rakes progress opera three (22 Ergebnisse)

hardcover. Zustand: Good. Paperback of W.H. Auden and his partner Chester Kallman's libretto for Igor Stravinsky's The Rakes Progress is toned on the cover and prelims, pen name first page, rusted staples. 60 pages. Some critics and scholars have identified gay subtext in the characters and plot, particularly in the relationship between Nick Shadow and Tom Rakewell, which has been interpreted as a representation of the complexities of intimacy and queer desire. The libretto can be interpreted as an autobiographical tale of the lifelong romance of Auden and Kallman. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Soft cover. Zustand: Fair. 4to, stapled in printed wrappers. Wrappers browned, frayed, torn at tail of spine. The libretto only.

Soft cover. Zustand: Very Good. 44 pages. Illustrated. Charles Rigby "The Free Trade Hall" / Stainton de B Taylor "Charles Kennedy Scott" / Hubert Foss "Cecil Gray, 1895-1951" obituary / Richard Capell "Stravinsky's Opera -The Rake's Progress" / Adolf Aber "Fritz Busch, 1890-1951" obituary / W R Anderson "Round about Radio" / Robert L Jacobs "The Conservatism of the Public" / J Eric Hunt "The Organ In Attingham Park, Shropshire" / The Three Choirs Festival, Worcester / The Birmingham Festival / The Swansea Festival / The Salzburg Festival / The Bremen Bach Festival (M13).

Softcover. 60 pages. Features text by Auden and Kallman and music by Stravinsky. A very good copy in stapled wrappers that are very slightly soiled and with a former owner signature to the title page and a handwritten note to the verso of the rear cover.

Soft cover. Zustand: Near Fine. 60 pages, near fine condition in slightly marked paper covers.

Stapled wraps. Zustand: Very Good+. Libretto for Stravinsky's opera. Copyright date is 1951, but publishing is clearly later. In English. Stapling is solid and not eating into cover. Pages unmarked and bright. Cover has minimal wear, but is slightly sun-faded along fold.

First edition. 60 pages. Paperback in very good condition.

Size: Small 8vo. 60pp. Stapled as issued in publisher's printed wrappers.

Hardcover. Zustand: Good. VERY GOOD READING COPY. Hardback. Pages are unmarked, fairly used, a bit age tanned. Binding is strong. Cover is stained. Published/printed by Boosey and Hawkes B & H 17853. Approximately 8 1/2 X 10 1/2. 414 pages.

Hardcover. Zustand: VG. 4to hardcover. 414 pp. Light wear. Slight fade to spine. Binding is strong. Name on ffep. Text is clean. Ships wrapped in bubble wrap and packed with care in a box.

Stapled Wrappers. Zustand: Fine. First Edition. No Printing Statement, presumed First Impression. A Fine copy in pale yellow stapled wrappers, as issued. 60pp. Libretto only for the opera the music for which was composed by Igor Stravinsky. Q17342.

Taschenbuch. Zustand: Neu. Neuware -(Boosey & Hawkes Scores/Books). New edition of Stravinsky's largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of the spendthrift heir of a miser from wealth via debt to madness and death is, in essence, retained in the opera. Auden and Kallman's 'fable' wittily grafts onto Hogarth's quest narrative aspects of, among other sources, Classical pastoral, the Faust legend, fairy tale, circus, the Bible and opera in many different manifestations. This is brilliantly matched by Stravinsky's music, which takes as its source the whole of operatic history from Monteverdi to Verdi via Rossini and Donizetti and large doses of Mozart, yet it is neither parody nor pastiche. The Rake s Progress can be appreciated on many levels, which might explain why it is still one of only a handful of 20th-century operas never to have been out of the repertoire.

Gr.-8°, Leinen. Zustand: Gut. 414 pp Kleiner Besitzvermerk im inneren Deckel , sonst ein sehr gutes gepflegtes Exemplar aus der Privatbibliothek eines Musikbibliothekar 608 Sprache: Englisch Gewicht in Gramm: 1205.

Taschenbuch. Zustand: Neu. Neuware -(Boosey & Hawkes Scores/Books). New edition of Stravinsky's largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of the spendthrift heir of a miser from wealth via debt to madness and death is, in essence, retained in the opera. Auden and Kallman's 'fable' wittily grafts onto Hogarth's quest narrative aspects of, among other sources, Classical pastoral, the Faust legend, fairy tale, circus, the Bible and opera in many different manifestations. This is brilliantly matched by Stravinsky's music, which takes as its source the whole of operatic history from Monteverdi to Verdi via Rossini and Donizetti and large doses of Mozart, yet it is neither parody nor pastiche. The Rake s Progress can be appreciated on many levels, which might explain why it is still one of only a handful of 20th-century operas never to have been out of the repertoire. 368 pp. Englisch.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Size: Folio. [vi], 414pp. Publisher's printed wrappers with cloth backstrip. Some foxing.

Zustand: Brand New. 368 pages. 8.11x0.87x11.57 inches. In Stock.

Notenblatt. Zustand: Neu. Neuware - New edition of Stravinsky's largest work, his only full-length work for the theatre, and his first major work in English. It also represents the culmination of his neoclassical years, after which he started to rethink his musical language. Inspired by an exhibition in Chicago in 1947 of a series of Hogarth prints, the depiction of the ironic progress of the spendthrift heir of a miser from wealth via debt to madness and death is, in essence, retained in the opera. Auden and Kallman's 'fable' wittily grafts onto Hogarth's quest narrative aspects of, among other sources, Classical pastoral, the Faust legend, fairy tale, circus, the Bible and opera in many different manifestations. This is brilliantly matched by Stravinsky's music, which takes as its source the whole of operatic history from Monteverdi to Verdi via Rossini and Donizetti and large doses of Mozart, yet it is neither parody nor pastiche. The Rake's Progress can be appreciated on many levels, which might explain why it is still one of only a handful of 20th-century operas never to have been out of the repertoire.Instrumentation:soloists, choir and orchestra; Neuausgabe von Strawinskys umfangreichstem Werk, seinem einzigen großen Musiktheaterstück und sein erstes großes Werk in englischer Sprache. Es gilt zudem als Kulminationspunkt seiner neoklassischen Jahre, nach denen er begann, neu über seine musikalische Sprache nachzudenken. Inspiriert von einer Ausstellung in Chicago im Jahr 1947, in der eine Rehe von Drucken des englischen Malers und Grafikers William Hogarth zu sehen waren, wird die Beschreibung der tragisch-ironischen Entwicklung eines verschwenderischen Erben eines Geizhalses, der zunächst in Reichtum lebt, dann in Schulden abdriftet und schließlich bei Wahnsinn und Tod endet, zur Essenz dieser Oper. Die 'Fabel' von W. H. Auden und C. Kallman veredelt Hogarths Bestreben mit narrativen Aspekten (unter anderem) der klassischen Pastorale, der Faust-Legende, Märchen, Zirkus, der Bibel und der Oper in vielfältigen Manifestationen. Das alles wird brillant zusammengehalten von Strawinskys Musik, der die gesamte Operngeschichte von Monteverdi bis Verdi via Rossini und Donizetti und einer großen Portion Mozart als Quelle zur Verfügung steht - und doch handelt es sich hier weder um Parodie noch um pure Nachahmung. The Rakes's Progress kann man in vielerlei Hinsicht würdigen, was auch erklären mag, warum dieses Werk immer noch zu einer Handvoll von Opern des 20. Jahrhunderts gehört, die nie vom Spielplan verschwunden sind.

Softcover. Zustand: Near Fine. First edition. Octavo. 60pp. Yellow printed wrappers. About fine. Libretto only of Stravinsky's opera.

First edition of the libretto for Stravinsky's opera. 8vo., original printed wrappers. A near fine copy.

audioCD. Zustand: Gut. 2 CD kleine Gebrauchspuren OM102F11 Sprache: Deutsch Gewicht in Gramm: 805.