principles art history problem von wolfflin heinrich (100 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

7th Edition. Previous owner's signature. Poor copy in the original stiff-card wrappers; edges somewhat dust-dulled and nicked. Spine worn. Text remains clear and without blemish. Physical description: xvi, 237 pages : illustrations ; 24cm. Subjects: Art history. 1 Kg.

Zustand: DISCRETO USATO. INGLESE Legatura filo refe con tracce da restauro artigianale impreziosita da illustrazioni in b-n, copertina rigida in tela verde con titolo in oro al dorso rivestita in plastica trasparente segnata da piccola impronta di umido al piatto posteriore, leggero distacco lungo la cerniera interna dei preliminari, macchie di umido e segni a biro alle prime 24 pagine, traduz. M. D. Hottinger, presenti etichette con resti di colla e abrasioni alla guardia e risguardia posteriore, pagine avorio ben tenute, pulviscolo e fioriture ai tagli. N. pag. 237."Il volume potrebbe contenere timbri, il materiale è stato regolamente acquisito dalla nostra Libreria.".

7th Edition. Previous owner's signature. Poor copy in the original stiff-card wrappers; edges somewhat dust-dulled and nicked. Spine worn. Text remains clear and without blemish. Physical description: xvi, 237 pages : illustrations ; 24cm. Subjects: Art history. 1 Kg.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: New.

PAPERBACK. Zustand: Good. B000K1QJ8G First 60 pages have underlining. Light cover wear. Edge wear. Book is in decent shape. Retail 2.00.

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.55.

Zustand: Good. Rare 1950 Edition with blue background. Book shows some wear, has some markings on the inside.

Softcover, 238 pages; good condition; light wear to covers; scattered pen underlinings.

Paperback. Zustand: Good.

Zustand: Used - Very Good. 2015. paperback. Pap. Slight shelf-wear, else very sound, with clean internals. Very Good.

Encuadernación de tapa blanda. Zustand: Bien. Subrayados a bolígrafo rojo en las primeras 14 páginas del libro.

Zustand: New.

Imperial octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

Hardcover. Zustand: Fair. No Jacket. The boards are worn and marked.Previous ownership inscription.Well bound.Fair copy.[R.K]. Our orders are shipped using tracked courier delivery services.

, sewn PAPERBACK, cover price $2.50, good used copy, some wear, but clear lamination flaking off and chipped away from covers. WÖLFFLIN, HEINRICH. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York: Dover Publications, no date, around 1970, xvi, 237pp., . Translation of: Kunstgeschichtliche Grundbegriffe - What are the fundamental differences between classic and baroque art? Is there a pattern underlying the seemingly helter-skelter development of art in different cultures and at different times? What causes our entirely different reactions to precisely the same painting or to the same painter? In this now-classic treatise, published originally in Germany in the early 1920s, Professor Wölfflin provides an objective set of criteria to answer these and related questions. Examining such factors as style, quality, and mode of representation in terms of five opposed dynamisms (the linear vs. painterly, plane vs. recession, closed vs. open form, multiplicity vs. unity, and clearness vs. unclearness), the author analyzes the work of 64 major artists, delving even into sculpture and architecture. 150 illustrations of the work of Botticelli, van Cleve, Durer, Holbein, Brueghel, Bouts, Hals, Rembrandt, Velasquez, Titian, Vermeer, and other major figures accompany Professor Wölfflin's brilliant contributions to the methodology of art criticism. Whether you teach art, study it, or want to understand it purely for your own enjoyment, this epoch-making study will certainly increase your comprehension of and pleasure in the world's art heritage. - CONTENTS: Introduction : The double root of style: The most general representational forms ; Imitation and decoration -- Linear and painterly : General ; Drawing ; Painting ; Sculpture ; Architecture -- Plane and recession : Painting ; Sculpture ; Architecture -- Closed and open form : Painting ; Sculpture ; Architecture -- Multiplicity and unity : Painting ; Architecture -- Clearness and unclearness : Painting ; Architecture -- Conclusion : External and internal history of art ; Forms of imitation and decoration ; The why of the development ; Periodicity of the development ; The problem of recommencement ; National characteristics ; Shifting of the centre of gravity. 9780486202761 ISBN 0486202763.

Couverture souple. Zustand: bon. RO60140438: Non daté. In-8. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur acceptable. 237 pages. Photo en noir et blanc en frontispice. Illustré de nombreuses photos en noir et blanc dans et hors texte. Annotations au crayon et blanco en page de faux-titre. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Soft cover. Zustand: Very Good. Book is clean and tight. Bookstore label on the inside. Some highlighting/underlining.

Soft cover. Zustand: Good. 237 pages. Reprint edition of M.D. Hottinger's English translation (1932) of book first published in German 1915. Includes author's prefaces to 6th and 7th editions (1922, 1929). Four-page list of illustrations, which are b&w art reproductions and photos, throughout. Trade paperback (6-1/8" x 9-1/4"), light soil/foxing/wear to wraps including rubbing along spine, faint foxing to fore-edge and end papers. Underscoring and/or marginalia in pencil on fewer than 10 pages. Laid in is a page of typed out excerpts from Gombrich's Norm and Form, on Wölfflin.

Trade Paperback. Zustand: Near Fine. Illustrated (illustrator). Reprint. New York: Dover, 237 pp. Illustrated in black and white, printed on acid-free paper. New, unread trade paperback. Light shelf wear. Near fine condition.

, Wölfflin, Heinrich, 1864-1945. Principles of art history: the problem of the development of style in later art. Translated by M. D. Hottinger from the 7th German edition. New York, Dover, no date, around 1970, xvi, 237pp., sewn PAPERBACK, original price $2.00, very good, but clear lamination flaked off on covers. Dover T276. Translation of: Kunstgeschichtliche Grundbegriffe.

Couverture souple. Zustand: Très bon. #Broché : 237 pages #Parution : janvier 1929.

Zustand: New.

Hardcover. 1. Oln., Ou., 327 S., 8°. (leichte Altersspuren, gutes, sauberes Exemplar);2. Oln., Goldprägung, 528 S., 8°. Leichte Altersspuren, gutes, sauberes Exemplar); 3. Okrt., XVI, 237 S., 8°. (leichte Altersspuren, gutes Exemplar). Abgabe der 3 Titel nur zusammen. Als kostenlose Zugabe: Bauhaus-Archiv. Georg Muche. Das künstlerische Werk 1912 - 1927. Okrt., 160 S., Gr8°. (Gutes Exemplar)., 1. Mit Literatur, Kunstschrifttum und Kunsttheorie, Abbildungsverzeichnis, Zeittafel, Personen- und Ortsverzeichnis; 2. Mit Rückblick und Register. 3000 gr. 0.0.

Paperback. Zustand: Good. Reprint. 237 pages. Book is in general good condition. There is some light reading wear present, but still a presentable copy.

Zustand: Good. Good condition. No Dust Jacket No date stated, though at least 7th edition and published 1932 or after. Owner's name on front pastedown. (art, art history).

Soft cover. Zustand: Very Good. 1st Edition thus?. Larger trade paperback, pictorial blue/orange covers. Some pencil marks, a bit musty. With b/w repros. Solid reading copy. Trans: M.D. Hottinger. 9420 shelf 237 p. Book.

Paperback. Zustand: Good. Unmarked text. Some edge wear and price blacked out on cover. Translated by M.D. Hottinger from the 7th German edition. 237pp. 150 illustrations. The author analyzes the work of 64 major artists, as well as sculpture and architecture. Ranges from Botticelli, van Cleve to Durer, Holbein, Rembrandt and Vermeer. Measures 6x9.25 inches. 239p.

Hardcover. Zustand: Good. No DJ, undated. Blue cloth cover is split along spine, worn edges. Pages are bright and unmarked, good binding, clean plates.