826 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 98.

LeatherBound. Zustand: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 160. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 160.

LeatherBound. Zustand: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 206. A perfect gift for your loved ones. Reprinted from 1849 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 206.

vii + 45pp.+ 8 plates out-of-text, 6th edition, 29cm., modern cart.cover, some foxing, Good condition.

Hardcover. Zustand: Very Good. Eight pages of plates, 11 x 8.5", later 3/4 leather with new label with gilt lettering, tan cloth, 45pp. Bound with: Burnet, John- PRACTICAL HINTS ON COMPOSITION IN PAINTING.Printed For The Proprietor: London 1827. Nine pp of plates, 31pp. Edgeworn, corners bumped and worn, light soiling to cloth, ink name (Lewis M. Whitworth), scattered foxing and toning, upper gutter stain and free rear endpaper torn else good to very good condition. John Burnet, 1784-1868, was an artist who specialized in portraits and landscapes and exhibited regularly at the Royal Academy. He also provided engravings for Robert Burns' works. The first title listed "Light" is a first edition, the second title "Composition" is a second edition. SCARCE.

Hardback. Illustrated by examples from the Italian Flemish and Dutch schools pp 458 pages of engravings some staining to the margin affecting the engravings very slightly Bound in original full green calf rebacked in green calf some tooling. book.

Hardcover. Zustand: Good. 1st Edition. London: Printed by the Proprietor and Sold by James Carpenter and Son., 1827, First Edition. Full leather binding, by Colnaghi, with gilt titles, raised bands, and gilt decoration to the compartments, gilt page edges, marbled paste downs and end papers. Full morocco boards with gilt decoration. A work in three parts, with separate pagination, illustrated with 33 separate engraved plates. [7], 8-31pp, 9 engraved plates. vi, [ii], 45pp, 8 engraved plates. ix, [iii], 64pp, 16 engraved plates, 8 in black and white and 8 in colour. Provenance: inscription to Amy Hogg to the front free end paper. Approximately 13 inches tall. Condition Report Externally Spine good condition gilt titles, five raised bands, gilt decoration to the compartments, worn. Joints good condition rubbed. Corners good condition bumped and worn. Boards good condition full leather boards, gilt tooled decoration, the outer edges of the boards are gilt decorated. Page edges good condition all gilt. See above and photos. Internally Hinges good condition sound. Paste downs good condition yellow. End papers good condition yellow, subsequent end papers, tanned and foxed, front free end paper effectively detached. Title good condition tanned with some foxing. Pages good condition tanned and foxed illustrated. Binding good condition. See photos. Publisher: see above. Publication Date: 1822-27 Binding: Hardback.

First edition of this introduction to chiaroscuro by Scottish painter John Burnet, whose popular treatises on art theory and practice would be reprinted on both sides of the Atlantic for nearly a century. This work follows the success of Burnet's 1822 Practical Hints on Composition in Painting. In this second treatise, Burnet takes up the handling of light by painters including Tintoretto, Veronese, Titian, Van Dyck, Rubens, and especially Rembrandt: "The most learned arrangements of light and shade may astonish; but there is a charm in the chiaroscuro of nature which carries irresistable sway." Much of the appeal of Burnet's work lies in his original engravings: the eight plates in this volume represent an ambitious picture gallery of almost forty Old Master paintings, each accompanied by a discussion of the artist's talent and technique. A very good copy. Quarto, measuring 11 x 8.5 inches: vi, [2], 45, [1], [2]. Contemporary drab boards neatly rebacked, spine lettered in gilt, publisher's advertisement mounted to front pastedown. Eight engraved plates throughout text. Publisher's prospectuses for William Light's Series of Views of Pompeii and P.F. Robinson's New Vitruvius Britannicus bound in before half-title; two-page publisher's catalog bound at rear. Closed marginal tear to preliminary blank, occasional foxing.

Hardcover. Zustand: As New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked -- with a bonus offer--.

4to. 11.5 x 9.25 inches. An Essay on the Education of the Eye, [2] + viii + [iv] + 73 pp.; Practical Hints on Composition in Painting, 31 pp.; Practical Hints on Light and Shade in Painting, [vi] + [ii] + 44 pp.; Practical Hints on Colour in Painting, ix + [i] + 64 pp. + 4 pp. publisher's list of New Works. Each part has separate title page, pagination and register. Some half titles may have been omitted by original binder. Rebound in quarter calf over marbled boards, gilt, with new endpapers; spine in compartments with raised bands, decorated gilt with contrasting black morocco title label, gilt. Occasional traces of spotting, but otherwise a very good clean copy. Illustrated by 32 copperplates, protected by tissue guards, including 8 hand coloured and by 5 text figures. The four parts of the treatise on the theory of painting, by The Scottish artist John Burnet (1784-1868), Scottish artist of portraits, landscapes and rural genre scenes. He moved to London in 1806 and frequently exhibited at the Royal Academy. The parts were also issued separately and appeared to have been published together in three parts about 1827. In a handsome recent binding with over thirty copperplates, including eight hand coloured in the last section. ART REFERENCE PAINTING ARTS- PAINTING 19TH CENTURY ILLUSTRATED FINE BINDING ART REFERENCE.

LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1864 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 83 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 83.

LeatherBound. Zustand: New. LeatherBound edition. Condition: New. Reprinted from 1834 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 95 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 95.